Category Archives: Photographs: Nature

Five Sandhill Cranes

Five Sandhill Cranes
A chorus of five sandhill cranes in California’s Central Valley.

Five Sandhill Cranes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A chorus of five sandhill cranes in California’s Central Valley.

I have seen a lot of sandhill cranes, but the group behavior seen here was new to me — the entire quintet raising their heads and displaying open beaks. I’m endlessly fascinated by the things that the birds and others do, and I’m often mystified by the purposes of these actions. In fairness, they may also be mystified by people showing up nearby, standing around with large metal and glass objects, and pointing them in their direction.

It is a bit unusual to get very close to sandhill cranes, at least in my experience. They have boundaries, and they are not amenable to having them crossed. I’ve mentioned previously that groups of them flying toward me will almost always divert to one side or the other rather than flying directly over head. When approached — which I always do in a non-aggressive manner, never getting very close — they seem fine up to a point. But once that point is reached, usually while I’m a good distance away, they are clearly uncomfortable with my presence and I don’t get closer. I’ve often had the best luck when photographing from a vehicle, especially when I can approach slowly and silently or, better yet, when I can park and wait for them. That’s what happened here — I was stopped along a rural roadway and they walked parallel to my position, perhaps more securely since my vehicle was on the opposite side of a berm from them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Edge Of The Grove

The Edge Of The Grove
Autumn color at the edge of a grove of white-trunk aspen trees.

The Edge Of The Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn color at the edge of a grove of white-trunk aspen trees.

In a recent post I mentioned that I was almost done with fall color photographs for the year. Maybe. Sort of. But no promises. So here’s another one. This grove is a bit atypical for the Eastern Sierra, where we often see small groves of trees that are twisted and bent, and where continuous groves a tall, straight trees are the exception. I’m not certain why this is the case in “my” mountains, but I suspect it has to do with the rugged and often-rocky landscape, the relatively dry climate in parts of the range, and likely other factors. This grove on the eastern edge of the range abuts sagebrush high desert country, and perhaps the more open terrain allows the trees to get more light than they might receive in a deep valley.

This photograph differs from most that I share in that it is a re-working of a photograph that I shared a few years ago. A photograph is not necessary a finished thing, and a given version represents what and how the photographer saw the image at a particular point in time. We change and our way of seeing changes, and when we look back at earlier work it is common to reimagine how we might interpret the subject. Here the changes are mostly along the lines of “tuning up” the image a bit. There’s a slight tightening of the crop, some differences in how the colorful leaves appear, and some small changes to the foreground and the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Color, Aspens and Brush

Autumn Color, Aspens and Brush
Backlight on a high country brush and a small copse of aspens with fall colors.

Autumn Color, Aspens and Brush. © Copyright 2021 G Dan Mitchell – all rights reserved.

Backlight on a high country brush and a small copse of aspens with fall colors.

There is a good chance that I’m approaching the end of this season’s fall color photographs — though there are still at least a couple in the pipeline. Given that in prior years have managed to hunt down a few remaining examples of autumn leaves in early January, well, there could are more! Here on the West Coast, by starting high in the Sierra in September and continuing into the lowlands as fall ends and winter begins, it is possible to experience a “fall” color season that lasts up to four months!

This scene comes from a location where the color transition begins near the beginning of this period. It is in the Eastern Sierra Nevada, at close to 8000′ elevation, where the semi-arid high desert terrain rises to meet the eastern escarpment of the range. Years ago I did not pay much attention to this zone, preferring instead to head straight to the high country. More recently, at least in part as a result of my fall color photography, I have become fascinated by this region. It is a complex zone, and the boundaries are affected by water, exposure, elevation, and soil conditions. The foreground brush is more typical of the high desert, while we usually tend to think of aspens as belonging to the near-alpine high country.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pas de Deux #1

Pas de Deux
“Pas de Deux #1” — A pair of sandhill cranes performing “the dance.”

Sandhill cranes have become perhaps my favorite bird subject. These large and ancient birds behave in ways that fascinate me more and more over time. (Their distinctive call is the first thing I listen for when I arrive at my favorite bird photography locations.) Geese that first drew me to photographing birds, but the more time I spent in the field the more the cranes attracted me. (Perhaps the earliest push in this direction came years ago, long before I had even seen a Sandhill crane, when I read about them in the writings of Aldo Leopold.)

It is a constant challenge to try to figure out their behavior and its logic. For example, even though I’ve spent a lot of time watching them around sunrise, when they generally fly out for the day, almost every lift-off comes as a surprise. I learned to be strategic about where I placed myself when photographing birds. After watching groups of cranes fly successively over a particular spot, I would move quietly to that location and wait… at which point they would all avoid that location, sometimes diverting the place I had just left! The “crane dance” seen here also seems to be a bit of a mystery — and not just to me. From what I read, while there is a courtship angle to the behavior, that may not be its only context.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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