Tag Archives: beams

Trees and Smoke

Trees and Smoke
“Trees and Smoke” — Smoke from a managed fire drifts among Yosemite Valley autumn trees.

I have told the story of this series of photographs before, but here is a reminder in case you missed it. I was in Yosemite for a day of autumn color photography, but when I arrived I found the Valley full of smoke from a managed fire, set to burn off accumulated undergrowth. The Park Service does this regularly these days in autumn. It isn’t pleasant for visitors, but it makes for a healthy forest that is less likely to be destroyed by wildfires in the future. But it does pose some challenges for photographers!

Fortunately, with the right subjects and light it is possible to make photographs in smoky conditions. This isn’t the first time I’ve photographed in smoke, and I have shot actual wildfires in the past. I decided that here the drifting smoke was actually kind of moody, almost like fog except with bright sunlight streaming down from above. Here I centered a tree with autumn leaves inside and arch of thicker trunks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Valley Light, Autumn

Valley Light, Autumn
“Valley Light, Autumn” — Autumn light on trees in El Capitan Meadow, Yosemite Valley.

By now this meadow and its trees and beautiful light seem like old friends. Over the years I have photographed these subjects many times — in winter snow, autumn color, spring greenery, and even in the hot, crowded summer months. Many things have changed during that time. A few trees have fallen and their trunks and branches decay, and a few young, new trees have appeared. Access has become more difficult as the Park Service tries to protect the vegetation, a change about which those of us who remember the “before times” have mixed feelings.

Ironically, the beautiful light streaming down through a gap in the upper cliffs and lighting the trees and meadows is emphasized here by smoke. It being autumn when I made the photograph, it was the season for managed fires, set in order to clear out excess undergrowth and promote a more healthy forest. But still, it was a bit disappointing to arrive in the Valley and find it full of smoke — until I noticed the beautiful effect it had on this light!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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First Light, Mono Lake

First Light, Mono Lake
“First Light, Mono Lake” — Colorful dawn light over Mono Lake just before the rising sun clears the mountains.

Arising for dawn is a challenge for many people. I understand, but I think the rewards earned by getting up early are worth it — though I do have to remind myself or this sometimes as I contemplate my alarm going off a few hours before sunrise. But once I’m up and on my way, I actually enjoy the entire experience — the pre-dawn travel in darkness, the first glow in the eastern sky, the anticipation as the light builds, the first direct light on peaks, and eventually the sun itself. If you can’t imagine getting up that early, just try it a few times. I suspect you might get hooked.

I was in the Eastern Sierra to photograph fall colors, camped up some high valley on the east side of the range near the entrance to Yosemite National Park. On this morning I ended up at Mono Lake, where I set up and watched as the sky filled with intense color and the first rays of the sun peeked over the distant desert mountains beyond the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Aspens, Last Light

Aspens, Last Light
A few final beams of light illuminate Eastern Sierra autumn aspen trees.

The light in this location is unusual for the Sierra — for geographic reasons that I’ll explain below. This forest of autumn aspen trees is on the east slope of the range, at what I think of as a middle elevation. Here the high desert sage country meets aspens and a few conifers, then transitions as the terrain rises until the forest is mostly conifers. The shallow angle and steady rise let us view one of the bigger aspen stands in the Sierra.

About that special geography… In many places the eastern front of the Sierra is quite steep, and some of the most precipitous mountain faces in the range are along this side. But in this location the rise is more steady and gentle and it begins at a higher elevation. Consequently, late in the day when I made this photograph the light streaming between peaks to the west comes in at about the same angle as the slope — and long shadows and beams of late-day sunlight spread across the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.