Tag Archives: autumn

Aspen Grove, Old Road

Aspen Grove, Old Road - An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah
An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Old Road. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

This is another of the “could have been anywhere” photographs, both because little scenes like this can be found all over the American West and because it is a scene that I simply happened to notice while passing by. So, the specific location is most certainly unimportant, though I’ll say that it was along a gravel road running through a section of the national forest in roughly the Zion/Cedar City area, a road that we had turned up more or less randomly and then explored for perhaps a couple of hours before turning back. The goal of that little drive had been to get into or as close as possible to some extensive forests of colorful aspen trees that we had seen from a distance. We succeeded.

There is something evocative on a number of levels about a simple scene like this one – with factors including the literal and subjective aspects of the changing season, the image of the small road disappearing into the grove as it wanders off to an unknown place, and the light of autumn filtered through the golden canopy of aspen leaves. If you don’t pay careful attention when you are there you might miss it, but the golden color suffuses the entire understory when the light is just right. (Photographers and painters may notice this sort of thing more than most people, since we/they are used to dealing with the otherwise blue coloration of the shadow light.) This sort of scene is extremely transitory. While we can permit ourselves to believe that both the green time of summer and the snowy time of winter are relatively permanent, no such illusion is possible during the brief span of literally a few days when the aspen color comes to these groves – they are different every day, and sometimes you can literally see the color going away as the wind blows down the leaves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Boulder Mountain Aspens and Distant Peak

Boulder Mountain Aspens and Distant Peak - A distant peak in alpenglow above the fall aspen color on Boulder Mountain, Utah
A distant peak in alpenglow above the fall aspen color on Boulder Mountain, Utah

Boulder Mountain Aspens and Distant Peak. Dixie National Forest, Utah. October 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A distant peak in alpenglow above the fall aspen color on Boulder Mountain, Utah.

We had anticipated the huge aspen groves on the flanks of Boulder Mountain as we approached on highway 12 from the west, having seen these trees earlier in the year, last April, when we crossed the mountain in spring before the new leaves appeared. We weren’t sure what we would find since, a) Boulder Mountain is high and b) we had seen high elevations aspens earlier during the trip that had almost completely lost their leaves. As we climbed toward the mountain from the town of Boulder, we began to encounter aspen color, but as we climbed it was apparent that we had missed the most colorful phase of this years transition.

That was OK, though. Even a bit pre- or post-peak, the aspen colors can still be spectacular. We stopped at the first place where we could see large aspen groves leading on up the incline toward the higher portions of the mountain and made some photographs. Then we continued on, rounding the shoulder of the mountain to find some very large and still quite colorful groves ahead of us. Although the light was starting to fade as the end of the day approached and as high clouds moved overhead, it seemed worthwhile to try to photograph these trees with a long lens. I continued shooting through sunset and soon the last direct sun left the trees and the more distant mountains. Here there is still a bit of light on the highest peaks to the east, seen faintly through the haze.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Evening

Aspen Grove, Evening - A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah
A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Evening. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah

This is another photograph that resulted from a more or less chance drive up a back road that I happened to spot while out looking for color, and the particular location of the photograph is anything but iconic – in fact, I’m betting that this grove of aspens is rarely photographed, given its someone “off the beaten track” location in a place without even a recognizable name. Essentially, we had turned off onto an interesting side road and started driving up into the mountains. A bit earlier we had stopped to photograph incredibly colorful aspens and other trees before moving on.

As we continued on up this climb, we became aware of time issues – mainly because I had an idea about photographing another specific location at sunset, and that location was still a good drive away from here. So when we came to an intersection along the gravel road, it seemed like a fine place to stop, look around, and consider heading back the in the direction from which we had come. As we pulled over we began to see several interesting things here. First, nearby there was a little old track leading into the aspen forest. (A photograph of that subject will appear here later.) Then another side road nearby started to look interesting, so we drove a short distance along it until we had a panoramic view of the mountains leading toward Cedar Breaks. Here we turned around, and drove the short distance back to that intersection, and I though that this row of colorful aspens, set along the edge of the ridge and fronted by a bit of meadow, looked interesting enough to photograph – and when I saw the faint clouds line up in the low spot between the trees I had to photograph the scene in this soft, overcast light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspens in Transition

Aspens in Transition - Aspen forest in autumn color transition near Cedar Breaks National Monument, Utah
Aspen forest in autumn color transition near Cedar Breaks National Monument, Utah

Aspens in Transition. Cedar Breaks National Monument, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Aspen forest in autumn color transition near Cedar Breaks National Monument, Utah

During the several days we spent in the Cedar Breaks area (with forays out to further surrounding destinations and back) I was looking for high elevation aspen color, which had, for the most part, passed its prime before we arrived. Many of the higher elevation aspen trees were bare of leaves, though a few sparse delicate leaves remained and in places there were a few trees here and there that somehow managed to retain all of their golden leaves. The rolling terrain of the National Monument along the thru-road, which I traveled several times, was not turning out to be a great spot to find the color I was looking for.

One morning, returning from Cedar Breaks to Brian Head, I saw the gravel road to Brian Head Peak (or Mountain?) and headed up there, to find an expansive 360-degree panorama visible from the summit of the 11,000+ peak. From this high vantage point I was able to spot where those colorful trees had been hiding out on the other side of the ridge west of Brian Head! I could also see that there were some ways to get back into that area, so on the final morning of our visit to this area I found another small gravel road, crossed that ridge, and was able to see vast groves of aspens beyond. While this photograph doesn’t quite show those trees, it does include an interesting feature of this area, the mixed conifer and aspen forest with very tall aspen trees reaching as high or higher than the conifers. Here there were a few brilliantly colorful clumps of aspens left among the other trees, with interesting texture provided by the many bare trunks – and all of this seems a bit more visible due to the soft, diffused light from the high, thin overcast.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.