G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Four trumpeter swans on a raining day in Skagit Valley, Washington
I visited the Seattle area in early December for mostly non-photographic purposes, but found myself with with an open schedule on the day when my departing flight was not scheduled to leave until evening. I wasn’t about to pass up the opportunity to do some photography, so I considered street photography in downtown Seattle (plus a museum visit). Then I remembered that I had shot in Skagit Valley last year at roughly the same time and had found lots of interesting birds to photograph – trumpeter swans, eagles, snow geese, and more.
On this trip I wasn’t exactly equipped for bird photography, at least not the sort I would usually do, but I did have a 70-200mm zoom and I know it is possible to make interesting bird photographs with such a lens. So I was up fairly early for the one hour drive north. It rained off and on during my drive, and it was still mostly cloudy and gray when I arrived to find trumpeter swans in their usual spots on the winter fields. (Later I would also find some snow geese, but I’ll save that story for now.) Typically, I would photograph this subject with my 100-400mm zoom, but having nothing longer than 200mm in my bag, I had to think a bit differently about how to photograph these birds. Several strategies worked. One was to use my rental car as a “blind” and slowly and carefully position myself where they might be close enough to photograph with that lens. Another approach was to basically shoot landscape, but include the birds in the scene. The third option, used in this photograph, was to find a spot along one of the country roads where the birds were likely to pass directly overhead or nearly so and wait. These birds have a style of flight that somehow reminds me of a very large jetliner. The use a very low angle take-off, seeming almost as if they are too massive to climb much faster. But once in flight they are beautiful and graceful with their long necks and generally smooth mode of flight. In this photograph I watched as they passed in front of darker rain clouds before making the exposure, isolating the birds against the clouds and with no frame of reference on the ground.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
See the Deals Page for updates on the following and more:
Today is the last day to order from B&H with “guaranteed” holiday delivery via standard shipping. (You can still procrastinate a bit and pay more for expedited shipping if you want! ;-)
The special price in the Canon 5D Mark II body is still available.
I have added an updated listing of this weeks holiday specials at B&H – they include a wide range of camera bodies, lenses, and more from Canon, Nikon, and other manufacturers.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park
Since this has been a recurring theme in my photographs from Zion National Park in October, I think I’ll keep the commentary a bit short on this one. I made the photograph along the Mount Carmel Highway, which passes through high country along an east-west route though the park. We had a day here while on our way to our eventual destination to the east, so we decided to focus on this high country area, with its deep washes and slot canyons, autumn colors, and rounded forms of various types of layered sandstone.
In this area the sandstone was a sort of medium red – not as intense as some of the deeper strata nor as light as some of the nearly white rocks found elsewhere. This rock was finely layered in many places, and formed into a small world of ridges and domes covered with widely spaced trees. I photographed the scene in afternoon light, when the sun was shining from behind the trees and creating a sort of halo of light for each one. Because of the backlight, a bit of atmospheric haze is present and the underlying rocks take on a deeper tone. Every so often a friend of fellow photographer might refer to something they call “G Dan light,” and this is it – the light of backlit trees, photographed by shooting almost directly into the sun, with just a bit of haze.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email