Sea Stacks, Big Sur Coast

Sea Stacks, Big Sur Coast
A rugged landscape of coastal sea stacks along the Big Sur coast

Sea Stacks, Big Sur Coast. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rugged landscape of coastal sea stacks along the Big Sur coast

This photograph comes from an early November transition season day along the Big Sur coast of California when I took a morning and half of the afternoon to drive down and make some photographs. The conditions here can vary widely on a seasonal and daily weather basis. Many summer days start with thick coastal fog, but it can also be crystal clear and even warm. Pacific storm fronts pass through during the winter, bringing rain, spectacular post front clouds, and then an atmosphere cleared of haze.

On this day the sun was trying to take command, but there was a lot of coastal fog haze in the air, and the fog banks were stubbornly persisting over the coastal hills in places. There was enough surf to throw up some additional moisture into the atmosphere right along the shoreline. Here I photographed across a near seascape filled with rocky bluffs and sea stacks, looking toward a more distant shoreline partially obscured by fog and haze.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Roll-Up Door, Night

Roll-Up Door, Night
A metal roll-up door, old windows, and buildings in multi-colored night light

Roll-Up Door, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.photo description

A metal roll-up door, old windows, and buildings in multi-colored night light

This is another photograph from my recent “alumni night” with The Nocturnes at the historic Mare Island Naval Ship Yard in Vallejo, California — a location where I did my first night photography about fifteen years ago, and to which I return at least a couple of times every year. The places is a sort of Mecca for Bay Area night photographers, almost all of whom have made the place a subject at some point. It holds very old historic ship yard buildings and structures, some areas that are essentially abandoned, a few areas undergoing redevelopment, and the effects of the ever-present San Francisco Bay that surrounds it.

Some things remain the same and others change. This photograph holds a bit of both extremes. The buildings in the scene have been there a long time and I have photographed them in the past. However, the lighting has changed significantly. This used to be an area of extremely dim light, but now there is a new facility just to the left of the area in the frame, and when anyone approaches security lights are activated and they cast a glow across the faintly green building. Its color controls with that of the more distant concrete building illuminated by an entirely different type of light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Color Panorama

Autumn Color Panorama
Eastern Sierra aspen trees in transition from summer to fall color on a cloudy afternoon

Autumn Color Panorama. © Copyright 2018 G Dan Mitchell – all rights reserved.

Eastern Sierra aspen trees in transition from summer to fall color on a cloudy afternoon

There is a pretty good chance that this will be my final fall aspen color photograph from the 2018 fall season. In some ways the season felt a bit different, but the grand pattern was a familiar one. The slight variations included what seemed like a slightly early appearance of color at high elevations — we saw some pretty decent color a full week before the end of September. The main part of the season seemed relatively typical, though I did find color appearing a bit later (surprise!) than expected in a few places I visited about a week into October. That was my final visit, but I did hear from folks who were still finding green groves at the end of the third week of the month. I don’t want to make too much of these observations, as I’ve started to feel that that general timetable does remain fairly similar


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Shipyard Crane Structure, Night

Shipyard Crane Structure, Night
The base of a gigantic rolling crane structure, Mare Island Naval Ship Yard

Shipyard Crane Structure, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.

The base of a gigantic rolling crane structure, Mare Island Naval Ship Yard.

I did my first real night photography at this location, the historic Mare Island Naval Ship Yard, fifteen years ago. I more or less randomly saw an announcement for a free introduction to night photography at the Flyway Festival at Mare Island, and without giving it much thought I signed up. The session was organized by Tim Baskerville, a guiding-light (guiding dark?) of the San Francisco Bay Area night photography scene and the leader of a group called “The Nocturnes.” (Studio Nocturne SF, the night photography collective I work with today, is a direct descendent.) I had almost no idea what I was doing on that first night photography adventure, but I was taken by the genre (and by this location) and I’ve been photographing at night ever since.

This week a group of us met for a “Nocturnes Alumni Event” at Mare Island, and after sharing and pizza we headed out into the dark to make photographs. It is a bit of a strange experience for me by now. I am very familiar with many of the features of the place, but there have been many changes, too. Back in 2003 the site was almost entirely abandoned, and it was not clear what would become of it. Today portions are being redeveloped, for better or worse — mostly better, I think. So some of the old subjects are gone, others that were off-limits back then are now accessible, and new things have appeared. On this evening I was able to get up close to some of these remarkable and gigantic old shipyard cranes. In a Silicon Valley world of virtual industries, it is quite striking to stand beneath these very solid and very real machines — gigantic things that were used to move the components for building ships.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.