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Seagulls, Night Sky

Seagulls, Night Sky
Seagulls, Night Sky

Seagulls, Night Sky. San Francisco, California. September 7, 2007. © Copyright 2007 G Dan Mitchell – all rights reserved.

Seagulls fly through artificial lighting at night, San Francisco, California.

I wouldn’t mind if you speculated about how in the world I managed to get this king of lighting on a photograph of birds in flight. Let’s see, it couldn’t be on-camera flash since the light is coming from the side. Perhaps I concocted some elaborate multiple flash setup and then waited for the birds?

I’m afraid that the explanation is much more prosaic. To be honest, we were at a San Francisco Giants game on this evening. We go to Giants games for several reasons: the hope that the Giants might actually play well (not at the moment!), the great views from AT&T park, garlic fries (!)… and for me, photography. I always bring a camera and a lens, and partway through the game I usually take advantage of the upper areas of the stadium to photograph San Francisco and the Bay, often at sunset and dusk.

One more fact. Giants fans who attend games have discovered something astonishing about wildlife, namely that the sea gulls seem to be able to tell when it is the seventh inning or so. At about this point in the game, flocks of them begin to assemble over the park, circling above the field and the stands… and waiting for their chance to feast on the discarded food that is left all over the stadium. (My working theory is that they have somehow learned to associate a full stadium with the appearance of good stuff to eat about two or three hours later. They are apparently as fond of garlic fries as we are.)

So, on this evening when the gulls showed up they began to fly in and out of the stadium lighting, creating a somewhat stark and dramatic effect against the dark sky.

G Dan Mitchell Photography
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Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light
Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light. San Francisco, California. March 21, 2009 © Copyright 2009 G Dan Mitchell – all rights reserved.

San Francisco Bay morning fog over begins to break up over Alcatraz and Yerba Buena Islands and the San Francisco Oakland Bay Bridge.

I made this photograph back around the start of spring in 2009. I recall shooting from the Marin Headlands back toward the Bay as the fog began to break up, still obscuring the view but allowing beams of light to begin to come through the gloom and light up portions of the Bay. Alcatraz Island is at upper left and beyond that is the Treasure Island and Yerba Buena Island complex.

Many things intrigued me about this scene. Although it is in shadow still, Alcatraz stands out as the clearest object in the scene. The patterns on the water were amazing, created by a combination of the normal surface waves, the wakes of ships that had passed, and the mottled and mixed lighting of areas of fog and sun. Beyond the main subjects and over the East Bay shoreline around Oakland, light beams come down from the clearing fog.

This photograph is also an example of why I save and later review all of my raw files. Either because I don’t understand the image when I first make it or perhaps I move on to the next project too quickly sometimes it is not unusual when a photograph “slips through the cracks” and I end up overlooking it. This was one of those photographs… which I now find hard to understand.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Ranch and Morning Fog, Owens Valley

Ranch and Morning Fog, Owens Valley
Ranch and Morning Fog, Owens Valley

Ranch and Morning Fog, Owens Valley. Owens Valley, California. October 9, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

As is often the case, there is a story behind this photograph – an image that I think is fairly atypical of my work, at least as to the subject.

A year ago, almost to the day, I was also in the eastern Sierra to photograph aspens. And on that day I got up very early at my lodging in Mammoth and headed out before sunrise, which it was still dark actually, without a fixed idea of where or what I was going to photograph. I reached highway 395 and headed south, with a vague idea of heading up one of the promising canyons such as that of McGee or perhaps Rock Creek. But very soon I saw fog out in Owens Valley above Crowley Lake and I started thinking of instead heading away from the Sierra and out into that Valley. I ended up at a small pond from which I photographed the light from the rising sun as it hit the eastern slopes of the Sierra.

That show was over fairly quickly, so I decided to explore a bit. I had noticed mist and fog in various places in the surrounding area. Some of it seemed to come from small hot springs while in other places it seemed to extensive for that. I picked, more or less randomly, some gravel roads that headed toward the foggy areas and ended up on Hot Creek, where I made several photographs of and through the fog rising from the water.

Fast forward to this year. The first day of aspen shooting was productive, but the colors were overall not really as spectacular as I had hoped. If the intended subject “isn’t happening,” I’ll often change course and look for something else. So, once again I woke up without an aspen photography plan, but with two other vague ideas in mind. One was to go up to Minaret Summit and photograph the first light on the Minarets and Ritter and Banner Peaks. The other was to drive south again on 395 to see what would happen. When I got in my car to head out I still literally did not know where I would go. I sat in the car a moment and then, for reasons that I can’t recall, picked the 395 option. (Later I realized that the other option could have been productive, too.) I headed south on 395 and was astonished to see – again! – the fog over Crowley and the mist rising out in Owens Valley. So I went to my little lake to shoot there first and then headed out to where I had shot Hot Creek last year, but this time I kept going. At one point I passed this small range while heading out but couldn’t see a shot. Later on my return trip I passed it again, and this time I saw the stock grazing in the frozen meadow next to this small creek, with mist and fog rising everywhere. I stopped.

(By the way, this is a color photograph…)

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Fallen Aspen Branch, Snow

Fallen Aspen Branch, Snow
“Fallen Aspen Branch, Snow” — A small aspen tree branch blown down by an early fall storm rests on snow, North Lake, California.

Time to share aspen photos again! Each fall when the aspens change colors I head to the eastern Sierra to go aspen hunting! I made my first foray of the season this past weekend. I visited a number of the usual places – Bishop Creek, McGee Creek, Rock Creek, and Lee Vining Canyon. I’ve come to think that every aspen color season has a personality, defined by how and when and with what intensity the color appears, along with the related issues of the changing weather.

This year I think (from what I’ve heard) that the higher elevation trees were just changing colors about a week ago… before a strong early season storm came across the Sierra, dropping temperatures and quite a bit of snow. Over the weekend I saw up to about one foot of snow in places, which is an unusual amount for so early in the season. The aspen color was not exactly astonishing, and I think that the weather may be at least partially to blame. It seems that many of the mature colorful leaves were knocked down by the storm, and others that might now be colorful instead turned black and brown. While there was some interesting color, in many places I saw trees with leaves missing or trees that were almost fully still green.

The good news to take away from this is that since the lower elevation trees are still very green, there should be some fine aspen color very soon.

But I’ve often thought that a single leaf can be enough to make a photograph, and sometimes the single leaf can make a more effective image than a huge, colorful grove spanning many acres. So when I find that the color isn’t what I expected, one response is simply to look harder. As I walked along the road that passes North Lake, many of the subjects that I might have expected to photograph were nowhere to be seen. There were not large, spectacularly colorful trees. There was quite a bit of snow on the ground. So I looked harder… and one of the subjects I noticed was this single, small branch full of intensely colorful leaves lying on the snow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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