Tag Archives: bare

Blackbirds in Trees, Sunrise

Blackbirds in Trees, Sunrise
A flock of red-winged blackbirds perches in a bare winter tree at sunrise.

Blackbirds in Trees, Sunrise. © Copyright 2023 G Dan Mitchell.

A flock of red-winged blackbirds perches in a bare winter tree at sunrise.

This photograph fits squarely into that hybrid genre that I refer to as “birdscapes.” A lot of bird photography focuses on somewhat tightly framed photograph of individuals or small groups. I make those photographs, too, but often I include more of the landscape than the birds. In other words, I tend to be interested in the place of the birds in their landscapes. As such, I often treat them as part of the larger place and less as individual specimens.

When I arrived here before dawn, my general plan — which often works pretty well — was to look around for an interesting flock of birds, probably cranes or geese. Then I would look for a camera position that put them in the best sunrise light, which might be some kind of sidelight with an interesting background or perhaps backlight if there is some haze or fog. Unfortunately, there were hardly any such flocks, and those I found took off before sunrise! So I looked for an alternative sunrise subject, and soon remembered this group of three trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Tree, Evening Sky

Winter Tree, Evening Sky
A bare winter cottonwood silhouetted against dusk sky, California Central Valley.

Winter Tree, Evening Sky. © Copyright 2023 G Dan Mitchell.

A bare winter cottonwood silhouetted against dusk sky, California Central Valley.

This photograph is an example of why I always try to remember to not get so focused on the primary subject that I forget to look around. I was here to photograph migratory birds, and at this point in the evening they were putting on quite a show, rising and flying in giant circles directly in front of us in the evening light. But when I took a moment to look behind I saw the trees and the colorful evening sky.

This was an “interesting” day in weather terms. I didn’t actually have very high hopes for it as no fog was forecast (and I love to photograph these subjects on tule fog day) and early clouds from a incoming weather system were predicted to turn the sky gray, with extreme winds predicted for the afternoon. All of that happened, but it turned out that the sky cleared again in the afternoon, and the winds may have slowed the birds a bit is struggled to overcome its strength.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Morning Clouds, Dormant Tree

Morning Clouds, Dormant Tree
Morning sky filled with blue clouds behind a winter-dormant tree, Central Valley, California.

Morning Clouds, Dormant Tree. © Copyright 2023 G Dan Mitchell.

Morning sky filled with blue clouds behind a winter-dormant tree, Central Valley, California.

This photograph is from New Yea’s Day morning, when a small group of us met in a wild place to photograph birds and, a bit later, to break out goodies and champagne to toast the arrival of 2023. The day was a rousing social success… which made up for the overall less-than-thrilling photographic conditions. It was far from a “bust,” but moments of good light were separated by many more with gray skies and wind.

This complex tree is an “old friend” of mine — a tree that I see many times each year. Every time I pass I think about how to photograph it and realize that it isn’t an easy subject! My most successful efforts have been in fog, when details of the scene are muted and the background disappears. On this day I had some unusual colors and light to work with — the blue-toned sky and the more colorful breaks in the clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Aspen Trunks, Fallen Leaves

Aspen Trunks, Fallen Leaves
Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

Aspen Trunks, Fallen Leaves. © Copyright 2022 G Dan Mitchell.

Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

This stand of aspens was at the edge of a larger and wildly colorful grove that descended to a nearby creek and then a good distance up the slopes on the far side of the canyon. Those other trees are the main attraction here, but as I looked down toward these trees it seemed like they provided an opportunity to enter the grove and photograph close to the trunks. Here many of the leaves had already fallen, which might usually let some much light into the grove that it would be hard to photograph. But evening shadows had reached this point, muting highlights and opening up the shadows.

Photographing this subject presents some challenges. For one, I often start in such places thinking it should be easy to find a composition among such beautiful tree trunks — but then most of the potential compositions seem to include some sort of obstruction. Also, in order to get a lot of the trunks in the frame I must work very close the trees using a very wide angle lens, so small changes of camera position seem to have big effects! Finally there is the matter of the color of the light. If you were there in this grove you would notice white trunks and warm-colored yellow leaves. However, objectively speaking, the light in this shadowed area is quite blue, being illuminated by the sky itself. So I have a decision to make. Is it better to go with that blue, which looks quite a bit different from what I saw at the time? Or should I alter the coloration to reflect my memory. I’ve done both, but in this photograph I went with the latter option.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.