Category Archives: Photographs: Utah

Large Cottonwood Tree, Side Canyon

Large Cottonwood Tree, Side Canyon
“Large Cottonwood Tree, Side Canyon” — A large cottonwood tree with fall colors in front of sandstone walls and a side canyon

During a bit of hard drive housekeeping this week I found a folder full of files from a Utah visit in 2012. Because I have a hard drive that is about to fill, I’ve been looking for unused and unneeded files that invariably get left behind after work on various projects — you know, the files that I “just might want to keep around, just in case.” I think that the batch in this folder were transferred from my laptop, and they are most likely files that I worked on quickly in the field and planned to update on my desktop computer later. My first thought was that I’d just delete the folder, but then I looked more closely and found several files that I want to keep.

This is one of the keepers. Although I hadn’t thought if it for quite a while, I now recall this little canyon junction quite distinctly, a place were a smaller side canyon dropped down into the larger canyon through which we walked. Scale is hard to judge against this landscape, but the old cottonwood is very large, especially for one in the base of a narrow canyon. This photograph reminds me of something else, too — I need to get back to these canyons!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Walking Man, Mirrored Wall

Walking Man, Mirrored Wall
A walking man and other people are reflected in a mirrored wall, London

Walking Man, Mirrored Wall. London, England. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A walking man and other people are reflected in a mirrored wall, London

Here we have (yet another!) photograph of someone using a smart phone in the urban world, though here there are, I think, a few other elements that got my attention. I’m sure that I was paying attention to the continuous stream of people moving along this sidewalk, and I like to think that some sense of their motion comes through in the photograph. The mirrored wall that contains most of the subjects not only let me capture a “double” of the primary subject, but it also let me bring him forward from the reflected background of all the other people who are only visible in the mirrored image. You might also notice some interesting things related to color.

And there are some surprises. I read somewhere that one of the differences between painting and photography is that while the painter personally puts everything on the canvas (at least mostly) and therefore can know it fully, the photographer cannot possibly know every element of the scene. In fact it is common to only realize that the photograph contains unintentional elements after the fact. One of those is present here — look at the head of the man in his reflected image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Base of the Cliff

Base of the Cliff
Autumn plants growing at the base of a sandstone cliff

Base of the Cliff. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Autumn plants growing at the base of a sandstone cliff

It seems that we have arrived at that time when each year my thoughts begin to turn again to autumn photography. That is probably my favorite season as it includes those final warm days of Indian summer, the first inkling of the coming winter, the annual color transition as trees lose their leaves, and the first real winter weather — all of which are favorite photographic subjects of mine. (I’ll be paying special attention to Sierra Nevada fall color this coming season, for a number of reasons, but especially since this is the first autumn following the publication of my book on the subject: California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Press.)

So, an autumn photograph! This one comes from last October, when I had the opportunity to make a photography trip through some of may favorite areas of southern Utah. Partway through the trip I met up with my friend and fellow photographer, David Hoffman. We spent several days poking around in and photographing Capitol Reef National Park. On this evening we passed through a narrow gorge not far from our camp, quickly stopped, and ended up photographing the red rock canyon walls and the autumn colors until the light faded at the end of the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cottonwood Tree, Evening

Cottonwood Tree, Evening
The day’s last light catches the autumn leaves of a cottonwood tree, Capitol Reef National Park, Utah

Cottonwood Tree, Evening. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The day’s last light catches the autumn leaves of a cottonwood tree, Capitol Reef National Park, Utah

I made a long trip to Utah to photograph last fall, mostly photographing in the southwest and south-central part of the state. At times I worked alone, exploring slot canyons, washes, and back roads at my leisure. Later I met up with various other folks: photographers from California and Utah, relatives who were also visiting the state, and eventually members of my family. It may surprise some people to hear that I was almost completely unaware of the beauties of southern Utah until recently. (My family had passed through the state many times when I was young, but always through empty, arid regions that did not appeal to me then. Somehow they never showed me the spectacular red rock country, and consequently I thought of Utah as an empty and arid place.)

During the first week of the trip, after several days on my own, I met up with my friend and fellow California photographer David Hoffman in Capitol Reef National Park, where we camped and explored and photographed for several days. This day began with a spectacular and somewhat unexpected sunrise above the Waterpocket Fold, included a long drive on gravel roads to a more remote region of the park, and concluded along the road through the park with early evening photography just before we returned to camp. This section of the road passes though a valley lined with red rock walls, and it is filled with cottonwood and other trees. Late October is prime time for cottonwood color, and this scene of a backlit cottonwood below vertical sandstone cliffs seems representative of this time of year in this place.

(I taking a weekend break from posting my recent Sierra Nevada photographs — they will return on Monday.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.