Category Archives: Photographs: Northern California

Photographs from Northern California

Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature, Photographs: Northern California

Black Point and Negit Island, Mono Lake Shoreline

December 4, 2010 G Dan Mitchell Leave a comment

The north shoreline of Mono Lake leads from foreground offshore tufa past the base of Black Point to Negit Island and beyond.

You would never know it from this black and white photograph of the austere desert landscape around Mono Lake, but I was there to photograph… fall aspen color! Earlier in the day I had photographed further south along the eastern slopes of the Sierra, gradually working my way north with a plan of heading back to the “west side” over Tioga Pass at the end of the day after doing a last bit of fall color photography near Conway Summit and Dunderberg Road in late-afternoon light. By mid-afternoon I had made it to Lee Vining for an espresso stop at Latte Da and a break to check some email and so forth. Soon it was time to get into position for the low angle sun that would light the aspens a bit later, so I headed north out of town.

The road north from Lee Vining skirts the west shore of Mono Lake. Before leaving the lake there is a turn-off to another road that passes along the north shore of Mono Lake and can take you to places such as Black Point. I often stop at this turn-off since it provides a slightly elevated view of the larger terrain around the lake including the low hills to the east and Mono Craters and higher mountains to the south. On a typical blue sky mid-afternoon I might not make any photographs, but something about the light and the forms of the shoreline, Black Point, and Negit Island leading into the distance convinced me to make a few exposures, using a long lens to compress the distance.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Upper Yosemite Fall and Lost Arrow, Autumn Storm Clouds

December 3, 2010 G Dan Mitchell 1 Comment

Autumn storm clouds swirl around the Upper Yosemite Fall, Lost Arrow, and the cliffs of Yosemite Valley.

Shooting with a long lens, I watched as the clouds floated in and out of this scene, at times almost completely obscuring Upper Yosemite Fall and then clearing. At this instant the clouds cooperated for a few seconds, lining up so that the fall was completely visibly, parting enough to let the pinnacle of the Lost Arrow appear at upper left, and revealing just a bit of the tree covered ridge in the background. A few seconds later the clouds again thickened and this view was gone.

I posted a black and white version of the same photograph perhaps two weeks ago. I have since printed the monochrome version and I like it a great deal. Today I returned to these files and since I feel that it also works in color I decided to post it again.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Meadow Grasses, Autumn Rain

December 2, 2010 G Dan Mitchell 6 Comments

Meadow grasses made shiny by autumn rain, Yosemite Valley, California.

This fall I have been “playing around” with photographs of very dense and detailed vegetation. (Two other recent related photographs include one of aspen leaves and one of creek dogwood.) This is a difficult thing, especially with a subject whose colors seem somewhat muted, but if it works the largish prints can work both by revealing some form that might be difficult to see in all the detail and by presenting the detail itself. (As much as many of us rightfully point out that sharpness is not everything, sometimes it is pretty important!)

I noticed the subject of this photograph while shooting something quite different. I was standing in a meadow near Curry Village in light rain and using a very long lens to photograph mist and clouds drifting among trees and spires high on the Yosemite Valley rim when I happened to look down at my feet. (Always a good idea to look at the other stuff when shooting a specific subject that you came for.) I noticed the shapes of the grasses and the mixture of greens and browns with the “cool” light from the cloudy conditions. Since I couldn’t shoot this subject with the lens I was using at the moment, I went back to the other subject and made a mental note to switch lens and pay some attention to the grasses when I finished.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Abandoned Pier, Davenport, Dusk

December 1, 2010 G Dan Mitchell 5 Comments

This photograph of this scene was made a bit earlier than the companion photograph that I posted yesterday – here there is a much warmer tone to the light since it is only shortly after sunset. (For those who didn’t see yesterdays long post, these old pilings used to support a pier near the town of Davenport, along the California coast just north of Santa Cruz.)

This photograph was made with a slightly long exposure time of six seconds, with the idea obviously being to allow wave motion to smooth out the texture of the water’s surface. A six-second exposure is not nearly long enough to really smooth out the features of the water, and you can still see localized lower and higher areas from the incoming waves. Interestingly, the birds on the tops of the structures – barely visible here but clearly visible in larger versions – barely move at all after sunset. You might not even notice the movement in this exposure and even in the three-minute exposure that I made a bit later the birds are mostly still!

Although I rarely do so, in this photograph I stopped down all the way to f/22. The concern with that aperture on a full frame DSLR is that some visible diffraction blur may begin to appear. Indeed, if I inspect this photograph at 100% magnification, there is a slight softening of fine detail – just as I knew there would be. I chose to use the longer aperture because it allowed me to double the exposure time without using neutral density filters, and I was willing to do so here because absolute sharpness is much less important to this image than it might be in other cases.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.