Tourist Go Home

Tourist Go Home
“Tourist Go Home” — Graffiti and tags on a Brussels wall, including the slogan, “Tourists Go HOme.”

The “Tourist Go Home” tag is seen frequently in European cities these days. I have mixed feelings about it. I understand the frustration when housing has been taken from local residents to provide lodging for visitors, which has the secondary effect of raising the costs of the remaining units. In some of the extremely crowded places (especially in the summer high season) the streets are so full of visitors that the locals must feel overrun.

On the other hand, “go home” is what tourists do! So while I understand the sentiment being expressed and the reasons for it, it doesn’t carry quite the sting that they may intend. And, to answer the obvious question, do visitors in general feel hostility from local residents? We have not — though it may help that we now visit outside the main tourist season and make every effort to not be one of “those ” tourists.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Shoreline and Reflected Ridge

Shoreline and Reflected Ridge
“Shoreline and Reflected Ridge” — A Sierra Nevada ridge reflected in a subalpine wilderness lake.

If you are a Sierra Nevada backcountry traveler, you recognize this a a classic Range of Light scene. It was early morning, and I had been photographing since before sunrise. I walked the shoreline of this subalpine lake, following terrain like that in this photograph. The sun’s light angled across the high peaks and talus slopes as it rose above ridges to the east.

When I first backpacked many years ago, I was astonished by the mere existence of such places and the idea that I could wander through them. Eventually I slowed down and no longer thought of scenes like this as just staging for the higher peaks, but as important places on their own. These days I’m happy to linger with my camera gear, often pausing just to look.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Telescope Peak, Lake Manly

Telescope Peak, Lake Manly
“Telescope Peak, Lake Manly” — Panamint Range and Telescope Peak reflected in Lake Manly, Death Valley.

This photograph incorporates at least two elements that might surprise people unfamiliar with Death Valley National Park — a large lake and snow-dusted mountain peaks. Telescope Peak, the highest point on the Panamint Range summit ridge, rises just above 11,000′, putting its summit in the alpine zone. It is normal to see snow there during the winter months.

Lake Manly, the body of water reflecting the mountains, is a different matter. Its appearance is somewhat rare, occurring only in years of exceptional rainfall. Although this is now a dry winter in California, a big storm a year ago primed the pump, a monumental November storm re-formed the lake, and there was another storm around Christmas Eve Day. The broad but shallow lake forms on the playa of Badwater Basin, the lowest point in the continental United States.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Brussels Wall Detail

Brussels Wall Detail
“Brussels Wall Detail” — Wall with tags, graffiti, and poster remnants, Brussels.

This is a small section of a wall in Brussels, Belgium. We passed it while out on a very long (almost all day) walk through the city. I’m fascinated by walls like this one, where layers of personal messages and markings have built up over time, juxtaposed in sometimes-surprising ways to produce a kind of found art.

These things often consist of some combination of actual “art” (often small, personal drawings), bits of text including tags and quotes, random smears of paint, remnants of paper fliers in the process of weathering and falling off. They become short-term time capsules as layers build up, with the newest material on top and the oldest visible through the newer materials in places.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.