Late afternoon shadows cast by a stairway cross a beige stucco and wooden wall.
This is another in the wandering about with only a 50mm prime series shot on Christmas eve afternoon. I have photographed this wall and stairway before, but here the strong diagonal lines of the shadows from the stairs cut across the horizontals and verticals in the image and almost seem disorienting to me. I swore that the lines in the photo were tilted until I checked them against an on-screen grid – and they still look out of kilter to me even though I know they are not.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Black and white photograph of the interior of a donut shop late in the afternoon on Christmas Eve.
As in many photographs like this, I hope that there may be more to it than meets the eye. I won’t tell the whole story, but here is a bit of background. I had been involved in an online discussion of the merits of shooting “old school” street photography using primes, and specifically limiting oneself to a 50mm prime on a 35mm film camera. Though it isn’t the point of my post here, I’ll just say that I’m skeptical about the value of that sort of limitation given a whole bunch of boring photographic philosophy. In any case, as an outgrowth of that discussion I thought it would be fun to head out on foot armed only with my full-frame camera (sorry, no film camera at all these days!) and a 50mm prime and just see what I could come up with. So, I walked out my front door and did some photography.
It was late in the afternoon on Christmas Eve, so few businesses were still open, and it was late enough in the day that the last-minute shopping traffic was diminishing and things were becoming rather quiet. Few people were even out walking. I mostly walked but I also photographed some shop windows and buildings and so forth, and when I passed this tiny donut shop I first did an exterior shot of the closed business that included a weathered wooden and brick wall and some sad-looking holiday lights. Then as I passed the front of the shop I decided to put my nose against the window and peer inside. The low light from the late-afternoon sun was directly behind me and casting some very harsh and flat light into the interior, but I was intrigued by the arrangement and shapes of the tables and chairs, the shadow cast by the Christmas ornaments hanging in the window, and by the odd juxtaposition of a poster of the work of a certain photographer that is barely visible on the wall.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Fog and haze obscure the winter skyline of downtown San Francisco, California.
Almost obscured by morning haze and fog, the San Francisco skyline is silhouetted against the backdrop of the morning light coming over east bay hills. This photograph was made from a vantage point in the Marin Headlands across the Golden Gate from the City. A number of downtown landmarks are visible including the Transamerica Pyramid, and beyond the downtown area a bit of the San Francisco Oakland Bay Bridge is barely visible.
The atmosphere above the Bay varies in astonishing ways throughout the year, and it never seems to be quite the same twice. While the summer often brings the familiar banks of ocean fog, winter brings the effects of fog from the other direction in the form of tule fog forming over the inland valleys. It can be completely clear – and, for the season, warm on the coast – yet a few miles inland the lower valleys may be filled with cold, wet, ground fog.
During these conditions, the moist air can move towards San Francisco and the Bay by way of the delta. That is more or less what was happening on this morning when the very most and hazy air from inland had created this soft atmosphere and light above The City, even as higher winter clouds in clear air moved far overhead, catching the morning sun light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Black and white photograph of converging lines of downtown San Francisco buildings with cloudy sky.
On this “urban landscape” I went with a wide focal length and decided to just let those perspective lines go right ahead and converge! The photograph was made on a morning walk up the lower part of Market Street as the fog began to clear back from the bay.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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