Tag Archives: atmosphere

Afternoon Haze, Ridges

Afternoon Haze, Ridges
Forested ridges, silhouetted in the afternoon Sierra haze, on opposite sides of the Tuolumne River Canyon.

Afternoon Haze, Ridges. © Copyright 2021 G Dan Mitchell – all rights reserved.

Forested ridges, silhouetted in the afternoon Sierra haze, on opposite sides of the Tuolumne River Canyon.

A group of us were camped at a backcountry lake in Yosemite National Park for the better part of a week a few years back. Actually, we’ve done that a few times now that I think of it. This lake is a quiet and gentle place, surrounded by forest, but with a few nearby peaks and on one side a huge vista into and across a deep river canyon. Our little group photographed the heck out of this place, working the landscape morning and evening, and gradually working outwards to learn more of the surroundings.

On this evening I had hiked up from the lake through a narrow band of forest, then continued to ascend across granite slabs through more open country. Arriving at a high point I turned around and looked back over the basin holding “our” little lake and waited for the colorful evening light. Of course “waiting” doesn’t mean sitting and doing nothing — it means photographing other things, including this other tree-covered rocky ridge running down toward the lake and the further landscape whose details are muted by late-season haze. If you look very closely you might just make a sort of “Where’s Waldo” discovery in this scene….


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Death Valley, Morning Haze

Death Valley, Morning Haze
Early morning haze obscures distant mountains and valleys, Death Valley National Park.

Death Valley, Morning Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early morning haze obscures distant mountains and valleys, Death Valley National Park.

The truth of the matter is that I’ve become a bit obsessed with this view. I’ve photographed in morning and evening, in warm weather and in the middle of winter. (It gets cold on these ridges, even in Death Valley National Park.) On one occasion I was forced to turn back by snow on the route. I’ve seen utterly glorious light here, and I’ve encountered light so flat and gray that it wasn’t really worth photographing. Sometimes when I visit the park I tell myself that I won’t go here… and then at some point I almost inevitably end up making the trip.

Most often I’m completely alone here, though on a few occasions I’ve encountered one or two others. This place, and others like it, are remarkable at any time, but even more so when I experience them in solitude. Those mountains in the hazy distance are perhaps 30 to 40 miles away. Behind me the view stretches all the way to the snow-covered Sierra, and off to my left lie peaks well beyond the Nevada border. And everywhere in this vast expanse the landscape is laid bare, raw and visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Forest, Lake, Mountains

Forest, Lake, Mountains
Distant peaks in early evening light beyond a subalpine lake surrounded by forest, Yosemite National Park.

Forest, Lake, Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

Distant peaks in early evening light beyond a subalpine lake surrounded by forest, Yosemite National Park.

The description of the previous photograph that I shared mentioned a backcountry lake; this is that lake. Beyond the lake is a very large canyon, and the lake itself is surrounded by forest interspersed with some rocky areas and small sections of meadow. Its features are familiar to backcountry travelers who have encountered such forested lakes, and it provides a different experience than the more alpine lakes that I tend to be drawn to.

While we were there I frequently climbed up through the trees and onto a system of rocky slabs where I made this photograph. This one comes from late in the day as the light’s color is beginning to warm up. It was a year of wildfires, and their haze is muting the details and colors of the more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Summer Twilight, River Thames

Summer Twilight, River Thames
“Summer Twilight, River Thames” — The twilight sky above the River Thames on a summer evening in London.

This photograph comes from the end of a memorable day in London back in 2013. Believe it or not, this was our first visit to that city. We made the best of it, staying there for about a week before departing for other destinations. Various relatives from the US and Europe also showed up while we were there, and it was on this day, if my memory is correct, that the whole gang had finally arrived and met up. We had just had dinner together and were now along the Thames watching the day come to an end.

This photograph brings up the subject of how to interpret scenes photographed in very low light. It was the beginning of summer twilight on this July evening — there was still light and color in the sky, but artificial light was becoming more visible as in became darker. My tendency is to interpret light in ways that bring more of it to the subject, but with night and near-night photography it is easy to go so far that you lose the sense of a dark environment. In this photograph I decided to keep things relatively dark, at least compared to what I could have done, in the hope that the effect would be close to how we would perceive the scene in person.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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