Photographs: Central California, Photographs: Nature

Grasslands, Winter Morning

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Grasslands, Winter Morning
“Grasslands, Winter Morning” — A foggy winter morning in a region of grasslands and vernal pools in California’s Central Valley.

One of my favorite John Muir stories concerns how he first traveled to the Sierra. He Walked! From the Bay Area! From what I recall he went via Pacheco Pass (today’s state route 152) before entering the Great Central Valley. I often take this route when heading east, so I’m frequently reminded of his journey. Concerning his arrival in the Valley he wrote,” “At my feet lay the Great Central Valley of California, level and flowery, like a lake of pure sunshine, forty or fifty miles wide, five hundred miles long, one rich furred garden of yellow Compositae.”

It is difficult to imagine what he experienced at a time when the Valley was a quiet, largely unpopulated place. Today it focuses on agriculture and business and the rapidly increasing populations in towns and cities along highways 99 and 5. But occasionally, in the right places, you can sometimes find yourself where it is possible to imagine an immense, still, quiet landscape in that valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Levee Road, Tree, and Fog

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Levee Road, Tree, and Fog
“Levee Road, Tree, and Fog” — Thick morning tule fog obscures the view past a tree on a gravel levee road.

This unassuming photograph of a rural levee road, tree, and fog in California’s Central Valley encapsulates the feeling of winter in this place for me. If you know the area or one like it, perhaps you can fill in the sound of bird calls, feel the cool and damp air, remember the unhurried feeling of moving along such a road early in the morning. I go here to photograph birds, but always end up focusing on the landscape, too.

As lovely as this light is, it can be challenging to photograph. A motto for me when I work on prints is, “more light!” However, here I have to suppress that urge a bit since the fog diminishes the brightness. (Though the high clouds are so bright they are hard to look at.) Color can also be challenging, with a tricky balance between the inherent blue of the foggy light and the warmer colors of plants and (sometimes) the sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature

Wetlands, Dawn Fog

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Wetlands, Dawn Fog
“Wetlands, Dawn Fog” — Dawn fog obscures the view of a wetlands pond in California’s Central Valley.

Have I mentioned how much I like photographing fog? Why, yes, I have! Fog can make almost any subject mysterious and moody. Even a banal urban or natural scene can become magical under its influence. This is especially true in places like this, an agricultural landscape that otherwise includes utilitarian elements — cattle barns, power lines, buildings with lights, roads. But fog mutes those distractions and leaves us with just atmosphere, light, color, and bits of solid reality. The landscape becomes less literal, and we fill in our own stories.

It was initially too foggy (and too dark!) to photograph here, so I just headed out to potential locations and watched to see what would happen. Tule fog is often shallow, and I could see high clouds as the sunrise colors suffused the fog as it began to thin. The density of fog adds up across distance, and here makes it impossible to tell where the land and water end and the sky begins.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Fall, Photographs: Nature, Photographs: Urban/Street

Leaves Trace

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Leaves Trace
“Leaves Trace” — The trace of a departed autumn leaf on a concrete sidewalk.

I walk a lot, and I always carry a camera. At a minimum I have my smart phone, but most of the time I have a “real” camera in my bag. I don’t always photograph on walks, but from time to time I spot something that interests me. This was one of those times. Recent rains had leached the colors out of fallen leaves, staining the sidewalk with their autumn traces.

This photograph is a bit difficult to categorize. In a sense it is an “autumn photograph,” since the subject derives from that season’s leaves. But I made it in winter after those leaves had time to stain the concrete. In addition I’m not sure if it is an urban/street photograph or a photograph of nature. In the end, perhaps it doesn’t matter — it is just a photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.