Category Archives: Photographs: Mono Lake Basin

Photographs: Mono Lake Basin, Photographs: Nature

Clearing Sunset Storm, Mono Basin

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Clearning Sunset Storm, Mono Basin
A late-summer storm above the Mono Basin breaks up at sunset.

Clearing Sunset Storm, Mono Basin. © Copyright 2023 G Dan Mitchell.

A late-summer storm above the Mono Basin breaks up at sunset.

Sometimes when conditions don’t look promising where I am I make some guesses, rely on hunches, consider past experience, and head off in a different direction at the last minute. On this evening I was up near the crest of the Eastern Sierra, hoping for a break in the clouds and some interesting light. But it did not look like that was going to happen, so I jumped in my vehicle and headed down to the East Side and looked for long views that might include the landscape and what I hoped would be interesting end-of-day light.

Arriving there, not a lot was happening. The crest was socked in by clouds that obscured the peaks and blocked the light from the west. Where I was it was fairly gray. But I know that it isn’t unusual for some clearing to occur near sunset — and if it happens colorful light can suffuse the landscape. I had to wait until nearly the last minute, but the light finally arrived. Gaps appeared in the clouds and beams of colorful light began to stretch across the scene. In this photograph the clouds are above desert mountains and the Mono Lake Basin.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Mono Lake Basin, Photographs: Nature

Where Once a Forest Stood

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Where Once a Forest Stood
The skeletons of ponderosa pines at the edge of high desert.

Where Once a Forest Stood. © Copyright 2023 G Dan Mitchell.

The skeletons of ponderosa pines at the edge of high desert.

Today I interrupt the stream of photos from our European travels (“Finally!,” a few of you say…) to share something from my first return to the Sierra and points east since we got home. The European trip was great — and I look forward to more like it — but I missed my mountains! There’s a lot more to write about that and about getting back “out there,” but I will save most of it for later posts.

On this morning I was camped above 9000′ in the Eastern Sierra, but I decided (for reasons including deteriorating weather) to head out along the eastern slopes of the range to photograph in the early light. After some less-than-satisfying photography of the eastern escarpment (wildfire smoke was an issue) I headed out into the high desert near Mono Lake and then into a remarkable grove of ponderosa pines, one of the largest (perhaps the largest) in existence. I was aware of the results of a wildfire here years ago, and I wanted to photograph the remains of burned forest, so I turned off on an unmarked route and ended up here, where dead trees still stand starkly against the desert landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Europe, Photographs: Mono Lake Basin, Photographs: People, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Busker, Lisbon

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Busker, Lisbon
A street musician stands in front of a wall near the St. George Castle, Lisbon.

Busker, Lisbon. © Copyright 2023 G Dan Mitchell.

A street musician stands in front of a wall near the St. George Castle, Lisbon.

As I have mentioned, we like to walk when visiting cities, and we did a lot of that when we were in Lisbon this summer. Like many European (and the centers of some American) cities, the place is really quite walkable, though we did deal with some hot temperatures… and, of course, the famous hills of this city. The hills figured in this photograph and some others I made on this morning. We decided to go to the area of the St. George Castle. (We did not go in the castle grounds — we explored nearby instead.) We walked… and we bypassed the tempting options to get driven up the hill. This was a lot more work, but we also saw a lot more than we would have if we let someone carry us up there!

We wandered various narrow streets in the upper areas of the hill where the castle is located. At one point I came upon this solo busker, setting up to perform in a place that seemed unlikely to see all that many tourists. It was kind of out of the way, against a wall where a road more or less ended — and, if I recall correctly, we were about the only people around. I slipped a few euros into his basket and make a few photographs, including this one.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake Basin, Photographs: Nature, Photographs: Night

Mono Moonrise

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Mono Moonrise
Autumn full moon rises over Mono Lake, California.

Mono Moonrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn full moon rises over Mono Lake, California.

The scene is an autumn moonrise over Mono Lake, a scene that I often encounter on my fall photographic visits to the Eastern Sierra. I’m there often enough that it seems like I have this opportunity almost every year. I had been photographing more typical autumn subjects earlier in the day — largely the fall colors of aspen trees — but I decided to finish that activity early enough to get myself to a likely location to see and photograph the moonrise over the lake. These days, with the help of various digital tools, we can come very close to putting ourselves in precisely the right spot at precisely the right time. On this evening the moon rose in early twilight, but I continued photographing until it became quite dark.

On a technical note, there are some challenges to including the full moon in a photograph made after dark. The biggest issue is that the moon is a lot brighter than the landscape — the landscape is in darkness but it is essentially noon on the moon! There are ways to deal with this, one of which is to photograph before the landscape becomes completely dark, and I did that here. But I was pushing that boundary a bit, and I was initially unable to get the balance between the moon and the dark landscape that I was looking for. However, as sometimes happens, the sophistication of post-processing software advanced, most notably with the introduction of some powerful new selection tools in Lightroom and Adobe Camera RAW. (Despite the popularity of Lightroom, I’m still a Bridge/ACR/Photoshop user.) These tools enabled me to make some important adjustments to the dark portions of this image while retaining detail in the moon. (NOTE: This is a re-working of a photograph that I had previously shared back in 2019.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.