Category Archives: Photographs: Central California

Wetland Reflections, Winter Morning

Wetland Reflections, Winter Morning
“Wetland Reflections, Winter Morning” — Fog envelops a wetland marsh reflecing the soft light of sunrise on a quiet winter morning.

Am I alone in always looking forward (or sometimes backwards) to the season that is not the current one? In summer I anticipate fall. In winter I look forward to spring. For some reason today I got to thinking about last winter, and I dug into some photographs I made back in January when regular trips to photograph this cold, foggy landscape and migratory birds were part of my routine.

The photograph reminds me of the other sensations of this place at that time of year. It was cold and the air was still and damp with tule fog. The opaque fog muted the landscape more than a few hundred feet away, except that the tule fog was shallow enough to barely reveal the sunrise and high clouds. You might think it was silent, but the sounds of winter birds filled the air.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Clearing Fog, Point Lobos

Clearing Fog, Point Lobos
“Clearing Fog, Point Lobos” — Morning fog clears in the distance at Point Lobos.

In early spring I made a quick visit to Point Lobos, located between Monterey and the Big Sur area. (The latter was still closed due to storm-caused road damage, and the thru-route won’t likely open again until much later this year.) I went early on a weekday morning, more or less the only way to enjoy this place without crowds, especially now that the weather is warming. I spent hours slowly wandering familiar areas, and enjoying the quiet morning.

As much as any other photographer, I often gravitate to making photographs of the Pacific coast that capture its grand scale and the power of the ocean. (I love to photograph the drama of Pacific winter storm surf.) But this morning and this picture represent a different but also compelling state of the coast — a quiet, gray day on which nothing seemed hurried.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Jumbled Rocks and Strata

Jumbled Rocks and Strata
“Jumbled Rocks and Strata” — Stratified rocks and piles of jumbled boulders line the shoreline of a cove, Point Lobos.

This geology is found along the edges of one of the famous coves at Point Lobos, on the California coast between Monterey and Big Sur. Here deeply stratified rock formations meet the sea, curving and bending as they gradually drop into the cove. The surf continuously erodes the rocks, depositing broken pieces of these formations on the shoreline, along with driftwood and bits of rock from other locations.

I rarely photograph the “all” of this subject. More typically I wander slowly among the rocks and driftwood and other things cast up by the surf, looking for small “intimate landscape” subjects. A close look at this scene may reveal some of the elements of those photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Coastal Layers

Coastal Layers
“Coastal Layers” — Stratified and eroded rock formations along the California coast at Point Lobos.

All of the other photograph s that I made in this location at Point Lobos turned out to be color images, but I decided that I wanted to use monochrome for this one. There were several reasons. There’s an old “rule” about using monochrome when subject’s colors aren’t its main feature, and that was the case here, at least in this light. In addition, I felt that black and white might better abstract the forms of these eroded coastal rocks.

It is a fascinating formation, partly for what it is and partly for how it has evolved. This layered rock apparently underlies the low headlands here, and the end of the formation has been exposed by ocean erosion. (Below this spot is a cove, while above it is a grassy headland.) As the erosion continues it exposes remarkable patterns in the underlying rock. much of it is a sort of familiar sandstone that has colors similar to those in the American Southwest, but interspersed are layers of pebble-filled conglomerate and, here and there, some surprising bits of color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.