Five Cranes, Morning Sky

Five Cranes, Morning Sky
Five sandhill cranes pass overhead against blue morning sky

Five Cranes, Morning Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

Five sandhill cranes pass overhead against blue morning sky

Cranes just might be on my mind this week due to a little snippet on a television program I saw last week. In it a couple of people, a photographer and a wildlife proponent, we sitting along the edge of a watery area in, if memory serves, the state of Nebraska. All it took in this brief clip was the sound of these birds, the site of them in flight and on the ground, and all of the associations with being in their ancient presence came back. If you’ve experienced it, you know — the moist air, the cold, the short winter days, and then the sound and sight of these birds.

There are lots of ways to photograph these birds. I often place them in the landscape, but here I wanted to focus on the birds themselves, as a group of them flew overhead in late-day light. Compared to certain other birds you might see in the same places and at the same times, the cranes have a more “stately” pattern of flight. They takeoff at a relatively low angle, and they often fly horizontally for a good distance before they gain much elevation. In smaller groups they fly beak-to-tail in undulating lines. Their wing motion is slower than that of, say, geese. Oddly, however, for birds that often seem so low-key, there are exceptions. One is the familiar “dance” that they do during mating season, when individuals extend their winds and jump into the air. In addition, I’ve sometimes caught then doing very strange things in flight — sudden twists and turns, beak pointed up toward the sky, and more.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Palm And Tarot Reader

Palm And Tarot Reader
The front window of a palm and tarot card reader business

Palm And Tarot Reader. © Copyright 2018 G Dan Mitchell – all rights reserved.

The front window of a palm and tarot card reader business

There are many aspects of the urban landscape that fascinate me. It is often far more colorful than the natural world, and there are frequently interesting geometries and compositional potentials. Objects become more interesting as they exhibit weathering and wear, yet they are frequently found juxtaposed with perfectly constructed new objects. Text, in signs and elsewhere, plays a part — ranging from its own geometry and form to possibly ironic combinations. And, of course, the people are subjects and they constantly change. And odd, attractive little oddities abound — as in this little scene.

I didn’t think too much about it as I made the photograph — I tend to work rather intuitively — but looking at it now I’m sure that several things caught my attention. The juxtaposition of spiritual and occult imagery and text was at the top of the list, especially combined with the banality of the location. The patterns of color also interest me, from yellow at the left, through the reds of the window edge and neon sign, to the blue shadow light at the far right. There are also small elements that you might miss, like all of the locks on the door at the edge of the frame. And that doesn’t remotely exhaust the list of things that you could see here…


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Small Aspen Trees, Autumn

Small Aspen Trees, Autumn
A tightly spaced grove of small Eastern Sierra aspen trees with fall color

Small Aspen Trees, Autumn. © Copyright 2012 G Dan Mitchell – all rights reserved.

A tightly spaced grove of small Eastern Sierra aspen trees with fall color

I like to say that it is never too soon to start thinking about fall color… though I forgive you if you aren’t sure that May is quite yet the right time. To be honest, I came across this photograph of a familiar subject earlier today while I was backtracking through my archive of older raw files. I have a bunch of urban/street photographs queued up for posting here soon, but I feel like sharing a few more natural photographs first.

The location is in a popular area for Eastern Sierra Nevada fall color, but there is nothing exactly iconic about this particular grove – though it is a place that I’ve returned to every fall for years. I suspect that something about it caught my attention on my first visit, and that whatever that “something” is, it is not a feature that every viewer will spot. I recall stopping here the first time I visited. It was late in the day and the sun was about to drop behind the surrounding high ridges. I was surprised to see this densely spaced grove of slender trees, with trunks exposed below their fall color crowns. I stopped and made a few photographs, and the spot has become one of my touchstones in the Sierra Nevada.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Valley, Morning Sun And Clouds

The Valley, Morning Sun And Clouds
Clouds from a passing weather front break up over Yosemite Valley as sun rises above Sentinel Dome

The Valley, Morning Sun And Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds from a passing weather front break up over Yosemite Valley as sun rises above Sentinel Dome

I confess that I’m often tempted to title photographs of this subject, “Yet Another Clearing Storm.” The subject is, to say the least, done a lot! The location is accessible, the view is tremendous (even if you’ve seen it a hundred times), storms clear in dramatic fashion. Sometimes I just have to stop and photograph it. Again. This does, however, bring to mind the famous comment that one photographer offered when asked by a neophyte if he had any advice about photographing from Tunnel View: “Don’t,” he replied. Yet we do. It can be a sort of guilty pleasure, and on a number of beautiful winter evenings I’ve run into friends there.

The light on this morning was something of a surprise — given what I had seen in the first predawn light I expected gray overcast. But as I came down toward the Valley I began to see hopeful signs — a bit of a glow from the east that suggested breaks beyond the edge of the cloud shield. I arrived here just before the clouds began to open up. I almost didn’t photograph — I first walked over without my equipment thinking it might be a quick stop before moving on. But it soon began to look more and more like the light might become even more interesting, so I raced back to my car and grabbed my camera, lenses, and tripod. Soon the morning sun rose over Sentinel Dome, intermittently breaking through the clouds and sending beams of soft light across and into the Valley.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.