Tag Archives: arid

Desert Mountains and Lake Manly

Desert Mountains and Lake Manly
“Desert Mountains and Lake Manly — Morning light on desert mountains with flow patterns in the distance.

This photograph might be a bit disorienting. I wonder what you see at first? Some desert mountains with an unusual sky in the background? But what to make of that white area at the far right? And then, what kind of “sky” are we looking at? If I’m right, at some point you might have a bit of difficulty putting all of these elements together into a whole that makes sense. There is an explanation…

I photographed from a ridge-top location in the mountains east of Death Valley. Although my initial goal was to photograph some other distant mountains at sunrise, I stuck around as the sun climbed higher. Eventually it was high enough that it began to illuminate the outcroppings on the slopes below me. Their contours lead down to the eastern edge of Death Valley and, this year, the shoreline of Lake Manly. That “sky” in the photograph is a shallow section of the lake, and the streams are submerged channels.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Far Desert Mountains

Far Desert Mountains
“Far Desert Mountains” — High desert mountain ridges sretch toward the horizon under morning clouds.

I know I am repeating myself, but one of the most impressive things about Death Valley National Park is the sheer scale of the place — the distances are huge. The only place I’ve experienced that impressed me the same way was the near-arctic in the Yukon Territories and Alaska. Here mountains go on, range after range, into the far distance. (As a friend of mine might point out, the haze here is an obvious example of “atmospheric recession.)

This photograph is also an example of why I’m a big fan of long focal lengths for landscape photography. Some will tell you that “landscape lenses” have short to normal focal lengths, and that wide-angle lenses should be your standard tools. I beg to differ. The truth? While I own ultra-wide lenses, I use them sparingly… and my favorite landscape photography lenses are often telephotos. Here I used a very long lens to compress the distance and to isolate a small, interesting section of much larger terrain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Salt Pond

Salt Pond
“Salt Pond” — A salt pond and surrounding playa terrain near Lake Manly.

Lake Manly is not the only body of water on the Death Valley playa during this unusually wet year. That lake occupies the lowest area near Badwater, but there is a lot of water in other locations up and down the valley. I photographed this pond from Damte’s View, high in the Black Mountains. I was there before dawn, but I made this photograph much later when the early shadows had retreated back across the valley and the playa was in sunshine.

The water and the bright morning light reveal a lot of details on the playa. Not only do we see the pond, but we can see the submerged salt formations around its edge. There are channels and waterways everywhere on the playa, in comes cases separated by slightly higher bits of land where sandstorm dust has collected. At the very lower edge in this photograph we see fans spilling down from the base of the mountains and sending gravel toward the playa’s edge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Lake Manly, Mountains, and Haze

Lake Manly, Mountains, and Haze
“Lake Manly, Mountains, and Haze” — Blue morning haze softens the contours of desert mountains beyond Lake Manly, Death Valley.

Haze is a factor to be reckoned with when photographing in a vast landscape like Death Valley National Park. It is there even on “clear” days, and over long distances its effects can be substantial. Details are muted (especially in shadows), the colors shift toward blue, and atmospheric instability can make subjects literally shimmer. (That makes it virtually impossible to get sharp focus in some situations.) It used to leave me nonplused, but eventually I thought about how to use these characteristics — after all, they are part of the scene.

When I made this photograph it wasn’t just a matter of distance — the atmosphere actually was hazier than usual. In this interpretation of the subject I decided to embrace that haze and its softening effect on the distant mountains. This contrasts with the rather more stark contrasts between the foreground waters of Lake Manley and bits of darker land. But overall, the image retains that blue coloration that I mentioned above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.