Tag Archives: birds

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Ross’s Geese in Flight, Central Valley Evening

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Ross's Geese in Flight, Central Valley Evening - A large flock of Ross's geese takes flight in the sunset sky above Central Valley ponds, California.
A large flock of Ross's geese takes flight in the sunset sky above Central Valley ponds, California.

Ross’s Geese in Flight, Central Valley Evening. Merced NWR, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A large flock of Ross’s geese takes flight in the sunset sky above Central Valley ponds, California.

Yes. More geese. And I’m sure that before the season ends there will be yet more still. (I have some images tucked away in my mind that I would like to try to convert into actual photographs this year if I can get back out to the Central Valley in the right sort of conditions.) The object here was to try to capture the rising flock filling the sky in this beautiful early evening light.

I think I admitted recently that I’m a newcomer when it comes to these birds. Although I’ve spend years in the outdoors of California, I somehow managed to almost completely miss the annual bird migration much less get a remote sense of its scale and beauty. At some point in the past decade or so I had my first real encounter with the birds that gave me a clue that something I needed to know about was going on. It was an early winter evening – I believe it was on the first evening of a long November drive up highway 5 to Seattle. I was well up the Sacramento Valley as twilight arrived, and for some reason I had stopped – probably pulled out at one of the roadside rest stops. I heard the sound and looked up and saw giant flocks of birds (of what type I hadn’t a clue) stretched out against the sky, and that moment stuck with me. Then last year a chance meeting with a colleague at the espresso stand at my college led me to look for the birds more seriously. As we stood in line, my friend mentioned that she had seen my photography and said something about the birds. I asked where they were, if I recall correctly, and she gave me directions to a place a ways south of Sacramento. I had originally had different plans, but the next morning I headed up there very early, arrived to a completely fogged-in road, but the sound of the birds all around me and occasional misty glimpses of sandhill cranes throughout the fog had me hooked. This year I’ve already been out there several times and I’m ready to go again!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Migratory Birds in Twilight, Central Valley

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Migratory Birds in Twilight, Central Valley - Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.
Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.

Migratory Birds in Twilight, Central Valley. Merced National Wildlife Refuge, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Migratory birds flly though the twillight winter sky above California’s Central Valley and the Coast Range.

I made this photograph when it was almost too dark to see clearly. In fact, when I packed up and drove away a few minutes later, it was so dark that I momentarily got mildly lost on my way out of the refuge! Long after the sun had set, and at the time when perhaps the most intense sky colors appear, the migratory birds were still in flight above the Central Valley, often silhouetted against the colorful dusk sky just above the horizon.

This photograph is going to get a bit more technical explanation than usual. I had a 100-400mm telephoto on the camera at this point since I had been photographing the birds in a variety of ways, including trying to fill the frame with one or a few birds. While some might say that shooting a prime lens of this length could have some image quality advantages, this photograph wouldn’t have happened if I had been shooting, say, a 400mm prime. Since I wanted to move quickly from targeting small sections of the surroundings or even individual birds to making photographs that attempt to portray the larger landscape within which the birds are found, I frequently found myself moving quickly to much shorter focal lengths. Here, I realized that I might be able to “zoom out” and include some of the birds in flight high above the valley and the distant mountains in the context of their surroundings. So I shot this at something like 130mm. In addition, because the scene includes subjects that are not that far away (like the trees) and those at much greater distances (like the hills), depth of field was an issue with the longer focal lengths. I couldn’t shoot wide open without some excessive focus issues, so I stopped down to f/11. Think about that for a moment: shooting in extremely low light, stopped down to try to maintain some depth of field… and needing use a shutter speed allowing me to get some definition out of birds flying through the scene. This is essentially being caught between a rock and a hard place… and another rock. With the camera on the tripod, but still aimed manually, I used a shutter speed of 1/13 second and turned image-stabilization on. With all of this stuff pushing boundaries of shutter speed and aperture… my only option was to increase the ISO to 1600. For landscape work. Here’s the thing… in the end, while there was more noise in this photograph than if ISO 100 were possible, it isn’t that bad and probably wouldn’t even be visible to viewers of a print. While I’m usually persistent in my view that little technical differences among cameras don’t amount to much, in this case it was because current cameras make it possible to shoot in ways that were essentially impossible a decade ago that I could get this photograph at all.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Ross’s Geese, Winter Evening

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Ross's Geese, Winter Evening - Motion-blurred photograph of low-flying Ross's geese on a winter evening in California's Central Valley.
Motion-blurred photograph of low-flying Ross's geese on a winter evening in California's Central Valley.

Ross’s Geese, Winter Evening. Merced National Wildlife Refuge, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Motion-blurred photograph of low-flying Ross’s geese on a winter evening in California’s Central Valley.

From time to time I experiment with longer exposure photographs of birds in flight. The idea is that allowing the image to blur as the birds move might suggest their constant motion more effectively than the more typical approach of stopping the motion. Here not only was the exposure relatively long (I think it was 1/30 second) but I was shooting with a long telephoto which also amplifies the motion of subject and camera.

I’m thinking of this as a “study” for future photographs of these Ross’s geese and similar birds that will work with this idea of motion blur. Making this shot let me get a bit closer to understanding the most likely times to find the birds lifting off in the evening, and the best time to try to catch this with a bit of the last sunlight before sunset. I was also able to slightly better establish the shutter speed I would like to work with for this kind of image. The idea is to keep just barely enough shape in the birds that you can recognize what they are, but to allow the motion to blur things enough to eliminate the hyper-sharp realistic quality of the scene and to let the motion blur imply something about the actual flying motion of the birds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Levee, Fog, and Sandhill Cranes

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Levee, Fog, and Sandhill Cranes - A row of sandhill cranes pass above a levee on a foggy winter morning, Central Valley of California.
A row of sandhill cranes pass above a levee on a foggy winter morning, Central Valley of California.

Levee, Fog, and Sandhill Cranes. Central Valley, California. January 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A row of sandhill cranes pass above a levee on a foggy winter morning, Central Valley of California.

This is yet another photograph in which my landscape photographer brain perhaps took over from my wildlife photographer brain. I wrote elsewhere that even when I shoot wildlife, I often catch myself thinking about the landscape in any of several ways. While the birds are overhead, I’m purely in wildlife photographer mode, but during pauses in the action my eyes drift off to fix on elements of the landscape that might make interesting photographs.

Sometimes I put the two together and use a technique that, perhaps oddly, I also apply when doing some kinds of street photography. In essence, I think about what I can control in the scene, namely the fixed landscape elements, and I more or less create a composition with a “hole” in it where transient elements like birds might fit. Now I obviously have no control at all over what the birds will do or when and where they will pass through the frame, so there is an element of chance in all of this. Using a zoom lens helps, in that I can quickly reframe the scene if the birds happen to be lower or higher when they pass by. Needless to say, there is a lot of waiting involved, some of it which could be slightly frustrating as birds fly past just above the frame or too far away, or too low. But every so often they do pass though in an appealing location. To further blur the landscape/wildlife photography lines, I frequently do what I did in the sequence of images from which this frame comes – I pan with the camera on the tripod as the birds move along. In this case, I have to make instant landscape decisions as the background, formerly-fixed elements are now moving in the frame. Yes, landscape photography as an action sport!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.