Tag Archives: america

Three Trees, Sunrise

Three Trees, Sunrise
“Three Trees, Sunrise” — Three trees at Tuolumne Meadows in hazy sunrise light.

During the first half of September I spent a few days camping and photographing in the Tuolumne Meadows area. On two of those day I wandered into Tuolumne Meadows before sunrise. There was fog one day — not the one in this photograph — and haze from wildfire smoke on both. Here the trees, being close to the camera, have some intense color from the sunrise light, while the haze mutes the distant landscape and shifts its colors.

Some amount of wildfire smoke seems to come with the terrify in September and October in the Sierra, at least until a first good storm arrives. At its worst, the smoke can be thick enough to be unhealthy and to make photography a challenge. But much of the time it can lend an interesting muted color to everything, as it does here.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Meadow and Mountains

Meadow and Mountains
“Meadow and Mountains” — Morning haze and wildfire smoke on Mounts Dana and Gibbs above a late-summer Yosemite high country meadow.

In some places the Sierra Nevada crest can present the classic, rugged alpine scene — high, rocky peaks and ridges that almost appear to be inaccessible. But in other places the land rises a bit more gently, and you can look across open meadows and forests towards peaks that look as if you could just walk to their summits. (In fact, you could walk to the summits in this photograph, but you’d be exhausted, as the highest is over 13,000′ tall.

The water in the foreground belongs to the Dana Fork of the Tuolumne River. Early in the season the meadow here can be lushly green — and quite wet — but by the end of summer, like almost all Sierra meadows, it turns golden. On this day the atmosphere was complex — high clouds would lead to thunderstorms later on, and drifting wildfire smoke obscured distant subjects.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees, Boulders, and Dawn Fog

Trees, Boulders, and Dawn Fog
“Trees, Boulders, and Dawn Fog” — Trees silhouetted against dawn light as fog rises above glacial boulders.

Late in the first half of September I spent a few days camping and photographing in the Yosemite high country. The weather was a bit challenging — cold, cloudy, and with rain at times. But those conditions are often more photographically interesting than typical summer blue sky days. I was up before dawn on this morning, and I was thrilled to discover thick fog blanketing frosty meadows.

My favorite Sierra Nevada season begins in September and can extend into the beginning of November. The pleasant, easy-going summer conditions begin to fade as the days get shorter, vegetation dries out, crowds disappear, weather fronts approach more often, and fall colors arrive.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Rectangular Patterns (Vertical)

Rectangular Patterns (Vertical)
“Rectangular Patterns (Vertical)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is the second in a series of three photographs that I made on a walk that took me through an area of urban renewal in my town. A large corporation committed to very extensive building plans, then backed off during the pandemic, and now seems to be trying to, in my view, make it look like something is happening when not much really is. They have painted buildings and put up interesting interpretive signs. To their credit, this is better than just letting the properties decay.

I’m very attracted to strong graphic forms and colors — which I suppose might surprise some who think of me as “just” a landscape photographer. But I don’t see any conflict, and I feel that the interest in such forms underlies quite a few of my landscape images, even though it is possible to look at them primarily as being “pictures of nature.”


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.