Tag Archives: big

Sur Point, Autumn Sky

Sur Point, Autumn Sky
Precursor clouds from an incoming weather front in the sky above Sur Point.

Sur Point, Autumn Sky. © Copyright 2020 G Dan Mitchell – all rights reserved.

Precursor clouds from an incoming weather front in the sky above Sur Point.

The mound at the lower right in this photograph is Sur Point, the site of an old lighthouse facility along the Big Sur coast of California. The historic facility has been there for a long time. From what I understand it was originally so isolated that the families that manned the facility had to grow their own food, and they were resupplied only occasionally and by ship. The point sits on a low peninsula, connected to the mainland only by a low, sandy spit of land.

This photograph embodies several things that attract me to portions of this rugged (though today quite accessible) coastline. It sits at the western edge of a continent populated by a people whose history included (largely but not exclusively) arrival here at the far end of journeys from the east. (Today it just be acknowledged that an increasing number arrived by other paths and that before those of us with shorter histories here arrived others had been here for millennia.) Here, as we look over the eastern edge of the world’s largest ocean, there is a sense of vast, monumental space — something that I like and have not been able to experience as much as I would like during the pandemic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Surf and Fog, Big Sur Coast

Autumn Surf and Fog, Big Sur Coast
Big waves from a distant Pacific storm pound the rugged Big Sur coast.

Autumn Surf and Fog, Big Sur Coast. © Copyright 2020 G Dan Mitchell – all rights reserved.

Big waves from a distant Pacific storm pound the rugged Big Sur coast.

Two things led us to make a quick trip down to the Big Sur coast this week. First, weather reports were predicting unusually large surf, generated by a distant storm to the north in the Pacific. Second, additional pandemic lockdowns are about to be instituted here, starting on Sunday — so we felt like this might be our last opportunity to make a drive like this one for a month or more. Since we’ve spent so much of our time during the past months on our own property or, at most, within walking distance of our home, the chance to get out and look at long views was therapeutic. (It was also pretty safe, since didn’t stop for food or anything else — though passing our favorite Big Sur bakery wasn’t easy.)

This is a location I’ve photographed quite a few times in the past. These days I usually don’t stop there to photograph, though I may stop briefly just to enjoy the scene. I’ve seen it in special conditions, so there’s really no need to make another sunny day photograph there. As we approached this time, again I had no thoughts of stopping — but they I saw this backlit spray/fog thrown up by the wild surf and almost obscuring the view of the distant bridge. Believe it or not, this is a color photograph! The brilliant backlight and the mist and fog drained almost all of the color from the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sur Point Lighthouse, Winter

Winter surf below Sur Point and the Sur Point Lighthouse.

Sur Point Lighthouse, Winter. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter surf below Sur Point and the Sur Point Lighthouse.

As happens from time to time, I made a series of photographs of this subject on this winter day. One advantage of digital photography is that it is possible — and useful! — to make quite a few exposures of transient subject like water and clouds whose precise appearance is difficult to predict and for which precise timing is almost impossible. While I’ve seen photographers make hundreds of exposures of really active subjects such as moving water, this one wasn’t quite so difficult — just a series of waves moving up onto the beach and the varying qualities of the drifting spray. My first inclination was to share a different photograph from the set, which I did perhaps a few weeks ago. But now, in looking at the files more closely, I’ve changed my mind and I think I prefer this one.

At any time of year the light along this section of the California coast can be quite interesting. Because the coast doesn’t run on a perfect north-south line, instead angling to the east as you head south, for much of the day offshore features are backlit to a greater or lesser extent. (The sun also reflects off the ocean’s surface in wonderful ways, even at midday when the sun is directly south.) This meant that the rocky shape of Sur Point was deeply backlit, and exposing for the shadow details would risk losing details in the rest of the scene — so I decided to treat it as more of a silhouette. (Some details are visible, though hard to see in a web version.) In the end, that nearly black form may help enhance the visibility of the mist and spray being blown from the big winter surf.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Point Sur, Winter Light

Point Sur, Winter Light
Winter surf and light beneath the lighthouse at Point Sur.

Point Sur, Winter Light. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter surf and light beneath the lighthouse at Point Sur.

This photograph is at the historic Point Sur, a rocky hill that would be a monumental sea stack if it were not still tenuously connected to the mainland by a low, sandy peninsula. (I’ve always wondered how often that peninsula has been overtopped by huge storm surf or perhaps an occasional tsunami.) The lighthouse at the upper left is part of a more extensive set of structures erected decades ago to support the isolated lighthouse keepers. Long ago it was considered to be so remote that it was resupplied by ships that arrived every few months, and the keepers and their families had to be essentially self-sufficient.

Point Sur has a tremendous physical presence along this section of the rugged coast. Before and after it the steep hills and cliffs are momentarily interrupted by low headlands, so it stands out against this flatter landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.