Sunset Perch

Sunset Perch
A bird perches atop a snag at winter sunset in wetlands.

Sunset Perch. © Copyright 2012 G Dan Mitchell – all rights reserved.

A bird perches atop a snag at winter sunset in wetlands.

Ah, to be in a place like this on a morning like this one right now! Unfortunately, that is not to be — and not just because long distance travel is still out of the question except in essential situations, but because it is no longer winter! I made the photograph on an early January day spent out in California’s Great Central Valley, searching after bird and landscape subjects. Now that I think of it, one might even say that this bird is… social distancing! Though, to be more accurate, it is other birds and smaller critters that are distancing from this hunter.

Doing photography — at least the kinds that I do — is a challenging proposition in the current situation. I do get out to walk in our urban/suburban neighborhood, and I carry a camera with me when I go. But I prefer to do my urban photography in busier and perhaps ab it grittier locations. For now, virtually all of my landscape subjects are off-limits, as they require travel over distances that are beyond what seems responsible right now. In the meantime, it turns out that among the tens of thousands of images in my raw file archive there are quite a few that seem worth revisiting!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sunflower

Sunflower
A wild sunflower bloom in the hills of the San Francisco Bay Area.

Sunflower. © Copyright 2020 G Dan Mitchell – all rights reserved.

A wild sunflower bloom in the hills of the San Francisco Bay Area.

Most of the wildflowers that I find and photograph in the San Francisco Bay Area are relatively small. They may spring up in large, meadow-filling numbers, but the individual blossoms are rarely much more than an Ince across, and many are quite a bit smaller. This flower is an obvious exception, being several inches across — and, as such, it stands out from its surroundings when I find one.

I’m pretty sure this is the flower of the plant I know as mule ears — named, it seems, after the big floppy leaves of the plant. It is also a sunflower, at least according to a few references I found. When I encounter this spring flower around here it is often found alone, and it often is not exactly a pretty plant. Despite the striking size and color of the flower, the blooms are often worn and deformed — so I was pleased to find this relatively perfect specimen on a hike earlier this spring.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sand Waves

Sand Waves
Rising waves of sand in soft light, Death Valley National Park

Sand Waves. © Copyright 2012 G Dan Mitchell – all rights reserved.

Rising waves of sand in soft light, Death Valley National Park.

This photograph comes from a memorable visit to a remote location in Death Valley National Park about eight years ago. I was in the park during the first few days of January. I saw far fewer other visitors than I usually encounter there these days, and I experienced some very cold temperatures! A few days earlier the thermometer in my vehicle registered at freezing as I drove below sea level very early one morning. On the morning after I made this photograph I finally got around to checking the temperature at around 9:00AM after the sun had come up, only to discover that it was still in the low twenties!

When I arrived at this location in the late afternoon there was only one other small group of visitors. (They were gone when I came back from photographing, and I had the place completely to myself that night.) I figured out where I would camp that night, and then I grabbed my photography gear and headed out into the nearby landscape of sand with distant vistas of playa and mountains. It was late enough the I soon found myself photographing the dunes in soft, post-sunset light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Exit Only

Exit Only
An “exit only” sign attached to a wall that has not been painted recently.

Exit Only. © Copyright 2020 G Dan Mitchell – all rights reserved.

An “exit only” sign attached to a wall that has not been painted recently.

Postcard from Pandemic #2. I made this photograph on one of my SIP neighborhood walks a few weeks ago. If nothing else, the current travel restrictions are encouraging me to discover nearby things that I had not paid attention to before.

This wall is in the back of an urban business district. I’ve been around this area for decades, and I have watched it change a lot — from a quiet residential business district, to a place of fading and dying businesses, to a newly popular, somewhat upscale area with lots of restaurants and other signs of Silicon Valley wealth. For someone who has been here for a while and who recalls what was in this location in the past, this wall is a bit of a historical record.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.