Tag Archives: angles

Shadow and Line Study

Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Concrete Shadows

Concrete Shadows
Light and shadow play across the surfaces of concrete structures, night

Concrete Shadows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Light and shadow play across the surfaces of concrete structures, night

This is another of my “quiet” photographs from this nighttime visit to the Mare Island Naval Ship Yard near Vallejo, California. Driving to the place this time I had decided that I wanted to spend some time not photographing the familiar subjects there. (Later that night I did photograph some of those, too.) I had some vague ideas in mind that involved textures and angles and effects of light, along with some other thoughts. As I drove into the area in the late afternoon I picked out a few likely spots to return to after dark.

The area of this photograph turned out be a productive one for me on this evening. I have always walked right past this building on previous visits, but one thing led to another and I ended up pausing there this time. The spot is a perfect example of how the mysterious light of night can transform a truly pedestrian subject into something interesting. This is the corner of a building and a short concrete pad that runs up against crude concrete walls that apparently hold a hillside at bay. But at night an overhead security light casts illumination straight down across the surface of the concrete wall, and produces a pool of light at its base. The nearer walls pick up subtle and colorful light from across the bay in the town of Vallejo.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Layered Sandstone and Red Leaves

Layered Sandstone and Red Leaves
Layered Sandstone and Red Leaves

Layered Sandstone and Red Leaves. Zion National Park, Utah. October 22, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

The red autumn leaves of a small tree contrast with the angles and layers of a curving sandstone slot canyon, Zion National Park

One of the most intriguing things about slot canyons – among many intriguing things – is the surprising variety of things to be seen as you progress through them. While the basic idea might seem somewhat consistent – e.g. narrow canyon with tall walls and water in the bottom – the details of the canyons seem amazing diverse and they change from moment to moment and bend to bend. This first really made sense to me in a canyon in the Escalante area where we entered by walking down a very wide and flat wash. Gradually a low sandstone “curb” began to appear along the sides of the wash and almost before I knew it this had grown to become a wall. Shortly the bottom of the canyon narrowed so much that we had to rise out of it and walk along side until we got to a point where we could again drop down into it, and it was now deep enough to cut off much of the direct light from overhead.

The slot in this photograph is in Zion National Park, and to be honest I not entirely certain where it was outside of a sort of general area. As we walked through it – and it was not a long canyon – it twisted along the base of a cliff wall and at this spot there was almost no visible vegetation except for the red leaves of one small autumn tree poking out from behind the thickly striated and twisted rock of the canyon side walls.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Patterns, Dried Plant

Sandstone Patterns, Dried Plant - A dried plant and sandstone patterns in a southwest desert canyon, Utah
A dried plant and sandstone patterns in a southwest desert canyon, Utah

Sandstone Patterns, Dried Plant. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dried plant and sandstone patterns in a southwest desert canyon, Utah

I was in Utah twice this fall, most recently with my friends Charlie and Karl to photograph a range of desert canyons and similar terrain. I’ve written before that I’m very new to photographing Utah, having seriously shot there for the first time only this past spring. But I’m trying to make up for lost time! Overall, I have spent something like a total of more than five weeks there this year! Yes, I like shooting in Utah. :-)

On the previous visits, I went to quite a few of the well-known locations – largely the national parks – and began the process of getting to know and understand that place a bit. On the most recent visit I was fortunate to be traveling with people who have shot there for decades, and I benefited from their long experience. Getting a bit more off the beaten track, we barely touched national parks – passing through Zion and visiting some remote areas of Capitol Reef. Instead we poked into a range of little canyons and valleys and so forth that don’t have the prominence of the parks. The specific locations are perhaps not that important since the state seems to be filled with similar places. This was my first real experience with the intimate desert canyons and river/creek courses that carve deeply into the landscape, where midday light bounces and reflects into the deep landscape in ways that are utterly unlike the California locations where I most often photograph.

This photograph was made in such a place, the first narrow canyon that we visited. Parking in an inauspicious spot along a gravel desert road, we dropped into a wash and wandered upstream, soon entering a narrow canyon as the sandstone walls rose beside us. Before long the canyon was narrow enough that we had to continually cross back and forth across the creek or simply wade straight up its course. As the canyon narrowed, direct sunlight no longer made it down to the creek – instead the light reflected from the higher cliff faces and bounced down into the canyon, toning the light red from the sandstone surface. In this photograph the cliff and two large pieces of sandstone contain angled strata and reflect the light in various ways as a small and seemingly dead plant sits in a crack in the rock.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.