I missed the millionth view at the G Dan Mitchell Photography blog — I was busy working on a photograph — but not by much! Sometime before 9:00 PM PDT the blog served up its millionth page view.
Thank you to all of you who follow the blog and my photography. I appreciate it!
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Rugged rocks and surf along the Big Sur coastline at Soberanes Creek.
I’m not certain if this spot has a real name or not, but it seems like it might be something like Soberanes Cove or perhaps Soberanes Bay, since it is at the outlet of the stream that comes down to the Soberanes Canyon from tall, steep coastal hills before entering the Pacific in this rugged, rocky area of the northern Big Sur coast not far below Carmel. Here, as the Coast Highway heads south, it makes a bit of an inland turn to cross the stream and then turns back toward the ocean to rise over another prominence that extends further toward the water. As it does so, a view opens back across the coastal bluff and over this rock-filled section of water toward the rocky coastline.
This was an “interesting” light evening along the coast – in some ways very difficult light, but with short-lived sections of more light that was very beautiful. The fog was hugging the shore line, sometimes extending a bit inland to the coastal hills, cutting off all of the late-day light. But occasionally, where the shore curves inland a bit, as in this cove, the overcast opened up a bit and perhaps even pulled away from the immediately coast and allowed some filtered light to strike the rocks and the water and the shoreline.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The last evening light falls on a tree and a rocky pinnacle high above the Pacific Ocean north of San Francisco, California.
On the return drive from our late-August sojourn to the Mendocino Coast, we returned to the Bay Area by the less efficient but more spectacular route and drove the coast on Highway 1, the “coast highway.” For the most part the road hugs the coastline, alternately dipping down to the shoreline and climbing to the tops of very tall coastal bluffs, and occasionally running inland for a short distance. We stopped in Point Reyes Station for dinner (and we can now heartily recommend Osteria Stellina!) and then continued on – and as we did I began to get a sense of where we might be for the golden hour light. It seemed like we would likely pass Stinson Beach – which seemed fine, since I didn’t have an interest in photographing there – and be somewhere south of there in the Marin Headlands.
As we ascended the high and steep road perched along the cliffs south of Stinson Beach, a lot of stuff started happening all at once. I knew that we were getting very close to “that” light, when we spotted a lone coyote along a ridge above the road… right below a large ridgeline rock and above which the nearly full moon had just appeared. Really! So we obviously had to stop and see what we could do with that subject – which turned out to be more difficult that I had thought. At about this time other likely “targets” started to appear, and I photographed back towards Stinson Beach, directly into the sun-lit haze from northern California forest fires. Then I looked closer to my location and saw this windswept tree catching the last bit of light, with a single rugged pinnacle behind it, and beyond that the surface of the Pacific Ocean, fading into the mist and picking up the pink tones of the setting sun.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A steep and rocky island backed by coastal bluffs and a distant shoreline, northern California coast, Mendocino County.
The last time I passed by this section of the California coast highway in Mendocino County, I also stopped to photograph this scene – but was less happy with the result. This section of the coastline, like much of the meeting between California and the Pacific Ocean, consists largely of high coastal bluffs, interspersed with the steep canyons where creeks and rivers meet the ocean, with many rocky islands ranging from tiny to huge. The two-peaked island in this large cove fits more into the huge category and it is backed by two fingers of land where the high bluffs extend toward the ocean. In the far distance, a section of curving coastline is barely visible through the haze.
Recently someone asked me about how I decide whether a photograph will be black and white rather than color. I admitted – and it turns out that many feel the same – that often I am not certain when I make the exposure. Roughly speaking, the black and white photographs come about in perhaps three ways. Sometimes I like the subject but the color rendition just isn’t working the way I had hoped, so I try it in black and white and “discover” that I like it that way in post. On other occasions, at the time of exposure I sort of wonder if it might work in black and white and I make mental note to try it that way in post. In the third case, I “know” (with only a small amount of doubt) that the image is going to end up in black and white and I shoot the scene with that in mind. This is one of those photographs – I was almost certain that it would end up in black and white as I stood high on a bluff next to highway 1 making the exposure.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
