“DSLR Killer!” — Maybe and Maybe Not

Sony, a company that has made innovative inroads in the camera market in the past few years, just announced its new Sony A9, yet another innovative product that continues the impressive progress of  mirrorless cameras. Some describe it as a “DSLR Killer.” I’m not so sure.  Some thoughts follow.

(Sit back. This isn’t going to be a short post! Hint: It isn’t anti-a9, though it isn’t exactly pro-a9 either.)

First, some personal background and perspectives. I use both mirrorless and DSLR camera systems — a Canon system based around the 5DsR and a Fujifilm system based around the XPro2. I use both for serious photography. Either may be my first choice, depending upon my subject and other conditions, and each excels at some things and is less capable at others. All of this is my way of saying that I’m not “pro-DSLR” or “pro-mirrorless,” and that I’m fairly brand-agnostic. (My first digital cameras back in the pre-2000 “stone age” period were mirrorless!) There are a lot of great cameras coming from by a range of manufacturers today and choosing one brand over another makes little difference to one’s photography.

I’m convinced at this point that mirrorless cameras have the potential to become the predominant serious cameras eventually, and that they are already serious tools that can be the best choice in some situations. Their pluses, both current and potential, include the following: Continue reading “DSLR Killer!” — Maybe and Maybe Not

Desert Wash And Hills

Desert Wash And Hills
Morning light on a desert wash, hills on an alluvial fan, salt flats, and distant mountains of Death Valley National park

Desert Wash And Hills. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light on a desert wash, hills on an alluvial fan, salt flats, and distant mountains of Death Valley National park

As I wrote in a previous message describing this Death Valley trip, one of the areas I decided to focus on this time was this one — a location along a fairly well-known Death Valley route that includes a vast alluvial fan, cut by washes, interrupted by hills of darker rocks, and always with extensive long views of surrounding mountains and off int the distant reaches of the valley itself.

This time I went in the early morning. I arrived before sunrise, set up, and watched as the morning began to unfold. From this location I could see a huge range of terrain. The highest point in the park at more than 11,000′, Telescope Peak, poked up above the bulk of the Panamint Range and caught the first dawn sunlight. Far to the west I could see the upper slopes of the Cottonwood mountains, and soon the sun lit them, too. The light slowly worked its way down from the mountains and before long fingers of morning sunlight reached the valley floor. I made this photograph while some distant parts of the valley were under cloud shadows, but when the light was beginning to shine on the desert wash at the base of the small hill from which I photographed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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A Few (More) Thoughts on Back-Country Photography

I recently was asked a few questions about backpacking photography, mostly related to equipment, so I thought I’d post something to augment an existing article on this website: My Backpacking Photography Equipment. (You’ll probably want to take a look at that one, too!)

Backpackers, Near MIlestone Basin
Backpackers, Near MIlestone Basin

Scott emailed recently to ask several questions, and I’ll consider some of them here. His first question has to do with gear, as in  “how much” to take. He suggests that it is hard to find a balance between high enough quality imagining, sufficient equipment to cover possibly opportunities, and carrying the stuff! Once you start carrying the stuff on your back, fundamental compromises among conflicting demands are necessary.

He carries the following gear: Continue reading A Few (More) Thoughts on Back-Country Photography

Sunset, Carrizo Plain

Sunset, Carrizo Plain
A sunset view down toward the edge of the Temblor Hills toward Carrizo Plain, lakes, and distant mountains

Sunset, Carrizo Plain. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A sunset view down toward the edge of the Temblor Hills toward Carrizo Plain, lakes, and distant mountains

This has been — and likely will continue to be — and exceptional spring for California wildflower color. After an extended and historic drought that lasted roughly five years, the rainy season now coming to an end has been record-setting in the opposite direction. We’ve had floods, washing out highways, remarkable snowfall, and as of this week the state produced an all-time record for seasonal precipitation in portions of the norther Sierra Nevada. The natural world seems to have come back to life again, and in places that have been arid for the past few years we are now seeing lush green spring growth and lots of wildflowers.

Many of us decided to visit some of the interior locations where the seasonal grasslands can produce impressive wildflower blooms. On my way to Death Valley during the first week of April I detoured to join friends who were already in the Carrizo Plains region, and I managed to do one evening and one morning of photography there. On the first evening we found a somewhat remote area in the hills alongside the plain where we could see some large fields of flowers above, and we headed up into the hills to photograph them. From this elevation the views of the Plain opened up, and I made this photograph during the final minutes before sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.