A tree grows at the rocky edge of a cliff above Middle Young Lake and the forest receding into the late-afternoon western light, Yosemite National Park, California.
Continuing the process of milking my mid-September shoot at Young Lakes for as many photographs as possible, here’s one more. As I wandered around the “side” of the upper lake I saw a meadowy area below the outlet stream that looked interesting, so I followed it to the beginning of a steep drop off towards the middle lake. Here the combination of low-angle back light glancing off or the edges of the rocky outcropping and the distant forest-covered hills fading into the sunny haze caught my attention. It was also interesting to think about the fact that I had just walked past the lake seen at the lower left perhaps no more than 30-45 minutes earlier.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Late season evening light on a trees and a small meadow near Upper Young Lake, Yosemite National Park, California.
After hiking up from Lower Young Lake and arriving at the upper lake well before the good light I wandered off along the southwest shoreline of Upper Young Lake to scope out photographic subjects for the “good light” period that was going to start very soon. First I walked along the shoreline where I found several prospective shots of a rock outcropping with trees at the end of a peninsula that curves into the lake. I kept walking along the shoreline and found a few more interesting formations with the backdrop of the more distant hillside leading to the ridge that runs along the edge of the basin. Eventually I worked my way a bit beyond the lake to a point where small, grassy gullies began to drop toward the steeper terrain leading to the next lake down the valley, and here I found some interesting backlit trees and boulders, again with the hazy image of the more distance hillside beyond.
This photograph was made pointing almost directly toward the lowering sun – it is actually just a bit to the right and behind some rocks and trees that are out of the frame. Because it was so close to the end of the day – and because of the late time of the season – the light soon became very saturated and warm colored. To me this scene says “end of summer” in the high country – while it is still comfortable and the winters snowfall is still weeks in the future, there is a time in September when the days shorter, the grasses turn golden brown, the aspen color is only weeks away, and most of the tourists have left when the changing of the seasons can no longer be denied.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Late afternoon like on alpine lakes, meadows, and forest below Kearsarge Pinnacles, Kings Canyon National Park.
Kearsarge Pinnacles shares its name with (Kearsarge) lakes and a (Kearsarge) pass just to the west of the Onion Valley trailhead. This is not exactly an untraveled spot in the Sierra, given that it is merely one day in on a reasonable (by east side standards) pass and that it provides access to some very popular areas of the Kings Canyon back-country and to the John Muir Trail.
I’ve been over this pass a number of times. I’ve come in this way to start trips north over Baxter Pass and south into the upper Kern River basin and over Mt. Whitney. I exited here some years back on the ninth day of a trip that started at Bishop Pass and crossed a series of JMT high passes including (in addition to Bishop) Mather, Pinchot, and Glenn passes.
Here late afternoon light, filtered by clouds, illuminates the granite benches and scattered trees above a couple of the upper lakes in the basin. Despite the obvious impressive beauty of this location, I find that it presents some photographic challenges, at least when I try to photograph “grand views” of the area and the surrounding landscape. One of them, at least in my experience, is that the light angles can be a bit tricky. For example, as the sun sets it isn’t quite far enough north to light up the slopes of the pinnacles, and some of the interesting foreground subjects go into shadow as the light warms up. On this evening I made one of those timing discoveries that I’ll have to remember and apply the next time I’m there – from about the location of this photograph there was a minute or two of very interesting light right on the upper edges of the closer ridges… which I wasn’t quite quick enough to capture!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Ridgetop trees and boulders along the trail catch the afternoon light at Artist Point, Mt. Baker-Snoqualmie National Forest, Washington.
I had been admiring this steep, rugged, and distant ridge all afternoon, starting with our first shooting location down lower on the mountain. As we hiked up the Artist Point trail, we took a detour to the right and I noticed this low rocky ridge covered with trees and the ridge in the distance. At first I couldn’t quite see a shot and I looked elsewhere, but soon I came back to this spot and thought that something with the foreground rocks and trees along with the clouds and more distant ridge might be interesting – but as soon as I saw this a large cloud floated over and blocked the sun from my position, leaving the nearby trees and rocks in shade!
Sometimes when this happens it makes more sense to move on and look for a photograph that works with the conditions you have, but other times it can be worth waiting. It is hard to know for sure which is right, but I decided to set up and sit tight, waiting to see if the light would improve. The light shining around the edge of the cloud was tantalizingly close, but the cloud was stubborn about moving. At one point the light increased a bit for perhaps 15-20 seconds, but then quickly went away. I continued to wait. Finally, the light began to gradually increase, and I got about one minute or less of sun before the cloud again blocked the light – but this was long enough to make a few exposures of this scene.
I have a favor to ask of anyone who is familiar with this area – help in identifying the trees and, even more, help in identifying/naming the distant ridge and the peaks that sit on it. I’m not great at plant identification, but I’m really out of my league in the Cascades. One person walking by as I made the shot seemed to think that the trees are mountain hemlock – but I’d be grateful if anyone can confirm this… or set me straight. Although I was impressed with the peaks on the ridge in the distance in this photograph… I do not have any Washington topographical maps or guide books, so I’m completely in the dark about what to call this ridge or the peaks. Here, too, I would be grateful if anyone can help me identify the ridge, the peaks, and any other important features in the photograph.
Update: A Facebook reader shared information about the peaks on the distant ridge in this photograph…
Alan Majchrowicz writes: “From left to right, Tomyhoi Peak, Canadian and American Border Peaks, Larrabee Mountain. Nice photo Dan, hope I can break away this week and spend some time up there!”
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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