Category Archives: Photographs: Yosemite

The Old Oak Tree

The Old Oak Tree
“The Old Oak Tree” — An old oak tree with autumn foliage, Yosemite Valley.

While this big oak tree grows in a meadow filled with scores of other beautiful oaks, it presents a different appearance than its neighbors. The other trees, perhaps because many of them grow close together, tend to be somewhat tall and slender. But this tree is massive, with thick trunk and main branches, and it spreads widely — enough so that it is as wide as it is tall.

One of Yosemite Valley’s monumental granite faces rises nearby behind this tree and its neighbors. Because that face is tall and to the south, its shadow falls across the trees for hours every day. I photographing it after the late-day shadow had arrived, which gives a softness to the image that would not be there in full sunlight.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Autumn Flowers

Autumn Flowers
“Autumn Flowers” — Autumn flowers scattered across a Yosemite Valley meadow.

The fall colors brought me to Yosemite Valley for a few days at the end of October. But autumn there isn’t just abut those colors — everything about the place is different during this season. The Valley seems to slow down and mellow out, and I sense that winter is just around the corner, even on a warm, sunny day like this one.

There’s a lot going on in this photograph, and it was a challenge to incorporate all of these elements. Right in front of the camera we see the golden-brown meadow, dotted with white flowers . The forest begins beyond that, with deciduous trees close to the Merced River and then large groves of conifers. In the distance, we see several of the famous Yosemite Valley granite cliffs, with details muted by haze and bright late-afternoon sun.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Autumn Flow #2

Autumn Flow #2
“Autumn Flow #2” — The surface of the Merced River, broken by boulders, reflects golden fall colors from nearby trees.

This is a companion image to another photograph that includes some the same rocks but in vertical/portrait orientation. The scene is an otherwise unremarkable section of the Merced River in Yosemite Valley that probably doesn’t merit a stop from most visitors to the Valley. (Though quite a few park photographers have stopped to make images in this general area.) The appeal is the combination of rocks (at least during periods of low flow in the river), the patterns of moving water, and reflections.

Speaking of reflections, they are the source of the warm colors in the water. They include the light on a very large sunlit cliff on the far side of the valley and the colors of autumn leaves in the forest on the opposite river bank. To notice a scene like this you have to look past what your eyes likely want to see (water and rocks) to see the intense color reflected in the water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Forest and Dome, Sunset

Forest and Dome, Sunset
“Forest and Dome, Sunset” — Evening light on lodgepole pines and a Yosemite high country dome.

This may (or may not!) be my final post of a summer 2025 photograph from the Yosemite high country. (As long time readers know, sometimes I do dig back into the archives and work up “left behind” photographs.) It is a modest little photograph, but it seems appropriate to conclude the coverage of the high country year with sunset light on forest and granite.

I made the photograph on an early July walk through parts of Tuolumne Meadows. I was up there, in part, to adapt to the elevation before an upcoming pack trip — but also, obviously and predictably — to do some photography. I was out wandering the meadows as the day came to an end, and I made the photograph as the last direct sunlight, soft and warm, illuminated the forest at the east end of the meadow and the line between light and shadow began to ascend the dome.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.