Tag Archives: arid

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Valley to Mountains

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Valley to Mountains
An expansive view of rugged Death Valley National Park desert mountain landscape.

Valley to Mountains. © Copyright 2023 G Dan Mitchell.

An expansive view of rugged Death Valley National Park desert mountain landscape.

I don’t think most people think of Death Valley as a “mountain park” along the lines of Yosemite, Rocky Mountain, Sequoia-Kings Canyon and similar places. Most of the popular routes and sights are in valleys, including the great one that gives the park its name. But there are mountains, spectacular and very tall mountains, and it is possible to venture into them. This view comes from a place high in the Panamint Range, to the west of the main valley, topped by 11,000+’ Telescope Peak.

I made the photograph close to sunset, when long shadows began to highlight the textures of the terrain. This high perspective reveals features that are difficult to fully appreciate close-up. For example, it is very hard to get a sense of that remarkable terrain formed by flowing water at the bottom of the frame. Desert mountains rise behind, and beyond them is the Amargosa Valley and even more distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Ghost Towns, Photographs: Southern California

Abandoned Mill

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Abandoned Mill
An abandoned mill on a steep slope high in the Panamint Mountains.

Abandoned Mill. © Copyright 2023 G Dan Mitchell.

An abandoned mill on a steep slope high in the Panamint Mountains.

For someone like me, the first instinct is to think of Death Valley National Park as being mostly wilderness, and then to associate that with the idea that it is a place of little or no human presence. In truth there’s virtually no place in the world where we have not left a mark… and there are many examples in this park. They range from evidence of long-ago native populations and their descendants who still live there to the rather astonishing number of old mining sites. No matter where you go in this park., you are bound to see these things.

In the latter category is the site of Skidoo, where there was once a real town and lots of mining and ore refining… in just about the most unlikely location imaginable. It was near the summit of high desert mountains, far from any paved roads. The ruins of the water-powered mill (an astounding story too long to relate here) sit on a steep hillside, overlooking a remarkable expanse of rugged desert terrain and mountains that extends to the distant peaks of the Sierra Nevada.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Shadows, and Morning Light

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Dunes, Shadows, and Morning Light
Morning light on sand dunes and desert mountains, Death Valley National Park.

Dunes, Shadows, and Morning Light. © Copyright 2023 G Dan Mitchell.

Morning light on sand dunes and desert mountains, Death Valley National Park.

It is impossible to resist photographing these dunes, though doing so can be a little more complicated than it might seem at first glance. It often initially seems like finding photographs here would be super easy… but it often turns out to be a little more complicated. It isn’t just about the difficulties of working in the sand. I also find that bits and pieces of this landscape are often intriguing but can be a challenge to fit into a successful composition.

This photograph comes from an early morning visit on a clear-sky day, just as the early light was slanting across the landscape. At this moment, direct light was hitting the sun-facing surfaces, but there were still a lot of shadows. In particular, the distant mountain range was just beginning to pick up a little light aloe the ridges but was otherwise still rather dark.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Ranges

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Desert Ranges
A view from the Panamint Mountains across Death Valley toward mountains near Las Vegas.

Desert Ranges. © Copyright 2023 G Dan Mitchell.

A view from the Panamint Mountains across Death Valley toward mountains near Las Vegas.

This is another in the “very long views” series. Like another recent photograph, it also comes from the crest of the Panamint Mountains, though this time looking generally east. As such, the view extends across Death Valley (over 6000 feet below), then over the Black Mountains, the Amargosa Range, and across the Amargosa Valley to a snow-capped ridge close to Las Vegas, Nevada. (in the full size version of this photograph remarkable details become visible — a parking lot near Artist Palette, utility poles along the road out of Death Valley.)

There is a bit of a story about the lighting in this scene. It is essentially front-lit, with the light coming from behind my camera position and shining directly on the subject. Typically, this would be about the worst kind of lighting for a landscape subject, especially when haze is present, since it produces almost no shadows and very little visibility of details. But here something compensates, namely the shadows of broken clouds which introduce some shadows into the scene and help us sense its depth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.