Tag Archives: america

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Reflection Deception

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Reflection Deception
The glass surface of a New York building reflects and distorts its surroundings.

Reflection Deception. © Copyright 2022 G Dan Mitchell.

The glass surface of a New York building reflects and distorts its surroundings.

Scenes like this are, of course, common in big urban centers that are filled with tall, modern buildings. This one comes from Manhattan. One striking difference between many new buildings and those from a much earlier era is that today the surfaces are often nearly 100% windows and, as such, the buildings are extremely reflective. A few years ago it occurred to me how odd it is that what we see when we look at these buildings today is mostly not the buildings at all. The building is essentially invisible beyond the slender outlines of frames between windows. The “surface” we see is composed of other things — sky, clouds, other buildings — that are distorted by the qualities of the reflective surface. (I have an idea for a photo project: Remove all of the reflective surfaces from images of these buildings, leaving only the minimal structural elements that are actually visible.)

These buildings are one reason that I often refer to these places and photographs of them as “urban landscapes. There is a continuum in landscape photography. At one end lies subjects that are entirely “natural” — or at least seem to be so. Somewhere in between we enter the realm of historic landscape paintings, in which it was common to include the human presence. Continue along that trajectory far enough, and it is possible to see cities as being just a different sort of landscape, and that way of seeing leads to different ways of photographing them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Trees, Drifting Fog

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Trees, Drifting Fog
Fog from a clearing storm drifts among backcountry Sierra Nevada trees growing on rocky ledges.

Trees, Drifting Fog. © Copyright 2022 G Dan Mitchell.

Fog from a clearing storm drifts among backcountry Sierra Nevada trees growing on rocky ledges.

This evening marked the end of a 24 hour bout of pretty challenging backcountry weather during our August photography trip in the Eastern Sierra. We had no more set up our tents at our base camp when the skies unleashed hours of the heaviest rain I have ever experience in the Sierra backcountry. Later that evening it decreased enough that we could come out of our tents, recover some gear that had been left out in the deluge, fix dinner, and crawl back into our tents. We thought it was over, but very early in the morning it started again, though this time not nearly as heavy, and continued on into the next day. Finally, on the second evening, the weather started to break.

On this second evening we all headed out to find suitable photographic subjects. The clouds were slowly thinning, and the surrounding peaks starting to show through. Eventually we got a bit of last-minute sunset light that created utterly beautiful cloudscapes and colorful mountains. But first, I set up on top of a rocky outcropping and watched fog drift across this rocky slope, making the trees drift in and out of sight as the clouds washed back and forth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: New York City, Photographs: Urban/Street

Crosswalk People

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Crosswalk People
Pedestrians enter a crosswalk in Manhattan.

Crosswalk People. © Copyright 2022 G Dan Mitchell.

Pedestrians enter a crosswalk in Manhattan.

The thought process behind a photograph like this one is hard to explain, perhaps partly because such photographs are often made instantaneously and with virtually no time for careful thought or planning. They happen almost purely instinctively when I see something in the scene that I react to, but without time to ponder what that “something” is. In fact, there’s a pretty good chance that I made this photograph without even raising the camera to my eyes, or at least without time to really look. If I had waited… the moment would have been gone. I think I’m attracted initially to something in the patterns in the scene, though in retrospect I think the image is a bit more complicated to parse.

Most photography — even landscape photography, despite what some will claim — often involves split-second intuitive decisions about subjects and scenes that are completely ephemeral. It is a matter of “make the exposure now or don’t make it at all.” One thing I like about street photography is that it requires me to make these judgments quickly, and I think that hones my ability to see subjects and compositions — even when they are standing still!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: New England

New England Woods #6

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New England Woods #6
Lush undergrowth and ferns, with a tinge of late-season color, along a Vermont roadway.

New England Woods #6. © Copyright 2022 G Dan Mitchell.

Lush undergrowth and ferns, with a tinge of late-season color, along a Vermont roadway.

Most likely no one noticed, but I have jumped from #4 straight to #6. What happened to #5? It is coming, but I felt like sharing this one first! Like most of the “New England Woods” photographs from our August visit to (mostly) Vermont and (a little bit) Massachusetts, I made this one while walking along the edge of the woods. I recently remarked to an East Coast photographer (while recording for a B&H Explora podcast about photographing fall color) that I was challenged by the density of these woods. Somewhat to my relief, he sympathized and mentioned something that I was starting to discover — it isn’t always easy to find a camera position, and that walking into the forest or along its edge can be a good idea. I made this photograph while walking along a rural Vermont road.

In California it can be hard to find subjects with this much green by the time August arrives. Out here we usually don’t see much rain in the summer months, and our green season is winter. (I often tell people who visit from other places and are surprised by our dry summer landscape, “Come back in winter!”) About the only place here to find such a natural scene full of ferns is in the redwoods, though sometimes I can find small examples near sources of water elsewhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.