Shoreline Aspen Color

Shoreline Aspen Color
A variety of colorful autumn aspen trees line the rocky shoreline of an Eastern Sierra subalpine lake

Shoreline Aspen Color. Eastern Sierra Nevada. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A variety of colorful autumn aspen trees line the rocky shoreline of an Eastern Sierra subalpine lake

While understatement can often be a good thing, sometimes when making photographs of Sierra Nevada autumn aspen trees one simply has to go with the colors. This was one of those times. I was fortunate to arrive at this spot on close to the ideal color day for this section of the lake. Not only were nearly all the trees showing their fall color, but quite a few trees showed the less common shades of red and orange, along with the more typical golden-yellow. These are not big trees, but what they lack in stature they make up for in color.

This photograph is also an example of one good kind of light for photographing this subject. I began photographing a bit earlier in  the soft, shaded light. This sort of light can be very “friendly” to intensely colorful subjects and to subjects that include lots of shadows. But it can also be quite blue — except here I photographed just before the sun reached this spot, and much of the ambient light was acquiring a warmer quality. The soft light doesn’t push the intensity of the colors so far that they may blow out — it tends to make the colors more vibrant, but gives a bit more control.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Evening, Eastern Sierra

Autumn Evening, Eastern Sierra
Hazy evening light on golden meadow, aspen trees, and ascending slopes, eastern Sierra Nevada

Autumn Evening, Eastern Sierra. Along US 395, California. October 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Hazy evening light on golden meadow, aspen trees, and ascending slopes, eastern Sierra Nevada

When I travel to the Eastern Sierra at this time of year, I always begin my trips with aspen color as my object. But once I get there I often — once again! — find a myriad of other subjects I associate just as much with the fall season. I made this photograph in the evening, not long before actual sunset, as the last sunlight was coming across the crest of the range and sweeping down across the dry eastern slopes. Rounded ridges, broken here and there by rocky outcroppings and scattered groves of trees, ascend toward the monumental eastern escarpment, here muted by autumn haze.

This spot is wild but not wilderness. A small cabin sits in the meadow at the base of the hills, gravel roads cut through the landscape, and at this time of year photographers, hunters, anglers, ranchers, and aspen-seekers follow gravel roads far up these slopes. This is a transitional zone, between the high sagebrush desert to the east and the conifer forest far above, and it is not the same Sierra of granite and conifer forests that most of us associate with the range. But if you travel up and down the east side much, you eventually learn that it is as much “Sierra Nevada” as any landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dumbed Down By Foreign Actors

Dumbed Down By Foreign Actors
Graffiti on a wall along a Paris sidewalk

Dumbed Down By Foreign Actors. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Graffiti on a wall along a Paris sidewalk

When traveling it pretty quickly becomes apparent that graffiti is a pretty universal thing. The amount may vary, but is probably as much a function of how quickly it is cleaned up as it is of the amount of it that is produced. (In some cities, both in the US and Europe, it is pretty clear that no one has bothered to remove it for a long time.) Broadly speaking, it comes in several types. The personal scrawls, or “tags,” seem pretty similar just about everywhere, and I rarely share them. (They also seem like the lowest form of graffiti, basically just a “look at me” or “see what I can get away with” kind of thing.) A second sort is more art/icon oriented and not particularly about text. (My “Je suis bleu” photograph from Le Marias includes such material.) It may or may not be political. A third type includes text messages — though some of the “art” graffiti may fit here, too — seems more overtly political and delivers some message, though the meaning may not always be clear.

I saw these “Dumbed Down By Foreign Actors” scrawls in quite few places in Paris. This one is in Montmartre. I’m not certain what it means, and a quick search didn’t provide any clear answers: is it literally about actors from foreign countries, or is it about (e.g. political) “actors,” or something else? I photographed this example as much for the surroundings as for the text itself. The old wall, painted (and partially re-painted) pink, the barred square area (not actually a window), and the interruption of the power box all are visually interesting to me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Escalator, Windows

Escalator, Windows
Afternoon light from nearby windows on an escalator, the Louvre

Escalator, Windows. The Louvre, Paris. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Afternoon light from nearby windows on an escalator, the Louvre

We spent the better part of a day during our recent Paris visit at the Louvre. Anyone who has been there knows that a day is far from sufficient time to really see the place and the art that is housed there. We managed one full floor of one (of three) wings and a bit of one or two other areas. Clearly we have no choice but to return to Paris!

It is no secret that I, like lots of other photographs, am entranced by geometric shapes, effects of light, angles, and juxtapositions. Sometimes there is time to see these things and carefully consider how best to photograph them, but sometimes we don’t have the luxury. In this case, I had very little time, as the view is from a moving escalator! Fortunately, I had my camera in hand as we rode down to a lower level, so I was able to quickly raise the camera and make a few quick exposures of this view as it evolved and rolled past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.