Concrete Steps

Concrete Steps
“Concrete Steps” — Concrete steps with water stains.

The simple story behind this photograph is that the steps are located at a formal garden where we had gone to photograph tulips and other spring flowers in April. As I photograph those subjects I also had my eyes open for non-floral photographs, too — in fact, sometimes my favorites from such places are not the flower pictures. On one level, this is just a photograph of steps. It is up to you how far beyond that you want to go.

I’m thinking of an insightful Minor White quotation: “One does not photograph something simply for ‘what it is’, but ‘for what else it is.” You miss out if you look at a photograph merely as “what it is.” Sometimes the photographer intends the “what else” and hopes that the viewer sees it. But in many situations the photographer may not fully see what is in the image at the time of exposure, and only discover it later. Sometimes the viewer may find things that the photographer doesn’t recognize. I’m going to leave it to viewers to consider this photograph from that perspective.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Tulips

Tulips
Close-up photography of a tulip blossom, tulip buds, and plants.

Tulips. © Copyright 2022 G Dan Mitchell.

Close-up photograph of a tulip blossom, tulip buds, and plants.

It seems that I have begun a little series of black and white flower photographs, so I’m going to run with it. Here’s another, this time featuring tulips — a background of tulip leaves and stems, a pair of buds at different stages of development, and one central flower that is just about to open.

Of course, the colors of spring flowers are the main story, and I’ve made plenty of color photographs of the subject. In fact, if you look back a bit in my post stream you may find a somewhat different take on this group of flowers done that way. But a monochromatic rendition gives me greater creative flexibility in many ways, and I think it also may let me focus on the forms of the flowers a bit more without the “distraction” of the appealing colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Layers and Folds

Layers and Folds
The complex geology of badlands terrain, Death Valley National Park.

Layers and Folds. © Copyright 2022 G Dan Mitchell.

The complex geology of badlands terrain, Death Valley National Park.

The landscape of Death Valley National Park is extremely varied. The popular imagination first focuses on scenes of sand dunes, the classic signifier of “desert.” But the place is full of canyons, stream beds, surprising instances of water, mountain peaks, and even forests of several types. All of these are special, but scenes like this one may embody one of the the most common elements of this landscape, the exposure of its underlying geology.

The area of this photograph is incredibly complex. It is a maze of small, eroded formations and canyons, all of them interconnected. Underlying this are uplifted layers of material in colors ranging from nearly black to nearly white, interspersed with surprising bits of red, blue, and green. I photographed here early in the morning because the light was softer and richer and because the low angle of the sun entering the scene from the side delineated the eroded features.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographing the Canyon

Photographing the Canyon
Patricia Emerson Mitchell photographing in a desert canyon, Death Valley National Park.

Photographing the Canyon. © Copyright 2022 G Dan Mitchell.

Patricia Emerson Mitchell photographing in a desert canyon, Death Valley National Park.

My photographs of desert canyon landscapes are virtually always devoid of people. Without some frame of reference it is difficult or even impossible to judge the scale of these places — a cliff could be four feet high or forty, a rock might be a pebble or a boulder. This photograph includes my wife, Patricia Mitchell, at work photographing a section of a narrow desert canyon in Death Valley back in late March.

I often favor longer lenses for landscape photography, but in these canyons I usually use an ultra-wide lens. The canyon walls are only feet apart in the narrowest places, and often the view forward and backward may stretch no more than a few dozen feet. Photographing as a duo in such a place requires teamwork, and each person typically must work alone — or all of the photographs will feature other photographer! She went first as we re-entered this canyon. I followed, and initially photographed back in the direction from which we came. Once she moved forward I turned my attention into the canyon and then kept my distance so that we would not interfere with one another’s compositions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.