Arch and Shadows

Arch and Shadows
“Arch and Shadows” — Utah red rock country arch in a shadowed canyon.

It might seem that improbable features like this are everywhere in Southern Utah. While some are familiar icons in national parks like Zion and Arches, similar features are found in less accessible locations. If you poke around enough you can experience them in relative quiet and solitude. I’ve wondered why it is this way in Utah, and I think there are several explanations: such features really are quite common, and some that warrant national park status are in non-park areas for reasons including uneasy compromises with extractive industries.

A group of us wandered into a lovely red rock canyon, inauspicious at the start but with sandstone walls that soon began to tower and close us off from the world beyond. These are intimate places, where your awareness is mostly confined to the space between the canyon bends in front of and behind you, and where the silence is only broken by occasional birdsong and the gentle sounds of water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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A Forest After Fire

A Forest After Fire
A dark forest, several years after a managed fire.

A Forest After Fire. © Copyright 2020 G Dan Mitchell – all rights reserved.

A dark forest, several years after a managed fire.

For obvious reasons, wildfire has been on my mind a lot during the past few weeks. Back in August a spectacular and extremely unusual series of electrical storms rolled across the San Francisco Bay Area, touching off scores of small fires that soon merged into three very large and very destructive infernos. Since that time we’ve lived in a pall of smoke around here. I briefly escaped — or so I thought — to the Eastern Sierra, with plans for a short pack trip… the weekend that the huge Creek Fire started south of Yosemite. Since that time the entire west coast has been afflicted by historically awful fires.

I’m familiar with wildfires in California, for one reason from years of late-summer and early-autumn backpacking. Some smoke is common at this time of year, most often continuing on into the very beginning of October when the first rains often arrive. Long ago I reconciled myself — after years of Smoky the Bear exposure — to the idea that some fire is a natural and beneficial part of the natural environment. But it has been harder to find photographic beauty in fire-scarred landscapes. This scene merges those two notions. This forest had been burned in a management fire a year or two earlier, scorching the lower trunks of these trees and consuming some excess litter. But when I made the photograph the forest was again looking quite healthy, albeit with visible signs of the fire remaining.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Red Rock and Autumn Color

Red Rock and Autumn Color
Early autumn color at the base of Zion Naitonal Park cliffs.

Red Rock and Autumn Color. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early autumn color at the base of Zion Naitonal Park cliffs.

Back in Autumn of 2012 I had an unusual opportunity to spend a total of roughly a month photographing in the red rock country of Southern Utah. I was there early in the month for a couple weeks, and I returned in near the end of the month with photographer friends. On that second visit we concentrated on Grand Staircase-Escalante National Monument and on Capitol Reef and Zion National Park. We visited Zion twice — as we entered the state and again as our trip concluded and we started back to California.

From my autumn visits to this part of Utah I started to learned a few things about how fall color evolves there, though my knowledge is far from complete. The first thing I learned is that the aspens change color earlier than in California — more like late September than early October. (I learned this the hard way, by showing up a bit too late to photograph peak aspen color.) The color in the red rock canyons seems to come later, and we had plenty of it to photograph in the second half of the month. When we arrived in Zion National Park at the end of the month interesting color was showing up at higher elevations, but I think we were catching only the very beginning of the color in Zion Canyon. That’s where I made this photograph, with an early riot of color at the base of the ubiquitous red rock cliffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Oak and Granite, Autumn

Oak and Granite, Autumn
A small oak tree in deep shade at the base of a Yosemite Valley granite cliff.

Oak and Granite, Autumn. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small oak tree in deep shade at the base of a Yosemite Valley granite cliff.

Back in 2012 I took a somewhat later-than-usual trip to photograph fall color in Yosemite Valley. When I think of Sierra Nevada fall color the high country aspens, mostly but not exclusively on the east side of the range, come to mind. Those colors tend to be an early October thing. But colors appear a bit later on the west side of the range, eventually working their way down to the foothills and finally the Central Valley. In Yosemite Valley beautiful colors come from cottonwood, black oak, dogwood and a few other sources, typically arriving in late October and peaking around Halloween.

For reasons that I can no longer recall, this time I ended up in the Valley a couple of weeks later. There was still sufficient color, and it came with the added bonus that light snow had recently fallen. (Unlike summer and winter, which tend to be just what you would expect, the transitional fall and spring seasons often bring surprises.) I took a walk along a section of the north wall of the Valley and photographed this small tree in the shadows at the base of a very tall granite cliff.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.