Category Archives: Photographs: Nature

Albanian Farm Valbona Valley

Albanian Farm Valbona Valley
“Albanian Farm Valbona Valley” — A gravel road leads toward an Albanian farm in the Valbona Valley.

This is another photograph from our fascinating but brief foray into Albania from our Kosovo home base back in the summer of 2023. A member of our “European family” who is from Kosovo took us on a tour up in to the Valbona Valley where we saw the spectacular Albanian Alps. On our return trip down the valley we briefly paused at this spot.

If I’m remembering the event correctly — and not superimposing two separate stops — we spotted a rural mosque across the river in this beautiful valley with the peaks in the distance. I wanted to photograph it, of course, so we all stopped and briefly walked around the area. Just upstream from a bridge across the river I saw this farm — or is it a homestead, or something else entirely?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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White Drin Waterfall

White Drin Waterfall, Kosovo
“White Drin Waterfall” — The White Drin Waterfall , near Peja, Kosovo.

For this American, used to spending time in our national parks and in our wilderness areas, my visit to this place was a bit of a culture shock. This waterfall and a nearby cave complex are part of a “natural monument” in Kosovo, at the village of Radac a few miles west of Peja, Kosovo. Much to my surprise, the crowds here were absolutely huge. The first challenge was finding a place to park, and it turned out to be almost impossible. It seemed like everyone in Kosovo was walking this trail — families, foreign visitors, you name it. Booths along the trail sold food, drink, and trinkets.

On one hand, this was not exactly a wilderness experience. On the other hand… people clearly love this place. And it is quite beautiful. The river flowing below this waterfall is full of picturesque boulders, and lush trees overhang the water. My understanding is that this waterfall is regarded to be the source of the White Drin River, which flows from here into Albania.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Mountain Haze, Kosovo

Mountain Haze, Kosovo
“Mountain Haze, Kosovo” — Forest-lined river gorge along the road to the Accursed Mountains, Kosovo.

This photograph came late on a day when we traveled far into mountains to the west of Peja, Kosovo. I have vivid memories of the day, of what I saw, of what we did – but it is now extremely difficult to identify specific locations and features. I know that we traveled west into a narrow river gorge, and eventually climbed out of it, that we ended up on a tiny road that dead-ended at the Montenegro border… which my Kosovo host warned me not to approach. After other adventures we returned down that same narrow canyon.

As we descended, the scenery was often spectacular. Here the river descended steeply over rocks between steep, tree-covered canyon walls. We paused briefly, and I hopped out of the car to stand at the edge of this lush canyon and make a few photographs… of a river whose name I do not know.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Gullies in Soft Light

Gullies in Soft Light, Death Valley
“Gullies in Soft Light” — Eroded gullies and ridges in soft light, Zabriskie Point.

These badlands formations, where soft layers have been eroded by water, can be difficult to photograph. Those difficulties can lead to ethical questions for photographers. The issue is that the range of colors and luminosity in these formations is very limited — the color is basically a light tan and the difference between the light and dark areas is small, at least in soft light. One choice is to enhance that contrast and coloration during the post-processing phase, and that can create some impressive images… though this can depart radically from the actual appearance of the landscape. Here I decided to go with the low contrast and soft colors instead.

To repeat a story I’ve previously related, almost by accident I ended up here to photograph a subject that ultimately did not develop as I had hoped. So I turned my attention to other things nearby, including these formations. I photographed them rather early, before the direct sunlight arrived. This meant that the contrast was even more subdued, as the soft light was from the early morning open sky — directional, but only subtly so.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)