Tag Archives: alpine

Cliff-Edge Forest Above Werfen

Cliff-Edge Forest Above Werfen
Cliff-Edge Forest Above Werfen

Cliff-Edge Forest Above Werfen. Near Eisriesenwelt Ice Caves, Austria. July 19, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Forest trees and grassy meadow at the edge of a cliff above the town of Werfen, Austria

For looking to be such an astonishingly exposed location, this spot was actually quite easy to get to. Sorry if I disappoint anyone! ;-) Above the town of Werfen, Austria, not far from Salzburg, is a feature known as the Eisriesenwelt Ice Cave. It is a well-known and popular tourist destination, and since our “guides” (family members who live in Germany) suggested it, we went and joined the other tourists. Although this post isn’t really about the ice cave, I’ll at least mention that it is quite a spectacular thing to visit. The cave itself is quite something, but so is the process of getting to it. The cave is located very high up the face of a cliff above the Salzach River valley, in a place that you would hardly imagine would be accessible by normal folks. However, a combination of hiking, taking a ski-lift style tram, and then hiking some more, this time on a well-constructed trail across the face of the cliff, brings you to the entrance to the cave.

After we finished our tour of the cave we emerged into the sunlight to see that it was clouding up. As we hiked down to the upper tram station we began to hear some distant thunder. The moist atmosphere became thick, and although it was still mostly sunny in the valley below, many of the distant valleys and ridges were becoming partially obscured. At one point the trail followed the contour of a small gully and looped back away from the cliff edge, affording a view back across this bit of meadow and forest that ended abruptly at the edge of the void where the cliff dropped to the Salzach Valley below.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ridges, Evening Light

Ridges, Evening Light
“Ridges, Evening Light” — Evening light shines on forested ridges and high peaks, Olympic National Park

I have not had a lot of luck trying to photograph the Hurricane Ridge area in the past. You’ve probably seen the beautiful and iconic photographs by other photographers – lavish displays of wildflowers, striking alpine ridges holding snow fields and glaciers, spectacular cloud-filled skies. However, on the few occasions when I have tried to shoot there I have contended with wind, fog that held visibility down to mere yards, and poor seasonal timing. Since we were in the Seattle area (for something non-photographic) with a free day, I figured I might try one more time. Initially I had thought of the run up to Artist Point in North Cascades, but the weather forecast there was not at all promising, with rain expected. Initially I thought that there might be similar weather out on the Peninsula, but as we started out I got a call from my brother, who is a Seattle area photographer much more familiar with the patterns of the area, saying “go to the Olympic Peninsula. I’m looking at a web cam and it seems clear!”

In fact, by the time our ferry crossed to the west side of Puget Sound, it was looking quite clear. After some midday, lowland shooting, we figured that we would try Hurricane Ridge at the end of the day. With this in mind, it was a bit after 5:00 when we arrived there. The first look around was not too encouraging – the wildflowers were mostly spent and it was cloudy, though sun was breaking through the clouds from time to time. I decided to give it a try since I know that conditions can change quickly and because it was likely too late to get to any other interesting points in the remaining daylight. Setting up and watching the scene, I noticed that while it was cloudy and even a bit rainy, breaks in the clouds to the west were sending occasional beams of light chasing across the landscape, especially the large forest-covered ridge in the foreground of this photograph.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest
Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest. Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone fisherman casts into Ellery Lake beneath ridges rising through haze toward the Sierra Nevada crest

This photograph includes a subject that I’ve stopped and looked at many time, thinking there must be a photograph in it somewhere – and even trying to photograph it a few times – but never quite figuring out how to see it. Ironically, it was the wildfire haze and smoke that made it work for me this time, as that haze muted some of the over-abundance of fine detail that I think can distract from the larger form in this scene, and which also muted the bright reflections on the water which can otherwise be hard to manage.

I thought of this as monochrome image when I made it. (I don’t always know that at the time of exposure, but with digital we have the luxury of making that decision later if necessary.) My first thought was to make it a “natural” landscape, but I noticed that a fisherman had appeared along the left end of the foreground peninsula. Often my first reaction to the appearance of a person in my landscapes is to wait for the person to move. But I have learned that sometimes a very small figure in the landscape can change the image in ways that seem oddly out of proportion to the size of the figure. Here, especially in a larger print, the little figure against the background of the shining water changes everything, I think. Place the tip of your finger over that person to cover him, and see if you see what I mean. I did also continue to make a few more exposures after he left, but I like this one the best.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Grass, Die Eiskapelle

Trees and Grass, Die Eiskapelle
Trees and Grass, Die Eiskapelle

Trees and Grass, Die Eiskapelle. Near Königssee, Germany. July 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Momentary sunshine illuminates a grass-covered hill and small trees in front of Die Eiskapelle at the base of Der Watzmann, near Königssee, Germany

We hiked to this spot on one of the first days of our stay in the Schönau am Königssee area of Bavaria in Germany, where we stayed in an old, rambling farm-house for a week. Aside from the general charm of the area – conforming to many of the expectations of American visitors – there are a lot of special features around here: Berchtesgaden National Park and the Königssee itself, along with the views of the Bavarian Alps, including the classic peak of Der Watzmann, the second highest peak in Germany. We took the tourist boats up the length of the beautiful Königssee lake – which I think of as what Yosemite Valley might look like if it were filled with water – and disembarked at the start of the trail to Die Eiskapelle. This trail begins at the very civilized landing, with its outdoor cafe, beach, and lawns, and starts up the hill very gently. It soon enters the hardwood forest, narrows, steepens, and begins to feel more like the sorts of trails I’m familiar with from the American mountain west.

Die Eiskapelle is in a small, rocky valley at the base of a huge cliff dropping down from the eastern face of Der Watzmann. As I understand it, the permanent ice field seen at its base in this photograph is formed by repeated avalanches that come down this face. The July time frame of our visit usually is when I spend a lot of my time in the Sierra, and as wonderful as our trip to the UK and Europe was, at times I longed a bit for “my Sierra.” In the upper reaches of this trail, as the path disappeared and I was left to find my own route across bits of grassy meadow and rocky terrain to the base of the snow field, I felt as close to the Sierra as at any time on this trip – the feeling reminded me a bit of early season in my favorite terrain among the granite peaks right at timberline. And, momentarily returning to landscape photographer mode (despite using a small, handheld camera!), I paused here for some minutes, looking for a composition that would combine these small foreground trees with the ice field and then waiting for a bit of light from the broken clouds to move across this small grassy rise.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.