Photographs: Architecture, Photographs: Pacific Northwest, Photographs: Structures and Objects

Yaquina Bay Bridge

October 7, 2013 G Dan Mitchell Leave a comment

The Yaquina Bay Bridge, Newport, Oregon

Returning to the San Francisco Bay Area from a week in the Seattle area back in August, we decided to take the long way back and turn a two-day trip into a four-day trip. After spending a day in Portland, we headed southwest to the Oregon Coast Highway (US 101) and followed that south into the northwest corner of California and then on home.

To my eye, the Oregon coast is in some ways familiar, having some similarities to parts of the northern and central California coastlines that I know quite well. But it seems generally a bit more remote – especially by comparison to the California coast near the San Francisco and Monterey areas – and the ocean seems a bit wilder. The towns are mostly further apart and smaller. Newport is one of the larger cities, presumably due to the large and protected port at Yaquina Bay. The coast highway crosses this bay on the striking Yaquina Bay Bridge, with its beautiful arch shapes.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Music & Musicians, Photographs: People

Low Strings, Rehearsal

October 6, 2013 G Dan Mitchell 5 Comments

Members of the cello and double bass sections of Symphony Silicon Valley at a September 27, 2013 rehearsal

And now, as they say, something entirely different. I am midway into a three-year project that has me photographing classical musicians in San Jose, California – primarily the Symphony Silicon Valley and the San Jose Chamber Orchestra. Symphony Silicon Valley is the direct descendant of the San Jose Symphony, a group that has been described as the longest running symphony orchestra in the western United States. The San Jose Chamber Orchestra is a smaller group that has a reputation for exciting and high quality performances and for promoting new works by living composers.

Since many of my usual photographic subjects are inanimate objects – as we like to say, “Rocks. Trees. Water.” – photographing performing artists is, in many ways, a very big change for me. This work is all about the people and, in fact, the point of the project is to tell the stories of these artists in a more complete way, showing and telling aspects of what they do that are not usually seen by the public and concert-goers. It was a bit of a stretch for me at first, walking around among performing artists and finding ways to see what they do photographically and record what they do and show who they are. However, I may have an advantage or two over some who might try to photograph such subjects. I have a lot of background in music, having taught it at the college level for many years, having been a performer myself at one time, and being married to a fine musician. There is as much music as photography in my life, and for this reason I believe that I am sensitive to aspects of the musical life that might not be apparent to other photographers who don’t have this background. Related to this, I have personal friendships among many in this world, which gives me a bit of an entre that has helped a lot.

I’ll likely share more of this work from time to time – from among the 2000 or more photographs that I have made so far. This photograph was made at a rehearsal of Symphony Silicon Vally in late September, 2013. Here the orchestra is preparing their performance of Prokofiev’s Lieutenant Kije Suite. (Folks who know the music might even be able to figure out where they are in the work – there is a hint in the photo.) For this shot I photographed from the balcony with a long lens in order to compress the perspective of this part of the stage occupied by some of the orchestra’s low string players.

Events, Locations

Looking for Eastern Sierra Aspen Color?

October 5, 2013 G Dan Mitchell 6 Comments

Since this is the season of aspen color along the east slope of the Sierra Nevada mountains, it seems like a good time to share a link to my article on where and how to find and photograph these beautiful trees: Sierra Nevada Fall Color Season – Coming Sooner Than You Think.

Fallen Aspen Branch, Snow - A small aspen tree branch blown down by an early fall storm rests on snow, North Lake, California. — Fallen Aspen Branch, Snow – A small aspen tree branch blown down by an early fall storm rests on snow, North Lake, California.

I originally wrote this article four years ago, in response to a lot of questions about this seasonal change, and I have updated it regularly since then. The short story is that the aspens begin to change near the end of September in a typical year, and if you know where to look you can find aspen color for the next three weeks or perhaps just a bit longer. The change starts in the highest groves of trees and then works its way down to lower elevations as the transformation progresses, with later potential down along the base of the range and in some of the east side canyons.

I have not (yet) been up to photograph the trees this season – though I plan to rectify that situation very soon! – but everything I’m hearing right now suggests that the change came earlier than usual this year. In a more typical year I would expect to see the best color perhaps starting right about now and continuing for another week or longer – but this year there are a lot of reports of high elevation trees already dropping leaves and of lower elevation areas already in peak form. If you are going this year, I would make it sooner rather than later!

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Dana Meadow, Kuna Crest

October 5, 2013 G Dan Mitchell Leave a comment

Dry summer grasses in Dana Meadow near Tioga Pass, forest leading to Kuna Crest

I think of this photograph as being, in some ways, very unremarkable. In a few other ways there are some things that are at least a bit unusual about it, though this probably isn’t obvious. The scene is one that is familiar to anyone who has driven over Tioga Pass between the eastern Sierra and Yosemite National Park and west side destinations. The Yosemite Sierra along this route is a very diverse place, but the large sub-alpine meadows surrounded by forest and higher peaks is very common and characteristic of the area. Sierra visitors are also probably familiar with the annual seasonal transition from lush, green meadows to drier, brown meadows.

So what is a bit unusual about this scene? For one thing, I shot it during more or less the midday hours. This is not typically when I photograph scenes like this one, but this daytime view is probably the sort of thing that we see most often when we are actually there in the range. The color of the meadow grass is also a bit unusual – not that this coloration occurs, but that it happened so early in the season this year. The almost complete absence of green in the meadow is more characteristic of a time several weeks later than this early August date, when typically we might see a combination of dry and lush. But this year has been anything but a typical one in the Sierra and in much of California. Last winter was extremely dry, and there was barely any precipitation after the new year started – and this was the second drought year in a row. The conditions in the Sierra, as seen here, are not unprecedented, but they are very unusual.

G Dan Mitchell Photography

Yaquina Bay Bridge

Low Strings, Rehearsal

Looking for Eastern Sierra Aspen Color?

Dana Meadow, Kuna Crest

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.