Tag Archives: atmosphere

Wave-Filled Bay, California Coast

Wave-Filled Bay, California Coast
Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

Wave-Filled Bay, California Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

We were recently in Southern California for the Thanksgiving holiday, and we decided to extend our drive back to Northern California, taking an extra day to drive up the Pacific Coast Highway along the Big Sur Coast. The question of just what is and is not “Bug Sur” comes up in a photograph of a location like this one. My working definition of “Big Sur” is larger than the town by that name much further north, and it encompasses everything south of roughly Carmel, down to the area below Ragged Point where the coastal landscape is much gentler. This photograph comes from the very southern end of that area — the vantage point is very close to Ragged Point, but it looks south toward those coastal lowlands.

Recently I was involved in a discussion in which someone asked about photographing some specific icons along this part of the California coast where one person chimed in with, to paraphrase, “there’s nothing left to photograph there.” While I agree that just re-photographing that handful of familiar icons is a doubtful enterprise, this hundred-mile section of coast is so complex and diverse that I cannot imagine anyone ever being “done” with it or discovering everything it offers. I’ve photographed there for decades, and I still encounter things I haven’t seen before — including this view of the coast and successive beaches and peninsulas stretching to the south.

(Note: I’m experimenting with some changes to the way I format and present photographs online. You may see some differences in how this photograph appears.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens and Dome, Eastern Sierra

Aspens and Dome, Eastern Sierra
A line of autumn aspen trees in front of a rocky dome, Eastern Sierra Nevada.

Aspens and Dome, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

A line of autumn aspen trees in front of a rocky dome, Eastern Sierra Nevada.

This photograph comes from a morning of Eastern Sierra exploration into an area that I would not typically go to for fall color photography — not because there is no fall color there to photograph, but because it isn’t exactly the most accessible place to find it. For sure, there are easier places to find the color nearby. We put the 4Runner in 4WD and slowly tracked up toward the base of the range, eventually gaining enough elevation that there were aspens, the sort that live in harmony with surrounding high desert foliage of rabbitbrush and sage.

It was a beautiful morning of the sort that you’ll only find here in autumn. A weak storm has been through a few days earlier, and there was a dusting of snow on the highest Sierra crest peaks and behind us, across Owens Valley, on the White Mountains. Despite the recent storm the morning warmed nicely, and the sunlight was warm as we photographed. Here a small row of aspens, midway through the color change process, stood against a small, rocky dome, and beyond that in the haze-obscured distance were higher hills rising toward the summit of the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunset, Wildfire Haze

Sunset, Wildfire Haze
Trees in Yosemite wilderness sunset light made colorful by wildfire smoke.

Sunset, Wildfire Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees in Yosemite wilderness sunset light made colorful by wildfire smoke.

This is one more in the series of photographs I made during a few moments of intensely colorful light one late-season evening in the Yosemite backcountry. The physical location (high, with a clear line of sight to the western horizon) and the presence of wildfire smoke created intensely colorful light just as the sun set. It was one of those exhilarating photographic experiences when something quite unusual happens, but it is so transitory that one must act quickly and photograph almost without conscious thought. I was working quickly, relying on instinct, and trying to respond intuitively to the landscape and the changing light. (Having a lot of prior landscape photography under one’s belt helps a lot in situations like this!0

I suspect that the light in the photograph looks almost unreal. It seemed that way to me at the time, too! In this photograph the hazy quality of the atmosphere is more apparent — take a look between the darker trees and toward the more distant granite slope, where details are muted by this glowing haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Basin, Morning

Mono Basin, Morning
A view of Mono Lake, Mono Basin, and surrounding peaks from the base of the Sierra Nevada.

Mono Basin, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A view of Mono Lake, Mono Basin, and surrounding peaks from the base of the Sierra Nevada.

This photograph is another long view of Mono Basin and Mono Lake, with Paoha Island centered in the frame. Paoha Island is, like its companion Negit Island, the product of volcanic activity where a long string of volcanic sites intersects the lake. You can find lots of other volcanic cones on this like both north and south of Mono, including the much taller and older Mono Craters just to the south.

When I first came to Mono Lake and photographed it many years ago, I typically tried to get very close to the edge of the lake, for example photographing tufa formations along its edge. But over the years I’ve become more fascinated by the longer views that take in the vast space in and above the Mono Basin. To really see this it helps to find an elevated location, and there are plenty of them to see if you poke around a bit in and around the Basin. This photograph was made near the base of the eastern escarpment of the Sierra Nevada, and it looks across the lake and beyond to eastern mountains that belong to Nevada’s basin and range terrain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.