I would like to thank Aperture Academy for making me the subject of their June “Featured Photographer” interview. (Thanks are also due to photographer Brian Rueb for setting up and conducting the interview.) As some of you know, I’m rarely at a loss for words… so the interview is long – but you might enjoy reading a few things about me that I probably have not mentioned here at the blog.
A wooden door in a concrete wall in an alley along The Embarcadero, San Francisco.
I’ll keep this description short since the photograph was taken in a location and circumstances that I have already described more fully. While walking along the Embarcadero on the waterfront of San Francisco I came across some alleys that had been locked up in the past and this time found them open. So I wandered down the alleys toward the water and discovered some old industrial buildings with worn doorways and walls and decided to make some photographs.
Much of this area is undergoing renovation or else being reclaimed by firms that find the slightly old-fashioned and dilapidated buildings to be picturesque and perhaps a bit trendy. Side by side with modern companies and offices there are remnants of a much different and rougher past.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Tower and steel structures beneath the Aurora Bridge, Seattle, Washington.
In early May I was briefly in Seattle on personal business, and I found myself with a free couple of hours that coincided with a Seattle Photo Walk in the Fremont district – so I left my other business behind, grabbed camera and a couple primes, and headed to the meet-up at the statue of Lenin. Really – it is a long story. ;-)
For those who don’t know, there is a waterfront along the edge of Fremont – the waterway connecting Lake Washington to the Puget Sound by way of the Ballard Locks. North of the water is a more hilly area, and Aurora Avenue crosses from there heading south over the water by way of the Aurora Bridge, which stands high above the water and above Fremont. Almost as soon as I started my “photo walk” in Fremont, I knew that I wanted to wander on over towards the bridge to see what I could find. It turns out that there is a recreational trail that passes alongside and under the bridge, so I walked down that way and made a series of handheld photographs from underneath this impressive structure.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.
This month I have had the opportunity to return to the ongoing task for filing through older raw files to see what I missed the first time around. (The task also leads to deleting some files that I originally held on to.) For me this is an important ritual, as I often accidentally “leave behind” some photographs when I first review them – either I get to busy and move on before I fully explore them, or in some cases I simply don’t yet “see” the photograph when I look at it too soon after making it. I have a theory about the latter issue. Sometimes I think I’m so invested in what I hoped or thought the photograph would be that I fail to see what it really is, at least until I’ve waited a while.
The subject of this photograph is the exterior of a building at the historic Mare Island Naval Ship Yard in Vallejo, a place that I have photographed only in the dark! I have worked with this building before. It is superficially a pretty uninteresting structure, but some of the unusual exterior stairways become interesting compositionally when illuminated by moonlight as in this photograph. I’ll share a few odd technical details about this one, too. The exposure time was nearly 8 minutes! And the capture was still underexposed. Since I cannot meter a scene like this, I often make my first exposure based on some sort of educated hunch – and I guess I just couldn’t imagine that I’d have to stand there any longer than this! Of course, because of the distance between the close-in railing and the far portions of the upper story, I had to use a small aperture of f/16. And being concerned about noise I shot at ISO 200. In the dark. Right. So one reason that I think I neglected to work with this file was that it seemed underexposed – OK, it was underexposed, even given the very dark subject of the scene. However, when I began to work with the raw file I discovered that I could push it the equivalent of several stops and the image would still hold good quality without obtrusive noise. I like the odd combination of shapes and angles, and in the end I think the very dark interpretation is actually the right one for this subject.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
