Trillium plants beneath the redwood forest canopy at Muir Woods National Monument.
This is another of the previously overlooked photographs from a few years back, this time from Muir Woods National Monument in the Golden Gate National Recreation Area. I visit there frequently, and on this occasion I arrived just after the bloom of the trillium flowers had finished, but when the plants were still growing strong.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.
This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.
This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.
Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning sunlight shine through the window frames of the ruins of the abandoned schoolhouse in the ghost town of Rhyolite Nevada, near Death Valley National Park.
The ghost town of Rhyolite, Nevada is located just east of the boundary of Death Valley National Park, along the edge of the Amargosa Valley, and not far from Beatty, Nevada, which itself is close to the Nevada Test Site. Put all of that together and you have the potential for a bit of a spooky place!
Rhyolite was a short-lived mining town in the early 1900s, when it apparently was home to thousands of people who streamed to this forsaken landscape to find silver. The town was eventually abandoned – although some mining still takes place in the area – but a good number of the larger buildings are still there, in various states of decay. An old train station that looks pretty fancy is fenced off to keep us out, but you can walk (respectfully and carefully!) among many other old structures including the old school house that is the subject of this photograph.
I’ve been out here a number of times and dawn is my favorite time to photograph here. The light makes it to many of the old ruins very shortly after actual sunrise, and there is a moment of often beautiful light at this time. From Rhyolite the hills inside Death Valley National Park are visible to the west and above the nearer hills you can see Telescope Peak, the highest point in the park at over 11,000′ elevation.
The school (like a few of the other ruins) looks like it must have been a very large and robust structure. Even though the roof and the second floor are gone, almost all of the exterior walls still stand and don’t show any immediate signs of incipient collapse. On this morning I made a series of photographs from just inside one of the “doorways” of the school with a wide-angle lens. I selected and shared a few of them back in 2009, but I recently went back to my original raw files and decided to try this one in black and white.
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Seagulls fly through artificial lighting at night, San Francisco, California.
I wouldn’t mind if you speculated about how in the world I managed to get this king of lighting on a photograph of birds in flight. Let’s see, it couldn’t be on-camera flash since the light is coming from the side. Perhaps I concocted some elaborate multiple flash setup and then waited for the birds?
I’m afraid that the explanation is much more prosaic. To be honest, we were at a San Francisco Giants game on this evening. We go to Giants games for several reasons: the hope that the Giants might actually play well (not at the moment!), the great views from AT&T park, garlic fries (!)… and for me, photography. I always bring a camera and a lens, and partway through the game I usually take advantage of the upper areas of the stadium to photograph San Francisco and the Bay, often at sunset and dusk.
One more fact. Giants fans who attend games have discovered something astonishing about wildlife, namely that the sea gulls seem to be able to tell when it is the seventh inning or so. At about this point in the game, flocks of them begin to assemble over the park, circling above the field and the stands… and waiting for their chance to feast on the discarded food that is left all over the stadium. (My working theory is that they have somehow learned to associate a full stadium with the appearance of good stuff to eat about two or three hours later. They are apparently as fond of garlic fries as we are.)
So, on this evening when the gulls showed up they began to fly in and out of the stadium lighting, creating a somewhat stark and dramatic effect against the dark sky.
(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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