Category Archives: Photographs: Desert

Dune Plants, Morning Light

Dune Plants, Morning Light
Light from the morning sun slants across the face of sand dunes to illuminate desert plants.

Dune Plants, Morning Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Light from the morning sun slants across the face of sand dunes to illuminate desert plants.

During times of what I consider to be the most interesting light in the dunes — right around sunrise and sunset — the scene changes with remarkable speed. These landscapes are so much about the color and angles of the light, and at these times both of those elements can change with great speed. One moment a subject might be dull and flat, but a moment later as a beam of light comes over a dune it may be spotlighted against shadows or its color may change drastically. I’m always surprised by how dynamic the photography process is in this supposedly static landscape!

I had earlier noticed this creosote bush and its small companion, but passed them by since they were in flat shadows. I turned my attention to something else further away, and when I looked at the nearer landscape a few minutes later I saw that the plants were in the sun and the light was touching the top of the dune in the upper part of the frame. I quickly turned my attention to this intimate landscape, and changed continuously as I made several exposures over what must have been no more than a minute or two.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Sand

Evening Sand
Warm evening light on sand dunes, Death Valley National Park.

Evening Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

Warm evening light on sand dunes, Death Valley National Park.

I photographed this scene on my first visit to this location. Going to a new location for the first time can be a complex experience. There is, of course, the excitement of photographing something new. But there are other feelings, too — uncertainty about where to start, a bit of confusion and guesswork about how the light will evolve and about where to find the most interesting subjects. While sometimes the new simply seems exciting, other times it is almost overwhelming. For the most part I think I’ve learned to go with the flow, knowing that I’m going to make some wrong choices, that I’m acquiring knowledge that I can use when I come back, and that most likely I will at least come away with something interesting.

Approaching this spot, at first I wasn’t quite sure where to begin. I had an idea of how the light might evolve as the day ended, but when I arrived the light was less than spectacular. Another thing I have learned is that it is often better to just start making photographs rather than waiting for the perfect to reveal itself. Setting up, looking, and making exposures often primes the pump, and soon I start to see things more clearly. It is also good to be flexible and ready to be surprised. This photograph is built around one of those surprises. At first these patterns of windblown sand seemed uninteresting and I went on to photograph something else. But in the very last direct sun (you can see the edge of approaching shadows at lower left) the low light revealed shadows and textures that had been hidden earlier, and the color of the light became momentarily intense.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Before Sunrise

Desert Mountains, Before Sunrise
A canyon twists down through rugged desert mountains in pre-sunrise light.

Desert Mountains, Before Sunrise. © Copyright 2022 G Dan Mitchell – all rights reserved.

A canyon twists down through rugged desert mountains in pre-sunrise light.

One thing that has always appealed to me about the desert landscape — which for me often means the Death Valley landscape — is that the geology is laid bare almost everywhere. So many landscapes are to a great extent about what covers them — the forests, grasslands, lakes, meadows, rivers, and more. But here most of the vegetation is so sparse (or it matches the colors of rocks and soil so well) that we see straight to the underlying earth — the canyons, the colors of rock and soil, strata twisted and uplifted, runoff channels, landslides, fans, and more.

This canyon descends toward Death Valley from high in the Panamint Mountains, following a twisting path down from the heights as it links up tributary valleys and eventually forms a broad wash that spills out at the top of a gigantic gravel fan. I made this photograph before sunrise, when the soft, early light suffused the canyons and revealed subtle details that can be lost in harsher light later in the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badlands Detail

Badlands Detail
A small, deeply eroded gully cuts through badlands terrain, Death Valley National Park.

Badlands Detail. © Copyright 2022 G Dan Mitchell – all rights reserved.

A small, deeply eroded gully cuts through badlands terrain, Death Valley National Park.

You may have noticed that few of my photographs from Death Valley feature the usual iconic subjects. Perhaps an explanation is in order. There’s nothing at all wrong with photographing those famous subjects — as someone once said, “There’s a reason they are icons!” I photograph them, too, when the conditions are special or unusual. In the right conditions you might even find me lined up at Zabriskie Point at dawn! (Though these days, if I photograph that subject, it is more likely to be in the middle of the day or perhaps at night. That’s a long story — too long for this short post.)

These days much of my photography in the park falls into a few basic categories. There are some photographs that I have had in mind for a long time that still haven’t quite come together the way I want, and I return to these subjects regularly and continue to work on them. I’m also very interested in pushing out the boundaries of my relationship to this landscape, and on every visit I got to places that I have not visited before. Another approach that has come to interest me more and more here is to excerpt small bits of the larger landscape and treat them as the subject. (I believe that sometimes a close look at a fragment of the landscape can tell us more about it than a photograph that tries to “include it all.”) This photograph falls into the latter category — this little ravine is high on a hill in a place where, I’d wager, most people probably don’t even notice it. But at the right moment in the right light it becomes something special.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.