Silhouettes, Flock of White Faced Ibises. Merced National Wildlife Refuge, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.
A flock of white-faced ibises is silhouetted against evening blue sky and clouds above the Merced National Wildlife Refuge.
On this winter evening I visited, for the first time, the Merced National Wildlife Reserve on a detour I took while returning home from a few days photographing in Death Valley. This winter I have (finally!) started to become aware of the amazing annual influx of migratory birds in California’s Central Valley and I managed to get out there a couple of times to view and photograph the magnificent flocks of birds. Being new at this, I have been working at figuring out just how to photograph this subject, and I’ve come up with a few approaches that seem to work, though I have a lot to learn. In this case, I had figured out that if I just picked a spot and waited that eventually flocks would fly over my position, and that I would have a chance of photographing them against the evening sky and clouds. Being almost completely ignorant when it comes to identifying these birds – but no less impressed with them because of this – I had virtually no idea what I was photographing in the moment when I tracked the birds and made the exposures. In fact, it wasn’t until later that I noticed the wonderful curved bills of these birds and then found out from my friend Tom Clifton (who does know how to identify these critters) what they were.
As the birds approach I work to synchronize my camera motion with the speed and direction of their flight. I try to keep them in the frame, and preferably in the frame in a way that might create an interesting composition. And while I do that I try to keep some attention on the background against which they fly and some small remaining bit of my attention on the technical matter of keeping at least one of them under an autofocus point in the camera’s viewfinder. As a flock approaches, things seem to start out fairly slowly and it may seem like the birds are taking a long time to arrive. But as they get closer – especially when shooting with a 400mm focal length and double-especially when they are as close as this flock – the action speeds up, and as they pass overhead it is all I can do to keep them centered in the viewfinder as I let the camera’s burst mode do its job at the right moment.
There are things about the experience that the camera cannot capture. The cold and damp of a Central Valley winter evening might be evoked by the right sort of landscape photograph, but not by a photograph like this one – yet this is an integral part of the experience. Even more than that, the sound of these birds, alone or in huge groups, sticks in my mind as much or more than the visual image. If you have been there and heard it, perhaps a photograph may cause you to recall it.
G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
