Twilight Flight

Twilight Flight
A rush of (mostly) geese at the end of the day

Twilight Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rushing blur of birds at the end of the day

First, I do know how to make sharp photographs of birds, too… ;-)

There are many things I can’t really explain about winter bird populations. But as I have watched them (and listened to their remarkable sound) from Washington to California, I am starting to at recognize a few more patterns. At times some birds become increasingly active, and at the end of the day, as light fades, there may be opportunities to depict the motions of individual birds and flocks in a different way — rather than trying to stop motion I just go with longer shutter speeds, pan with groups as they fly by, and let the motion blur take over. Frankly, in many ways I think that this confusing blur may better evoke the wild actions of these evening flocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two White-Faced Ibises

Two White-Faced Ibises
Two white-faced ibises interacting in a San Joaquin Valley wetland pond

Two White-Faced Ibises. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two white-faced ibises interacting in a San Joaquin Valley wetland pond

The white-faced ibises have intrigued me since before I knew what they were — in fact, I suppose I could say that I photographed them before I realized that they existed. Some years back, on my very first more or less accidental exposure to bird photography, I found myself “out there” on an early morning, with no more clue about what was going on than “someone told me I should go here and see the birds.”(That someone was a colleague where I taught.) I barely knew a goose from a swan, at least when they were flying quickly overhead, but I was amazed by the number and variety of birds that morning. I photographed like a madman, not really knowing at all what I was photographing. Later on, back home and looking at files, I recall finding a series of photographs of a line of birds overhead that had oddly long and curving beaks. I wondered what they were. It turns out they were ibises.

Ibises are not always the most common specimens. In addition to their unusual beaks, they have another particular visual characteristic. In many situations you would regard them as dark and fairly drab-looking birds. Photographing them in flight is often difficult, partly because they frequently just end up looking black against any lighter background. But catch them in the right light and the texture, patterns, and colors of their feathers begin to appear. On this morning I happened upon a group of ibises, perhaps a couple dozen, in shallow water. I stopped and watched quietly and was able to photograph a variety of behaviors, including this interaction between two of the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pedestrians, Lexington Avenue

Pedestrians, Lexington Avenue
Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

Pedestrians, Lexington Avenue. Copyright 2017 G Dan Mitchell – all rights reserved.

Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

I think that so-called street photography (which might be termed “urban landscape” photography) can do many things. Some try to constrain it, offering limiting definitions that call for monochrome, handheld cameras, photographs featuring people, and a certain direct approach to dystopian unpleasantness. While it can be that, it can be other things, too. The focus can be the light, the geometry, the individual and collective people, oddities, visual beauty, the constructed environment, and much, much more. And (despite this example!) there is nothing requiring it to be black and white and look like it was created with the photographic technologies of any particular era.

In this case, my thoughts were mostly about shapes and light when I made this photograph. (That doesn’t mean that we aren’t free to make other associations.) On this date, close to the winter solstice, the light shines obliquely up streets like this one in Manhattan, and because this section of Lexington is relatively wide and in an area with few really tall buildings, quite a bit of that light finds its way down to the street and sidewalk. As I walked into this light, I was looking for certain effects that are mostly found in such urban environments, especially the multi-directional light produced when the direct sunlight combines with light reflected from buildings and windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Travel Photography Gear

It can be difficult to figure out what gear will work well for photography while traveling, what kind of camera and what lenses to take. I do a fair amount of travel photography, and I’ll going this use this article to summarize a few approaches that can work. (Article updated April 25, 2026.)

Je Suis Bleu, Paris
“Je Suis Bleu” — Sidewalk, graffiti covered wall, and women (virtual and real) on a Paris street

A starting assumption: There is no one “right” or “best” approach to photography while traveling, and what works for me may be far from ideal for you. I’m hopeful that this article may help you figure out about what fits your approach to travel.

Continue reading Travel Photography Gear

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.