Tag Archives: america

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Oculus, World Trade Center

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Oculus, World Trade Center
The Oculus, Work Trade Center, Christmas Eve.

Oculus, World Trade Center. © Copyright 2021 G Dan Mitchell – all rights reserved.

The Oculus, Work Trade Center, Christmas Eve.

From Christmas Eve 2019, this is the interior of the Oculus structure at the World Trade Center in Manhattan. As I recall, we somehow ended up there in the afternoon, perhaps late in the afternoon, and the very last of the Christmas shoppers were trying to make their final purchases before everything closed up. By this time the crowds were thinning — though there were still quite a few folks where we were standing, a spot with this elevated view of the interior of the structure.

On one hand this is essentially a glorified shopping mall. On the other hand it is at the World Trade Center site and the architecture is quite striking, both inside and out. I recall being impressed by it when construction was still ongoing, even though I wasn’t really aware at that time of what it was. Despite being surrounded by a collection of retain establishments, the space reminds me visually of the interiors of large cathedrals. At this hour of the day, some light was entering the space through the row of skylights along it spine high above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Three Trees, Sunset Clouds

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Three Trees, Sunset Clouds
Three trees and sunset clouds reflected in a Central Valley pond.

Three Trees, Sunset Clouds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three trees and sunset clouds reflected in a Central Valley pond.

As we approach the end of 2021, here is (another) photograph from the last day of 2019, made on the last New Year’s Eve of the Before Times. It is strange to think back to the end of that year, when we certainly were well aware of challenges in our world — but when we had no idea of what was about to come. The subject of the photograph is an astounding scene of light and sky that formed late in the day. So many of these scenes are the result of coincidences that are far beyond our control — the light, the weather, the wind, where you find yourself and more. Often nothing out of the ordinary happens. But if you are there often enough, eventually you will almost certainly encounter something astounding.

As I saw this scene developing I stopped what I had been doing — photographing migratory birds — and turned my attention to the landscape. Since much of the scene was the sky itself and its reflection, the only real compositional decisions had to do with frame boundaries and what else might be in the scene. I found a place where I could get close enough to the water to fill the lower frame with reflections, then identified these trees as a potential visual focus, and I simply began making photographs as the light evolved. You may have seen another photograph from this evening that shared recently. I don’t think that there is one right way to portray such a scene, so I ended up with at least three ways of seeing it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

Boba Tea Shop, Night

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Boba Tea Shop, Night
A San Francisco Chinatown Boba Tea shot at night.

Boba Tea Shop, Night. © Copyright 2021 G Dan Mitchell – all rights reserved.

A San Francisco Chinatown Boba Tea shot at night.

This is another San Francisco night street photography photograph, made possible by the advent of very good, very small digital cameras that can now make good images in very dark conditions. Places like this one, with narrow streets, bright interiors, and a fair amount of ambient light from business signs, become viable subjects for the photographers working with handheld cameras and no electronic flash. In this sort of photography I often work quickly, pausing only long enough to frame up an interesting urban landscape and look for people to populate it.

As a person who frequently photographs on foot in San Francisco and who has lived reasonably close to The City for decades, I know some parts of San Francisco pretty well at this point. I’m frequently in and around Chinatown when I’m up there — because a friend suggests it, because I pass through on my way to another destination, or because it is my destination. For the most part I eschew the busy, commercialized stretch of Grant Street that most think of when they hear “Chinatown” in San Francisco. But at night it becomes more interesting to me, and the larger number and variety of ambient light sources are both interesting and helpful. The bright interior of this shop contrasts with the dark world on the sidewalk, and it is hard for me to say what is actually going on in the shop.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Criminal Courts Building

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Criminal Courts Building
North Entrance, Crimial Courts Building, Mahattan.

Criminal Courts Building. © Copyright 2021 G Dan Mitchell – all rights reserved.

North Entrance, Crimial Courts Building, Mahattan.

This photograph comes from the same winter walk from Midtown to Lower Manhattan that I wrote about in another recent post. It was a somewhat unusual photographic walk, in that we had a specific appointment to make in Lower Manhattan just after sunset. With that in mind we were less able to follow our noses on this walk, and rather than pausing too much or taking little side journeys along the way, we progressed at a fairly regular rate to the south. This meant that I rarely had time to pause long to make photographs, aside from the occasional street light, so most of the photographs were made quickly, and I had only a short time to work any of the subjects. (In fact, we moved fast enough that I often did not have time to even take careful note of what I was photographing.)

As we passed this impressive Art Deco building in Lower Manhattan, the combination of angular stone faced, blue-toned evening light, and the contrasting warm yellow tones of interior light caught my attention. I was working quickly and using a fixed-focal length lens, so my compositional options were limited. I couldn’t photograph the entirety o the building, so I focused on this entrance area. It occurred to me later how profoundly the appearance of this scene is affected by light — a daytime photograph here would not be particularly dramatic, but there’s something a bit oppressive about the quality in this light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.