Afternoon Clouds, Reflections

Afternoon Clouds, Reflections
“Afternoon Clouds, Reflections” — Afternoon clouds reflect on the waters of a subalpine Sierra Nevada lake

With all of the other spectacular nearly subjects to photograph, I actually didn’t pay a whole lot of attention to the lake where we were camped until near the end of our nine-day backcountry visit in late August and early September. I did walk past it regularly, sometimes with a camera and other times with a large water bucket to take back to camp. I photographed some of the nearby flowers. But mostly I departed from this area to head of to more distant locations, especially those further up the basin.

As the end of the trip approached I began to feel like I had neglected the lake, so I made time to explore it a bit more. At the upper end there was — as is typical — an extensive meadow with several meandering streams, and the meadow gradually became more marshy at the shoreline. On the far side a thin band of meadow ran between the lake the surrounding forest. The first time I went there I was too late, and light had already gone, shaded by nearby ridges. So this time I went a bit earlier in the late afternoon and arrived at the shoreline while there still was light on the trees and meadow. Even better, the air was crystal clear, impressive clouds had formed over large peaks to our south, and the wind had diminished to the point that the water’s surface was almost mirror smooth.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trees, Alpine Terrain

Trees, Alpine Terrain
A group of small trees stands on the edge of a deep valley, Cascade Mountains, Washington

Trees, Alpine Terrain. North Cascades, Washington. September 10, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of small trees stands on the edge of a deep valley, Cascade Mountains, Washington

This is another photograph from my brief visit to Washington’s North Cascades at Artist Point, high in the mountains at the end of the road between Mount Shuksan and Mount Baker. I had a free day, a rental car, and a forecast to relatively clear weather, so I went. The location is both popular and spectacular. The road ends at a very high point where snow still lay on the ground, and nearby are many trails, including the popular Artist Point trail that ascends a small rise nearby and offers excellent views in all directions.

There is a lot of intriguing stuff in this spot. Obviously the nearby alpine peaks with their extensive glaciers are impressive. Below there are two deep valleys leading away in opposite directions — one to the south towards a very large lake and the other to the north and leading to peaks on the Canadian border. The immediate terrain is alpine, with rocky areas (though less so that in the Sierra Nevada), small tarns, many plants, and small stands of beautiful trees that I believe are mountain hemlock. In this photograph one of those stands is positioned above the upper reaches of the valley that eventually leads south, and across this valley there are a few more trees, deeply eroded terrain, and some meadowy areas.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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What You Get Is Not What You See

Recently I spent more than a week photographing in a beautiful area of the Sierra Nevada backcountry. A short walk above the spot where we camped was a magical meadow — a place filled with light, grasses still green but starting to turn golden, high elevation trees scattered around the edge of the meadows, and a deep valley separating us from alpine valleys topped by steep granite peaks and ridges with scattered snow fields. At times clouds would float by and add some interest to the blue Sierra Nevada sky.

What I saw

Here is one of several photographs I made in this meadow, with the first example being a small version of a print-ready final interpretation…

Subalpine Meadow, Forest, and Peaks
At the edge of a subalpine meadow, surrounded by forest and high peaks

Here is another version of the photograph, straight out of my raw file conversion program and before I did additional work in Photoshop…

File after raw conversion operations

I think it reflects fairly well what I saw while I stood behind the tripod as light softened by closer clouds spread across the meadow. I’m confident that anyone who had been there with me would agree.

What the camera saw

But that is not what the camera saw. Here is what my captured file looked like before I did my raw conversion post-processing…

RAW file as exposed before conversion processing

Yuck!

This SOOC (“straight out of camera”) image looks pretty bad. The sky is OK, but the meadow is dark and flat-looking, not showing the actual quality of light at all, and the forest appears to be almost completely black.

What’s up here? Am I trying to trick you and present a false version of the scene? Am I an incompetent photographer who completely blew the exposure? Am I trying to “compensate” for a bad exposure by using radical post-processing?

The answer is “none of the above.” Continue reading What You Get Is Not What You See

Lupine-Filled Meadow, Evening

Lupine-Filled Meadow, Evening
Lupine blooms carpet and alpine meadow against a backdrop of evening light on Sierra Nevada peaks

Lupine-Filled Meadow, Evening. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lupine blooms carpet and alpine meadow against a backdrop of evening light on Sierra Nevada peaks

This was an unusual and exceptional year in the Sierra Nevada, primarily because the range finally — after five years of drought! — had not only good winter precipitation, but record-breaking precipitation. After watching the range dry out in very scary ways for the paste half of a decade, it has been tremendously gratifying to see a summer season that felt more normal. Because of the heavy winter storms, the high country snow melted out later than usual, and many places that typically might open by June or earlier were still closed well into July. And when the high country did open, there was still snow everywhere and creeks and rivers continued to run high well into the summer.

A side effect of all of this was that the short high country season of growth was delayed and extended, as we clearly saw during our week-plus backcountry photography excursion at the end of August and into the first few days of September. In a typical year I usually begin to sense autumn coming on by this point in the season, but this year it felt like full-blown summer: the creeks were still flowing strongly, there were snow fields in the higher mountains and we still had to cross them to get over passes, meadows were lush and green, and there were wildflowers everywhere. this meadow was a wonderful example. Located only a short walk away from our camp, it was absolutely filled with flowers, but especially with one of the largest displays of lupine that I’ve seen in the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.