Elephant Seal Nursery

Elephant Seal Nursery
Elephant Seal Nursery

Elephant Seal Nursery. Piedras Blancas, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The elephant seal nursery at Piedras Blancas, California

A virtual blanket of elephant seals spreads across the beach just above the waterline at the Piedras Blancas elephant seal “nursery.” During the winter months these large and impressive animals come ashore to give birth and to breed, and after a strong recover during recent decades their numbers have increased greatly, to the point that it is not possible to find them in a number of locations along the Pacific Ocean coast, and not just in those set aside specifically for them.

A still photograph like this one lies at least a little bit, or perhaps just tells a bit less than the full truth. The scene looks very static, with almost no sign of animals doing anything other than lying prone in the sand. In fact, there does seem to be a lot of “sunbathing” going on here! But there is activity. The babies and juveniles are sometimes found huddled together in groups, occasionally cuddled up next to one of the adult females, and quite often nursing. Occasional territorial disputes arise, and they often seem to be settled by some noisy bluffing and baring of teeth. (The battles between large males are a different story, and they can be quite violent and even bloody.) Occasionally one of the seals move up onto the beach or leaves it for the water — if you look closely you can probably spot a few on the move in the photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Elephant Seal Vocalizing

Elephant Seal Vocalizing
Elephant Seal Vocalizing

Elephant Seal Vocalizing. Piedras Blancas, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Elephant seal vocalizing, Piedras Blancas elephant seal rookery

The Piedras Blancas elephant seal “nursery” is a well-known place to observe these great animals, especially during the time of year when they come ashore here to give birth. This is most certainly not the only place where the elephant seals come ashore now that their numbers have recovered, but it is one of the most accessible, being literally only feet away from the Pacific Coast highway. A short trail along the edge of the low bluff above the beach allows you to safely watch the action from a very short distance.

At times portions of the beach are virtually filled with elephant seals, often packed tightly together — large adult males who may be lounging around or fighting to establish dominance, females who are often nursing their young, and the juveniles who are born on this beach. The sound (and the smell, but I’ll leave that to your imagination!) of all these animals is quite something, including sounds that might be described as screams, howls, barks, and the almost mechanical sounding guttural calls of the largest males.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon EF 16-35mm f/4 L IS: First Thoughts

(This article has been slightly updated since it was originally posted i 2014.)

Canon has released a new ultra-wide zoom lens, the Canon EF 16-35mm f/4 L IS lens.*  There has been a lot of excitement about this lens among Canon photographers since it addresses some weaknesses in previous Canon lenses of this type, including the EF 16-35mm f/2.8 L II and the venerable EF 17-40mm f/4 L. Each of those can produce fine photographs, but each also has its issues, mostly related to corner resolution. Early tests of the new 16-35mm f/4 L IS suggest that it performs much better in the corners. (In the first months following introduction, there were some issues with corner performance on some copies, but those have been addressed.) The lens also adds “IS” (image-stabiliztion), which is useful if you use it for handheld photography.

With this in mind, I did something I rarely do, and I purchased a newly-released lens right when it came out. Mine arrived last week, but I did not have a good opportunity to put it to real photography use until several days later when I took it out for a morning of redwood forest photography at the Muir Woods National Monument. (I did snap a few promising handheld shots right after I unpacked it, but such things rarely tell the whole story.) I did something else that is a bit unusual for me — I stuck the ultra-wide zoom on the camera at Muir Woods and shot with only that lens instead of the longer focal lengths that I more typically use.

Ocean View Trail
Ocean View Trail

Corner performance has been one of the main issues with the older Canon ultra-wide zoom lenses. The 17-40mm f/4 is known for soft corners at the largest apertures. It is always sharp in the center, but I most often shot mine stopped down, often at f/16 for landscape photography when maximizing depth of field. At smaller apertures the corners improve a lot, but they are never as good as what we see on more recent lenses with short focal lengths.  Canon’s f/2.8 16-35 L II starts out fairly well at f/2.8 — in fact, its performance at f/2.8 is arguably its chief virtue compared the previous f/2.8 version — but performance stopped down isn’t any better than that of the less expensive 17-40. The promise of the new 16-35 f/4 lens, and the assessment in many early articles about it, is that it offers significantly better corner performance. Many who used early copies reported that it provides good resolution all the way into the corners, even wide open at f/4 and at all focal lengths. So I wanted to try it out in real-world shooting of the sort I’m most likely to do with such a lens, and see how it stacks up against my 17-40 lens on my full frame camera.

Continue reading Canon EF 16-35mm f/4 L IS: First Thoughts

Ocean View Trail

Ocean View Trail
Ocean View Trail

Ocean View Trail. Muir Woods National Monument, California. July 11, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The Ocean View Trail traverses a grove of young trees, Muir Woods National Monument

First let me get a few preliminaries out of the way. Despite the title of this photograph, there I no “ocean view” here, and despite hiking a good distance up this trail I never saw one — perhaps due to the fog but also to never getting high enough above the valley or out of the trees. Second, and perhaps of more interest to some who use Canon equipment, I had a chance to work with the new Canon EF 16-35mm f/4 L IS lens for the first time on this shoot. I’ll have more to say about that in a separate post, since I know that quite a few folks are interested in this lens. All I’ll say on that technical subject here is that I was not disappointed! (Link goes to site sponsor B&H Photography.)

The conditions on this morning were those of a typical San Francisco summer day — in other words, it was foggy! There are, at least from my point of view, significant advantages to this. It can be quite warm in Northern California this time of year, especially if you get away from the coast, so the cool coastal fog is almost always a welcome relief. The fog also softens the light, and when shooting in a forest like this one that is often quite important — brighter sunlight can send light beams to the forest floor that make for very wide dynamic range and a harsh effect. And, not insignificantly, the fog means that this photographer doesn’t have to get up quite so early to have this wonderful, soft light. This trail branches off from the very popular (absurdly popular  at the wrong times on the wrong days) main trail up the valley of Redwood Creek, with its easy access to the redwood trees. The Ocean View trail climbs, steeply at times, at first through redwoods and then at times through more open vegetation. In this section all of the trees appear to be very young and packed together closely. I liked the patterns of their dense trunks and also the slight glow of light on the trail.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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