Category Archives: Photographs: Ocean & Coast

Clearing Fog, From Hurricane Point

Clearing Fog, From Hurricane Point
Clearing Fog, From Hurricane Point

Clearing Fog, From Hurricane Point. Pacific Coast Highway, California. May 26, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning light begins to shine through clearing fog above Bixby Bridge, Big Sur coast

On Memorial Day this year I figured that I might be able to rise very early and beat the worst of the holiday crowds to the Big Sur area of the Pacific Coast Highway south of Monterey and Carmel. And I was right—when I arrived there very early in the morning it not busy at all. (But a few hours later, after breakfast I presume, the crowds swelled impressively, and my drive back home took about twice as long as the early morning drive to the coast.)

This was one of a string of slightly-out-of-character clear weather late spring days along this coast. As many have discovered to their surprise and perhaps dismay, all of those beautiful sun-soaked photographs of summer along the Big Sur coast are also a big lie! In reality, you are far more likely to encounter fog. (If you want a better chance at clear skies, dress warmly and come in the winter between storms.) But this day was forecast to be warm and sunny along the coast and, in fact, the weather I first encountered was boring and blue. But a bit further south a stubborn bit of fog clung to the ridges above Bixby Bridge and a few other high points further south along the road. Entering these areas the winds whipped up to near gale levels and the temperature dropped as much as 20 degrees. The fog was not pervasive and in many places, such as this one, the sunlight was straggling through in spots. Some of the most beautiful light is found when filtered sunlight makes its way through the thin areas at the edges of fog banks, intensifying colors and bringing soft light into the shadows. Here the sun was peaking through closer to my position at Hurricane Point, though the fog was nearly obscuring the view further north at the famous Bixby Bridge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mountains, Sea, and Haze

Mountains, Sea, and Haze
Mountains, Sea, and Haze

Mountains, Sea, and Haze. Big Sur Coast, California. May 26, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Spring haze, morning light, and rugged mountains meeting the Pacific Ocean, Big Sur coast

This spot marked the furthest south that I travelled on my brief photographic foray along the Big Sur coast earlier this week. Here, as in a number of other spots along this section of the Pacific Coast Highway, the route rises high above the ocean to pass through a section of very steep cliffs where the coastal mountains and the ocean meet abruptly. From this overlook the spines of a few nearby ridges were just to my south, and beyond the shoreline disappeared into the glowing atmospheric haze to the south.

One of the advantages of modern digital cameras is that they permit more flexibility and allow us to make aesthetic choices about our photographs more freely. Although I mostly “see” in color, sometimes a subject works better in black and white. Sometimes I don’t even realize this at the time of the exposure. Which is OK, since digital allows us to sometimes think less of “making the photograph” in the field and perhaps more about “bringing the image back” for full realization in the post-processing stage. In some cases, it allows us to focus more on pure capture and to put off some of the decisions we might have had to make at that point until later. I don’t think this is necessarily a bad thing! However, this is an example of a photograph that I knew was going to be black and white as soon as I saw the scene. Looking south along this coast on a day like this one, the air is filled with a haze made luminous by backlight. Colors are often so muted that they might as well be black and white, and the haze itself can take on a strong blue cast. Here I didn’t want that blue haze effect, but I did want the glow and the strong shapes of the ridges dropping into the sea.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mouth of the Little Sur River

Mouth of the Little Sur River
Mouth of the Little Sur River

Mouth of the Little Sur River. Big Sur Coast, California. May 26, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The Little Sur river empties into the Pacific Ocean beneath the fog-shrouded mountains of the Big Sur coastline

It has been a very busy month or so, and since my early April trip to Death Valley, aside from a quick one-day visit to Tioga Pass on opening weekend, there has been less time for photography than I would like. I finally managed to find time to break away today, and I had enough desire to photograph that I was even willing to chance the Memorial Day traffic… along the Big Sur coast. I was up very early and on the road while most people were probably sleeping in, and as I passed Carmel and headed south it wasn’t all that crowded for such a day. However, after my first hour or two of photography, the crowds began to show up. I had decided that my plan would be to get the heck out of there before this happened, and as I turned back to the north I congratulated myself on not being in the traffic jam heading south on the coast highway. My joy was short-lived, however, and the rest of my return drive took at least twice as long as usual!

But, anything to get out for a morning along this coast! It was supposed to be warm along this section of the California coast today, and there wasn’t as much fog as usual. However, right in this area a stubborn bank of fog clung to the ridges of the Big Sur mountains, and as I drove along this section of the road the temperature dropped into the fifties and the wind blew like crazy. I almost didn’t stop at this overlook above the lagoon at the outlet of the Little Sur river, thinking that the wind might simply make it impossible to get a shot with the quality I wanted, but the beautiful curve in the green water of the lagoon, the fog bank, and the whitecaps on the deep blue Pacific convinced me to stop and give it a try.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pelicans Along the Coast

Pelicans Along the Coast
Pelicans Along the Coast

Pelicans Along the Coast. Point Lobos State Reserve, California. April 27, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A line of pelicans flies along the Point Lobos Reserve coastline

Brown pelicans are probably my favorite Pacific coast birds, and I often like to photograph them when I visit the nearby Pacific Ocean shoreline. However, that’s not at all what I was at Point Lobos to photograph on this late April morning. I was more in a landscape or seascape frame of mind. That said, this photograph is an example of how things most definitely do not happen in a slow, considered, or contemplative manner when shooting landscape subjects.

I was thinking about how to try to photograph the elements of very choppy near-shore water, the further rocks that we partially obscured by mist and spray, the subtle shadings of the offshore fog bank, and the blue tones of sky. I decided to use a long lens and try to line up something that included nearby shoreline elements juxtaposed with the more distant rocks. I wasn’t having an easy time coming up with a composition that I liked. I must have momentarily looked up from the camera, because I recall spotting this line of pelicans flying up from the south and thinking that if I could just operate fast enough I might be able to get them in the frame. Being set for landscape (manual exposure and focus, live view, small aperture, on the tripod), that meant trying to quickly and intuitively make a whole bunch of quick changes. I must have managed to do so just in time to squeeze off three frames as the line of birds passed through this gap in the rocks and continued on.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.