Two Photographers: Two Videos

I came across a couple of interesting videos of photographers on the web today.

The first is a wonderful video of Michael Kenna photographing in the snow in Hokkaido, Japan. The video is partly an interview, partly a visual narrative of Kenna at work, and partly a collection of interesting scenes and images associated with some of his photographs. There is a lot to think about and consider in the video, and it struck several chords for me. Among many was his use of the word “hunt” to describe the act of looking for and finding photographic images, and not perhaps just in the sense of tracking and capturing an image, but also, I think, related to the need to be patient and to understand the “quarry.” I often have thought about the “hunt” aspect of looking for subject. (Link originally seen at George Barr’s Behind the Lens blog.)

The second video is rather different but also features a very talented landscape photographer, Charlie Cramer. Unlike the slow moving and rather poetic video of Kenna with its long silent shots and occasional sparse music, this video interview (on the Marc Silber show)  is pretty “straight ahead” – basically a record of Charlie talking about his ubiquitous framing guide, a sheet of mat board with a 4 x 5 cutout that he uses to help him visual photographs while he is in the field. This is interesting and Charlie makes a compelling case for using this “tool.” (I’ve thought about it, but never “gone there.” Perhaps I will now…) More interesting to me were a few side comments that Charlie makes in the course of the interview. For one, he refers to the frame as a “blood pressure meter,” and suggests that he more or less “just knows” when a scene is going to work because when he views it in the frame he feels his blood pressure rises. (In another context he has spoken of hearing the scene whisper, “Take me!”) The point, I think (and forgive me if I have this wrong, Charlie!) is that all of the rules of composition in the world won’t help you that much in the end – essentially you need to be able to look at the subject and “just know” that it will work and how.

Cliff House, Pacific Winter Surf and Fog

Cliff House, Pacific Winter Surf and Fog
Cliff House, Pacific Winter Surf and Fog

Cliff House, Pacific Winter Surf and Fog. San Francisco, California. January 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of Pacific Ocean fog and winter surf beating against shoreline below the Cliff House, San Francisco, California.

There is an overlook just north of the ruins of the Sutro Baths that provides a clear view of the historic (and iconic) Cliff House Restaurant atop the cliffs near Ocean Beach in San Francisco, California. On a day like this one, the surf from winter Pacific Ocean storms pounds the base of the cliffs. At the lower left a bit of the old ruins of the Sutro Baths can be seen – it is hard to imagine how anyone constructed the walls and platforms and then the buildings of this facility.

(I posted a possibly more dramatic vertical format version of this scene a few days ago.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Death Valley Delayed

Earlier this winter I had evolved a plan to visit Death Valley earlier in the year than I usually do – I was planning on going later this week. However, as the season as unfolded it has turned out to be a very wet one in DEVA NP. According to reports (including this one) many roads are closed or washed out, including those to some of the places I was planning to visit. While the wet conditions also bring some special and unusual opportunities (including landscapes with reflections in ponds), at this point I’m going to hold off and reschedule my visit for the end of March.

By that time there is a good chance that more of the closed areas will have reopened. I have a hunch that this might also end up being a special year for wildflowers – and if I’m lucky I might manage to be there at right about the best time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Visitors to the Ruins of the Sutro Baths

Visitors to the Ruins of the Sutro Baths
Visitors to the Ruins of the Sutro Baths

Visitors to the Ruins of the Sutro Baths. San Francisco, California. January 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photographs of visitors to the ruins of the Sutro Baths below the Cliff House, San Francisco, California.

I have known of the Sutro Baths ruins for a long time – since I was a child, really – and I’ve seen them before from the top of the bluff near the iconic Cliff House Restaurant at the north end of San Francisco’s Ocean Beach. But this was my first visit to the actual site. The story is that this is the site of what was once a large privately-operated pool and bath complex that sat right on the edge of the Pacific Ocean. Decades ago it was being demolished (or so I understand) when there was a fire that destroyed the buildings and left only the foundations and what appear to be the outlines of old pools. To me the site feels like visiting some very ancient ruins.

On the day we visited the surf was fairly large. While I’m sure it gets even larger in the middle of a bit Pacific winter storm, it was impressive nonetheless, especially since the site of the baths is right on the edge of the ocean. The light was wonderful. Even though it was essentially midday when we visited, the light was softened and diffused by a combination of clouds and the thick mist created by the spray from the waves. Although I had a tripod with me, I had left it in the car – so this is a hand held photograph. I think that actually turned out to my benefit, since without the tripod I could shoot more spontaneously. I had been watching and thinking about this particular spot and a composition that included the lines and shadows and angles of these walls with the Cliff House beyond. But all of a sudden I saw the people in the scene move into positions that I thought were interesting and I had to react quickly.

I’m not sure how well this photograph will work for most viewers, but at the moment it is one of my favorite recent images. Especially in the 13″ x 19″ test print I made this evening, there is – to me at least – a ton of interesting stuff going on in the scene. (Unfortunately, some of that detail may well be lost in this small jpg version.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.