Sandstone and Singleleaf Ash

Sandstone and Singleleaf Ash
A singleleaf ash tree stretches across red sandstone wall, Utah

Sandstone and Singleleaf Ash. Grand Staircase-Escalante National Monument. October 28, 2010. © Copyright 2017 G Dan Mitchell – all rights reserved.

A singleleaf ash tree stretches across red sandstone wall, Utah

I love the stunning sandstone landscapes of Southern Utah — a world of canyons intimate or huge, smooth red sandstone walls, the force of water, juniper trees, flatlands and mountains, and the thought-provoking presence of people who lived here before we came. When I return to my California landscapes from Utah they always seem a bit… gray. I made this photograph on a visit a bit more than four years ago, when I joined several photographer friends to explore places from Zion National Park to Capitol Reef National Park, spending time in some of the stunning national monument lands in between. I made this photograph in the Grand Staircase-Escalante National Monument, a place that surely is deserving of national park status.

Back in 2012 during this visit, I thought about how my country had the foresight to protect such quintessential American landscapes and hold them in trust for all Americans today and long into the future. It did not even cross my mind that they might soon again be in danger. But they are, including this very place, now described by self-serving politicians intent on taking the land that we own and giving it away to private interests as being “places where no one goes” or places that are just empty desert. This is, of course, nonsense and only a liar or worse could make such a claim with a straight face. Once again, it appears that it will be time to have to try to re-save these places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Interior, SFMoMA

Interior, SFMoMA
Interior photograph of San Francisco Museum of Modern Art

Interior, SFMoMA. San Francisco Museum of Modern Art, California. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Interior photograph of San Francisco Museum of Modern Art

In the wake of the major expansion and remodel of the San Francisco Museum of Modern Art (SFMoMA), the feeling of the place has changed. Overall I think that the changes are almost universally for the better, and it seems to me that the new space in the tall and narrow “addition” to the rear of the original building works quite well. (I have a few quibbles — including some back galleries that include audio in their exhibits but are not acoustically isolated sufficiently.) The feeling is mostly open and bright, which I think works well for modern art.

The feeling of the original front portion of the building is somewhat as it was, but it has changed, too. The ground level was originally designed to function as a main entrance and assembly space, but now much of that has been moved further back into the new building. The central atrium is still there, with stairs winding around its space, and lit from above by the light coming through the “oculus” at the top that faces to the west. I’m always intrigued by the shapes and colors and light in this space and the way that geometrical forms warp along its curved surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Into Dawn Sky

Into Dawn Sky
A flock of Ross’s geese takes off into foggy Central Valley dawn sky

Into Dawn Sky. Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A flock of Ross’s geese takes off into foggy Central Valley dawn sky

I was back in my favorite haunts in California’s Great Central Valley near the end of January, looking for migratory and other birds to photograph, along with the expansive landscapes of this region. After five years of awful drought, the Valley is now full of water again. Ponds are full and many fields have become ponds, and creeks and rivers are flowing once again. It is a beautiful thing to see! The birds are there in abundance — yet, somewhat ironically, the wet conditions have allowed them to find what they need across a larger, more friendly landscape, and sometimes they seem to not be where I expect to see them.

However, on this day there were plenty of birds — more than I’ve seen previously this year. The big flocks of (mostly) Ross’s geese are back and the sandhill cranes are active, too. My drive there was foggy, but it cleared up enough at dawn to give me some colorful sky. Bird action such as that in this photograph is pretty much a constant out here — but often not where I am with my camera! Photographing a lift off from the pond this closely, in such perfect dawn light, with subtle color in the sky depends on a lot of factors all coming together, and most of them are out of my control. The best I can do is to try to be in the right place when and where it might happen and to be ready to react quickly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pizza Shop

Pizza Shop
Customers wait for pizza at a Pasadena pizza shop

Pizza Shop. Pasadena, California. January 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Customers wait for pizza at a Pasadena pizza shop

Once again I interrupt the sequence of nature photographs, wildlife, and landscapes to bring you… a photograph inside pizza restaurant. I know that this range of subjects is a stretch for some viewers, but I hope it may be possible to see it all as part of my way of seeing the world. Early on the day I posted this it occurred that my background in music may offer at least a partial explanation. I’ve played (at least “played,” back when I was an active performer) in everything from bands performing in clubs, through jazz bands, to music theater, and on to symphony orchestras. I see no need to give up jazz because I may like Mahler, and I see no need to eschew photographing the city just because I also find beauty in the natural world.

So, back to our pizza restaurant. We were out walking about in Pasadena, really without any particular goal in mind — which is, I think, often a good way to make street photography. I photographed this scene through the restaurant window, and the tableaux just seemed to happen. I started out considering a piece of restaurant equipment visible in the window, but when I looked more closely I was this layout of pizza, the line-up of waiting customers, and what seems like idiosyncratic interior decoration.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.