Courtyard, The Louvre

Courtyard, The Louvre
A mask and the feet of a statue overlook the main courtyard at the Louvre, Paris

Courtyard, The Louvre. Paris, France. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A mask and the feet of a statue overlook the main courtyard at the Louvre, Paris

This photograph intends to combine views of the grand and the intimate scale of the Louvre, Paris. We spent about a week there in the summer of 2016 — one stop on a five-week trip that took us to New York City, London, Paris, Heidelberg, and areas of Italy including Chianti, Florence, Siena, and Bologna. (For those who wonder, no, this was not an organized tour. We were mostly on our own, though we met up with family members at various points.)

In Paris we spent a lot of time just wandering (and eating, but that’s another story), but we also made a point of visiting a few iconic locations. We had a day at the Louvre, which anyone who has been there knows is not remotely enough time to “see the place.” We managed on wing of one floor of one building, plus some shorter visits to a few other areas. I made this photograph when we stopped for a bite to eat and sat outside above the courtyard. This spot allowed me to photograph very close to a few of the statues that line the ledge along the upper floors facing the inner courtyard.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Before The Dust Storm

Before The Dust Storm
Just after dawn, the precursors of a day of Death Valley dust storms

Before The Dust Storm. Death Valley National Park, California. April 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Just after dawn, the precursors of a day of Death Valley dust storms

I’ve been through a number of desert dust storms in and around Death Valley National Park — ranging from minor “dust blowing through the campsite” events to “damaging to my vehicle” events. (The latter was some years back as I left the park and headed out to highway 395 and, as I later found out, drove through record-breaking wind and driving dust and sand, to the permanent distress of my windshield.) It is fair to say that my feelings about such conditions are mixed. Frankly, they are very unpleasant — the dust gets into everything, from clothes to eyes to camera gear, and it is almost impossible to do much of anything if you are inside a really bad storm. In fact, near the end of the day on which I made this photograph we simply had to hunker down indoors for several hours and wait for it to stop. But there can be a kind of terrible beauty in these events as well, and if you are cautious you can photograph them.

I recall a day many years ago when I started to make sense of the antecedent conditions that lead to such storms. It was the final day of a Death Valley visit and I was down along the southeast part of the main valley, when I noticed a kind of fuzzy glow in the atmosphere. I made a few photographs and headed north to leave the park, and within an hour or so I was engulfed in a huge cloud of dust. On the day I made this photograph we went to a high overlook along the top of a mountain range to photograph dawn light. This time I recognized that strange, milky atmosphere, seen along and above the Black Mountains in the distance in the photograph. The morning was, indeed, quite beautiful. But it was only hours later that we began to see dust above us — even though we were thousands of feet up in the mountains — as a giant storm developed, and by the time we returned to the bottom of Death Valley in the mid-afternoon one of the biggest dust storms I have seen enveloped the area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Windows And Hallway

Windows And Hallway
A hallway with alcove windows, The Louvre, Paris

Windows And Hallway. Paris, France. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A hallway with alcove windows, The Louvre, Paris

In Paris we, of course, visited the Louvre. We had a day, and that was not nearly enough. A week might be about right. We managed to view one floor of one wing, and then quickly visit a few other areas. We mostly saw older work including some of the major classics for which the museum is known, but later in the day we briefly explored some areas that aren’t perhaps the typical things that American tourists look for there.

This was a day of interesting outdoor light. There were clouds, sometimes thick and sometimes thinning enough to produce directional light. As we passed through this hallway the light was softly directional and even though the architecture here was modern and somewhat plain, the light attracted me and I stopped to photograph this row of windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

London Sidewalk

London Sidewalk
People along an urban sidewalk, London

London Sidewalk. London, England. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

People along an urban sidewalk, London

Sometimes with street photographs I do not quite know exactly what it is that appeals to me even though I know that the appeal is there. Perhaps part of the appeal of street photography, at least with some of the subjects, is that I have to response very quickly and almost entirely on the basis of intuition — often without even enough time to immediately consider the photograph I just made. It is look, photograph, move on, look some more. I may not “see” the photograph as an image again until much later… and even then it may be hard to identify the specific appeal in the image.

I barely recall making this photograph, in fact. I think I was crossing a street and about to come up on the sidewalk, and I’m willing to bet that the dark clad fellow with the headphones on was my primary point of interest. Judging from the low camera angle, I also suspect that I was photographing quickly from the waist, without even taking the time to raise the camera to my eye. (I kind of like this angle — it suggests photographs with classic twin lens reflex cameras.) There are other things about which I could speculate… but I think I’ll just leave it here as a photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.