Category Archives: Photographs: Nature

In Flight, Dusk

In Flight, Dusk
Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

In Flight, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

This was a beautiful mid-winter day in the San Joaquin Valley. It began with a two-hour pre-dawn drive from home, starting earlier than a month ago now that the days are beginning to lengthen again. I drove in clear weather and it remained so as the sky began to brighten as I entered the valley, but as I got closer to my destination I was pleased to encounter for — thin at first but within minutes so think that I had to slow and turn on fog lights. I arrived at my destination a half hour before sunrise, and began photographing, working all morning before finally taking a break for lunch.

My friends Claudia and Michael had dropped a hint in an email that they might be out that way later in the day, and I was pleased to find them there when I came back from my break. We greeted one another, took a quick trip around the area to scout the birds for evening photography, and then ended right back were we started. Big groups of sandhill cranes and geese (mostly Ross’s but with a few other interlopers mixed in) were active in newly turned fields nearby, so we found a good vantage point and watched as the evening light came on. Eventually the light became so dim that it was no longer really possible to make sharp stop-motion photographs of birds in flight. This is, in a way, one of my favorite times of day, when I switch over from a more typical kind of bird photography and begin to go with the darkness, using slow shutter speeds and panning along with the motion of flocks, and making photographs that work with the motion blur of low light and slower shutter speeds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Forest, Lake, and Haze

Forest, Lake, and Haze
A hazy late-summer day at a subalpine Sierra Nevada lake, Yosemite National Park

Forest, Lake, and Haze. Yosemite National Park, California. September 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A hazy late-summer day at a subalpine Sierra Nevada lake, Yosemite National Park

With all of the recent urban and street photography I have been posting — which is a bit seasonal pattern, given my travel tendencies — I’m also making an effort to go back through some older photographs from last year to find landscape photography that escaped my notice on the first pass. This always happens with photographs — for some reason certain images don’t make sense right after I make them, but when I come back to them later on with a fresh eye I see potential that I missed. Right now I’m revisiting late-summer photographs from a week-long backcountry stay at a Yosemite lake.

For me, this photograph holds many of the subtler elements of the High Sierra experience — not the spectacular grand vistas, but something deeper and ultimately perhaps more powerful. In this beautiful late-season time of year, the meadow grasses around this quiet lake have finished the wild growth phase of summer and have already turned golden-yellow in preparation for autumn and then winter. Lower angle light comes over the shoulder of the granite ridge whose base is visible beyond the trees. Widely spaced trees stand at the edges of the meadow and even trace weaknesses in the granite slabs on the higher slopes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Subalpine Lake, Morning Reflections

Subalpine Lake, Morning Reflections
Morning light and reflections on the rocky shoreline of a subalpine Sierra Nevada lake

Subalpine Lake, Morning Reflections. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light and reflections on the rocky shoreline of a subalpine Sierra Nevada lake

A wonderful thing about making photographs is that I get to travel backwards and forwards in time almost at will. Here it is in the middle of winter, and by looking back a few months in my archive I can go right back to a beautiful late summer week spent photographing around a Yosemite subalpine lake with a couple of friends. All of the sensory memories come right back: the stillness of the morning lake as the first sun worked its way through high clouds and haze, the memory of carrying my camera around the perimeter of that lake every morning as I looked slowly of subjects, the first colors of Sierra autumn.

We camped here for a full week, working intensively to photograph in and around one small area. If you haven’t done this you could be forgiven for wondering how in the world one could spend an entire week in area not much larger than a mile or two across. In fact, I still have those doubts at the start of any trip like this. All I can say is that, inevitably, the end of such a week comes too soon, I depart with many things left unphotographed, and I often return to these places again and find even more to see and photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Great Egret

Great Egret
A great egret in flight against cloudy sky

Great Egret. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A great egret in flight against cloudy sky

This particular egret and I shared a few brief seconds of photography as the bird suddenly emerged, already in flight, from a brushy area along the edge of a pond at a Sacramento Valley wildlife refuge. In most ways, the egrets are at their most graceful while in flight, but this is when they are also the most difficult to photograph. Usually they take off and fly away from the photographer, and they are soon too far away to photograph. This one, however, flew parallel to my position and gave me a good side view. I only had a brief interval to raise my camera, find the egret in the viewfinder, and track it as I squeezed of a sequence of photographs.

I shared another one a few days ago. I interpreted that one in black and white, so I thought I’d work this one out in color. There was a great deal of softness in the original image — while parts of the wings are in focus, the large aperture and motion of the bird left other parts soft. So I decided to go with that soft effect and, in fact, amplify it and to then also go with a bit of a high key treatment, further emphasizing the brightness of the bird against a bright, cloudy sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.