Reader Questions — March 10, 2017

March 10, 2017 G Dan Mitchell 2 Comments

Photographers write to me with questions, and I always try to reply. In many cases I prefer to reply here on the website so that others who may have the same questions can see the answers, too. Today I’m going through a backlog of questions on a variety of topics: neutral density filters, photographing in Utah, the Canon 5DsR, use of photographs by non-profits.

Pete writes: Dan enjoy your website! Question:Have the Mark III – May get the 5DSR – Has anyone used the 5DSR with Neutral Density Filters 6,10,15 etc.. and what have been the times -lengths – and outcomes? Any noise issues? Other problems noted?

Thanks for writing, Pete. I use a 10-stop neutral density (ND) filter sometimes and I use the 5DsR… but so far I haven’t used the two together! That said, I can’t think of any problems that would be specific to the use of these filters on the 5DsR. I do have experience using the 5DsR with much longer exposure times for night photography, and it works quite well for that.

For those who don’t know, the very dark 5-10 stop and more ND filters can be used to extend the exposure time in daylight conditions. Depending on the filter and your aperture choice you could get 30 second or long exposures. Their use presents a few challenges: Continue reading Reader Questions — March 10, 2017 →

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Autumn Aspen Forest

March 10, 2017 G Dan Mitchell Leave a comment

Autumn Aspen forests stretch across the landscape of Dixie National Forest, Utah

Is it ever to soon to start thinking about fall color? I think not. I made this photograph nearly five years ago on a big autumn trip around Utah. We started with a few days in California’s Eastern Sierra, then crossed Nevada by less-used routes to get to the area near Cedar Breaks. From there we headed east, eventually going as far as Moab before cutting across northern Arizona on our return trip.

This photograph was made not far from Cedar Breaks, along a gravel road that we happened to end up on for no other reason than we had some time and it looked interesting. The aspen forests here are more extensive that what I’m used to in California — they stretch over larger distances, and often the trees are straighter and taller. As you enjoy this beautiful scene, keep in mind that much of Utah’s wild lands — our wild lands — are under threat from political forces in the state that would place the short-term gain of a few special interest industries above the interests of the land’s current owners, you and me!

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Photographs: Southern California, Photographs: Structures and Objects, Photographs: Urban/Street

Shop Window, Shadows

March 9, 2017 G Dan Mitchell Leave a comment

Afternoon sun casts shadows on display in a shop window

We headed to Southern California just after the New Year. It was an excuse to take the Pacific Coast Highway down the California coast — we were fortunate to do this before winter storms forced a long-term closure! — and to visit various family members. Between the scheduled events we wandered a bit and visited whatever nearby thing seemed interesting.

We spent this afternoon wandering downtown Pasadena. It was a fairly lazy day — we had the afternoon pretty much free, with nothing on the calendar but an evening get-together. I made this photograph as the low-angle afternoon winter light slanted across the street and through the windows of this store to produce complex patterns of reflections, text, and the store’s interior.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Light on Granite Slabs

March 8, 2017 G Dan Mitchell Leave a comment

First light reflects on smooth granite slabs, Yosemite Valley

These smooth slabs of granite are at the base of Glacier Point, wrapping around it and roughly following the contours of the Merced River’s path as it rises toward Vernal and Nevada Falls and the High Sierra far beyond. I love large expanses of smooth granite, but the curving quality of this stretch is special and different from most other cliff faces in the Valley.

I had looked at this face the previous morning but did not photograph it, so on this second morning I headed straight out to a spot where I thought I might get a clear view as the first light come over higher ridges to the east and flowed across the granite. We can regard this as an interpretation of the scene, as the granite is perhaps not this dark — but brilliant sunlight reflections, enhanced by snow patches and melting water, made portions of the scene incredibly bright.

G Dan Mitchell Photography

Reader Questions — March 10, 2017

Autumn Aspen Forest

Shop Window, Shadows

Light on Granite Slabs

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.