Turret Skylight, SFMOMA

Turret Skylight, SFMOMA
Turret Skylight, SFMOMA

Turret Skylight, SFMOMA. San Francisco, California. May 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Midday light inside beneath the skylight in the atrium of the San Francisco Museum of Modern Art

For the time being I’m not going to write all that I could write about this photograph – that would be far too much to post here. Nonetheless, this might be a slightly longer “photo post” than usual.

The subject is the skylight in the turret at the top of the atrium at the San Francisco Museum of Modern Art. Just below the skylight there is a catwalk that crosses from one side of the cylindrical upper area of the atrium to the other, and this is a place of magical light in almost any conditions. I visited this past Friday since the museum closes after today (June 2, 2013) for two years for renovation and expansion, and I wanted to have one last chance to wander around in the museum and I wanted to see the wonderful Garry Winogrand exhibit.

During the “wandering” part of my visit I went to this catwalk and thought about how I could photograph it. It is almost embarrassing to photograph in this spot, since it is one of the most obvious iconic places to grab an iPhone shot, and many other visitors were doing just that. I first made a few symmetrical photographs looking up at the skylight in a more direct way and then thought that I’d try a few “off kilter” shots, perhaps with the Winogrand images – which often tilt and twist in surprising ways – still in my mind. Having also just spent time in the museum’s wonderful exhibit of classic black and white work by other photographers, I was in a bit of a black and white state of mind, and I was pretty certain that this would end up as a monochrome image.

(For those who wonder about such things, this photograph was made with the small Fujifilm X-E1 camera and the wonderful Fujifilm XF 14mm f/2.8 lens.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pier at China Camp

Pier at China Camp
Pier at China Camp

Pier at China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The old fishing pier at China Camp, California

This is another photograph from my first visit to the China Camp site along the northern San Francisco Bay, a place I had thought about visiting and photographing for several years. It was a Chinese immigrant settlement in the 1800s and apparently there was a thriving shrimp harvesting operation there. Today it is essentially ghost town, though one that has been stabilized and fixed up and which incorporates some “interpretive” facilities. I ended up there in conjunction with a “long-exposure photo walk” weekend that photographed a number of Bay Area locations over the course of three days. Though I did not participate in the entire event, I did join up with them on one morning to photograph dawn at the Golden Gate and then to travel up to China Camp.

This pier was the subject of several of my photographs on this day. It is an interesting and compelling subject in a bunch of ways. Its historical context of course makes it interesting, but there are several interesting visual aspects to it, too, and the overall feelings are of quiet and space and perhaps a bit of desolation. The pier itself is unlike most that I’ve seen. Power poles with utility lines run along its length. Ladders descend to the waterline for entry into small boats. Birds sit on top of high points along the pier. The water in the China Camp lagoon is almost completely still, and there is a great expanse of open water beyond with only low hills on the far horizon. (This quality reminded me just a bit of some views of Mono Lake.) For this photograph I used a 9-stop neutral density filter so that I could extend the exposure to last many seconds, further smoothing the surface of the water. I made about a half-dozen exposures, trying to get on in which the darned birds would hold relatively still for 5-10 seconds… and they finally cooperated on the last shot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

More Thoughts About the Fujifilm X-E1

(Note: Chuq von Rospach recently tried out a Fujifilm X-Pro1 and wrote about shoot he did with the camera, musing about whether or not it would work for him as a landscape photography camera. I wrote a lengthy comment in reply and since I think it might be useful to others considering these interesting Fujifilm mirrorless cameras, I have decided to share the comment again here, with a few edits. Do note that the X-Pro1 that he used is not the same camera as the X-E1 that I use.)

I’ve been using the Fujifilm X-E1 Digital Camera quite a bit for the past few months. This camera is a mirrorless “rangefinder style” body with an electronic viewfinder. There is also a model with a hybrid electronic and optical viewfinder, the Fujifilm X-Pro1. A decent set of Fujinon lenses is now available with more on the way – see a list at the end of this post. (There’s an earlier report here at my blog – see Fujifilm X-E1: From DSLR to Mirrorless – that article gives a bit more background about these cameras and their unique X-trans sensor.  It needs updating now that I have a lot more usage of the camera under my belt, and I plan to write this real review soon.)

I think that the main issue with trying to use the X-Pro1 or the X-E1 as a landscape/nature camera is that this is not really what it is best suited to doing. That said, it could make an excellent lightweight and small backpacker’s or hiker’s camera for those who aren’t trying to do in their photography what I’m trying to do, but who want the potential of very good image quality. The image quality from this camera is quite good considering its diminutive size and weight, but not what you’ll get from a full frame DSLR for sure.

I find that this camera is great for street shooting and other sorts of “on the go” photography done without the tripod, where small size/weight is critical, and where you might want to work somewhat quickly. (Although the AF system is not well suited to shooting particularly active subjects, though there are ways to make it more effective.)

I’m just back from four days in Portland, Oregon, where I used it to shoot urban subjects (mostly) and was grateful for its small size, which allowed me to carry it , along with other non-camera stuff, in a small messenger bag – which, not incidentally, works much better as carry-on luggage that what I must take when I shoot my DSLR. My full frame DSLR would have made for such a large bundle on this trip that the messenger bag wouldn’t have worked, but I could carry this camera (with the 35mm f/1.4 and the 14mm f/2.8) and my small laptop plus all of those other assorted things that typically come along on such a jaunt. Continue reading More Thoughts About the Fujifilm X-E1

Dogwood Flowers, Rain

Dogwood Flowers, Rain
Dogwood Flowers, Rain

Dogwood Flowers, Rain. Portland, Oregon. May 27, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late spring rain on dogwood flowers, Portland, Oregon

We made a brief visit to Portland, Oregon over the Memorial Day holiday, and – surprise! – it rained! This was actually a welcome development for those of us who live in parched California, where we are in the second year of drought conditions. We spent most of our Portland time in the downtown area, predominantly between the main downtown and the Pearl district – where there are lots of interesting things to see, good food to eat… and, of course, Powell’s books. On the final morning we ventured out a bit further to an area of north Portland where we visited the beautiful St. Johns Bridge over the Willamette River. We wandered down below the span and its gothic-looking support towers, where we found lots of vegetation including some very lush dogwood blooms.

There is also a bit of a technical story behind this photograph. I usually shoot with a full frame Canon system, using a variety of lenses and mostly working from the tripod. But that is a lot of gear to carry on a trip like this one that was not primarily about photography. (Though, to some extent, virtually all of my travels are at least partially about photography!) So I left behind the full-on system and instead carried my Fujifilm X-E1 Digital Camera, along with the Fujifilm 35mm f/1.4 XF R Lens and the Fujifilm XF 14mm f/2.8 R Ultra Wide-Angle Lens. The camera is a mirrorless “rangefinder style” body that brings to mind the classic rangefinder film cameras. This makes for a very small and light package – and this photograph was made handheld using the 35mm prime. While my main goals with this camera are more likely to involve street or travel photography, I’m quite pleased with how it performed in this nature shot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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