Tag Archives: bare

Trees at Twilight, Lower Manhattan

Trees at Twilight, Lower Manhattan
Winter trese in twilight at the entrance to the Brooklyn Bridge-City Hall subway station, Lower Manhattan

Trees at Twilight, Lower Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Winter trese in twilight at the entrance to the Brooklyn Bridge-City Hall subway station, Lower Manhattan.

At about this time two years ago, near the end of the Before Times, we were in New York City for the holidays. It was a trip much like previous visits there — we mingled in gigantic crowds, walked almost everywhere, occasionally froze in very un-California weather, ate in packed restaurants, and did pretty much all of the things one does in a busy, crowded, and intense place like New York. Although we had no idea at the time — the first news of the oncoming pandemic had still not arrived — this would be the last big trip like this for years.

I mentioned above that we walk a lot in Manhattan. Those who don’t know the place are, it seems, often surprised to find that almost everyone there walks, residents and visitors alike. Certainly part of the reason is that it is not a friendly place to drivers. But it also really is a friendly place to walkers, despite what you might think. We always wander around on foot a lot when we visit, and even in winter we’ll sometimes walk long distances. This was one of those days. We started in more or less Midtown and then headed south all the way to Lower Manhattan below the City Hall area, where we met family members. Close to our destination we passed this scene at a subway entrance near City Hall as the day was ending and evening lights were appearing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Last Leaves

The Last Leaves
An aspen tree with a few remaining autum leaves, against a cliff face wtih snow.

The Last Leaves. © Copyright 2021 G Dan Mitchell – all rights reserved.

Aspen trees with a few remaining autumn leaves, against a cliff face with snow.

The Sierra Nevada experience of the past year-and-a-half or so has been… strange. Everything has changed since our world was turned upside down in March of 2020, and my ability to visit and photograph my favorite mountain range has not been an exception. During the first summer we saw many locations simply shut down, and I didn’t really get into the Sierra until the very end of that summer — but only for very brief visits and one aborted pack trip that I had to cancel as a result of the intense wildfire smoke. By last winter I was again able to more comfortably get to non-Sierra locations including Death Valley, where it was possible to work in relative isolation, but the Sierra remained difficult to access. I got up there a few times later in the season, but it wasn’t until this fall that I felt that I was beginning to reconnect with this landscape.

In mid-October we put together an actual road trip. It began with a couple of nights in the Eastern Sierra before continuing on to Southwest Utah, another location that I hadn’t been to in far too long. This brief autumn Sierra visit (which followed another visit a week earlier) was a bit later than usual, and we ended up visiting a few places that I usually overlook… and heading to a few “old friends” even though they were past their prime. I made this photograph in one of those places, a location where the colors are usually spectacular a bit earlier in the season. I knew that wouldn’t be the case this time, so we went there a bit later in the day after photographing more promising morning subjects. We arrived, made a quick stop, and I spotted this small group of trees in the shadow of a cliff. They were nearly at the end of their color transition and most of the leaves were gone, but those that remained glowed in the bit of light arriving over the top of the cliff.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Old Tree in Winter

Old Tree in Winter
An old and gnarled tree, leafless near the end of winter.

Old Tree in Winter. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old and gnarled tree, leafless near the end of winter.

Having a large archive of photographs that are sorted and filed by date proves useful in lots of ways. For example, this past week I wanted to remind myself of the likely conditions of a particular subject I intend to photograph soon, and by looking back a few years I was able to get a pretty good fix on the timing of a pretty significant annual change affecting this subject. It also proves useful for non-photographic purposes… such as remembering how our world was starting to close down in March of 2020 and how we responded to it.

This photograph comes from near the beginning of March last year, at a time when we were well aware that danger was on the horizon, but when we had not yet fully responded as a society. (That was about to happen, and I should be able to share some photographs that remind me of that threshold in the next few weeks.) On this day I recall pausing beneath this sprawling wetland tree and appreciating the layers of curves and various sized branches leading upward toward an extremely bright late-winter sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Curving Aspen Grove

Curving Aspen Grove
An aspen grove in various stages of autumn color transition descends from a Sierra Nevada ridge

Curving Aspen Grove. © Copyright 2018 G Dan Mitchell – all rights reserved.

An aspen grove in various stages of autumn color transition descends from a Sierra Nevada ridge

Some of you may recognize this aspen grove as being somewhat iconic — though you probably also know that it is often photographed in a somewhat different way. It is also usually photographed at a different time of day from when I was there — on a cloudy afternoon as a weather front was starting to fill in over the Sierra crest, moving conditions toward the potential for some light rain or even a few snow showers a bit later on.

Once again, I photographed in this soft light rather than in full sun. The direct sun can overwhelm the colors of an aspen grove like this one, while the soft light opens and illuminates the shadow areas and can even make the colors seem more intense, especially when some of that soft light is a bit directional and fills in the color from behind. This grove is rarely all in prime color condition all at once, since it covers a range of exposures and elevations. Here it is quite colorful both at the bottom and the top, though there are clearly areas where the leaves have already dropped.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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